This larger than life figure with the head of a monkey represent one of the humbler gods of the Baulte tribe. It is called Gbekre or Mbotumbo, a god with several tasks, for he is both judge of hell and helper of those in need, protector of the living against their enemies. Statues of standing monkeys were used in many different Baule cults, the most prominent of which was Mbra and they are very different in style of other Baule sculptures. If the ancestor-cult statues are often characterized by refined and detailed carving, the wood stained and often polished, the Gbekre are very different. They are roughly carved in unstained wood. They combine human and animal traits in such a way that it is nearly impossible to separate them. Besides, they are used for many different cults, for a trance divination cult among them. Women are forbidden to see some of them, others are openly shown.

Made of 100% wood.

Model is W 87 - H 23 and weight 11 kg

This authentic carved wood mask, depicting an abstracted animal originates from the Dogon tribe in Mali. The Kanaga masks depict the face as an almost long and rectangular box with deeply hollowed channels for the eyes. According to Dogon beliefs, it represents a wild monkey, uncivilized, dangerous, and antisocial behavior –  the direct opposite of their beliefs about the way a proper, solid, upstanding Dogon person is expected to behave.

Made of 100% wood.

Model is W 18 – H 18 and weight 2 kg.

This zoomorphic Dyodyomini Dogon mask made of Hardwood with a kaolin coating is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. The term Dyodyomini which designates this type of mask evokes a bird that pecks. It would be a Dobu, a sort of hornbill, white and brown, with a long curved beak. It was created on the occasion of a Dama (funeral ceremony, the feast of mourning).

Made of 100% wood.

Model is W 48 - H 192 and weight 1 kg.

"Elu" mask with an expressive Bird like face and hinged jaw originates from the Ogoni tribe in Nigeria, early 20th century. Wooden face mask with hinged, movable jaw. Lower jaw portion attached to upper by narrow wooden threads on each side. Semicircular disc like ears protrude from sides of face. Scarification marks with geometrically incised designs appear on both sides of the face at outer corner of eye area. The eyes are hollow almond shaped openings. The head decoration has a raised portion, with a vertical light-painted keloid or scar mark the center.

Made of 100% light hand-carved cane wood, fiber and pigments.

Model is W 30 - H 19 and weight 3 kg.

This beautiful ‘Gomintogo’ or ‘Hare mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon. The Dogon people have created more than eighty mask types to represent characters in their cosmic myths.

Made of 100% wood.

Model is W 50 – H 21 and weight 2 kg.

Made of 100% Terracotta

Model is W 28 – H 37 –  D 24 and weight 11 kg

This anthropomorphic figure belongs to the Djenne, It is made of ancient terracotta or fired clay, sculpted by hand in a sitting position, with one finger under each eyeballs, as a mourning gesture, and "So you shall see". This sculpture is characterized by refined and detailed carving of the clay, a distinctive approach comparable to the wood-carving traditions of Africa, and even more so of the Baule.

In Djenne, they are also called Grebo same as the Baule, a god with several tasks, for he is both judge of hell and helper of those in need, protector of the livings against their enemies. Their use are unknown, but they were found most often inside the houses of the Djenne, next to the effigies of Malian big figures or chief ancestors, and their gestures is always of mourning.

This tribal Mask From the Chokwe is called pwo or mwana pwo mask and  originates from Angola. It has an elaborate hairline made up of a braided fibre fabric, beautiful and unusual scarification patterns on the forehead and cheeks. Pwo signifies womanhood and an elder ancestral female associated with fertility. The cross form on the forehead, known as cingelyengelye, is an early Portuguese influence.

Made of 100% wood, fiber, Patina.

Model is W 28 – H 17 and weight 0.5 kg.

This Senufo Kpelie hand-carved wooden mask comes from the Ivory Coast/Mali. It has preserved its authenticity, surface and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Ivory Coast/Mali Senufo people’s ‘Kpelie’ mask. Beautiful, mysterious and poetic, imbued with the cultural narrative of its people and its time.

Made of 100% wood

Model is W 16 – H 30 and weight 0.9 kg.

This example of  Baule art is over 25 years old. Baule art is sophisticated and stylistically diverse. The Mblo masks such as this one were used in entertainment dances, one of the oldest of Baule art forms. These refined human face masks are usually portraits of particular known individuals.

Made of 100% wood, pigments

Model is W 22 – H 18 and weight 2 kg.

This handcradted Grebo Mask with dense wood belongs to the Grebo group of Kru, a small population of the western coast of the Ivory Coast, and their neighbours from eastern Liberia). The distinctive style with protruding tubular eyes in varying numbers is rare with an exaggerated abstract facial features and large headdresses. Grebo ethnic group in Ivory Coast uses this mask to the needs of “fetish” (sacrifices).

Made of 100% carved wood.

Model is W 25 – H 64 and weight 1.4 kg.

This figure with the head of a monkey represent one of the humbler gods of the Baulte tribe. It is called Gbekre or Mbotumbo, a god with several tasks, for he is both judge of hell and helper of those in need, protector of the living against their enemies. Statues of standing monkeys were used in many different Baule cults, the most prominent of which was Mbra and they are very different in style of other Baule sculptures. If the ancestor-cult statues are often characterized by refined and detailed carving, the wood stained and often polished, the gbekre are very different. They are roughly carved in unstained wood. They combine human and animal traits in such a way that it is nearly impossible to separate them. Besides, they are used for many different cults, for a trance divination cult among them. Women are forbidden to see some of them, others are openly shown.

Made of 100% Wood

Model is W 72 - H 18 and weight 4 kg

This "Elu" mask originates from the Ogoni tribe in Nigeria. Scarification marks with geometrically incised designs appear on the forehead. The eyes are hollow almond shaped openings. The head decoration has a raised portion representing ancestors or title holders.

Made of 100% light hand-carved cane wood, fiber, and pigments.

Model is W 32 - H 21 and weight 1 kg.

This authentic carved wood mask, depicting an abstracted animal originates from Mali. Dogon masks, such as this one called kanaga, are worn primarily at dama, a collective funerary rite for Dogon men. The ritual’s goal is to ensure the safe passage of the spirits of the deceased to the world of the ancestors.

Made of 100% wood.

Model is W 49 – H 28 and weight 1.5 kg.

This zoomorphic Dogon Dege mask made of wood, with chestnut brown patina, simple but yet very harmonious, is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood.

Model is W 70 - H 26 and weight 4 kg.

Extraordinary Gela War Mask from the Guere tribe of Ivory Coast. The term Gela refers to the animated being comprised of face mask, costume, and the wearer beneath. The mask present many natural horns and teeth throughout blending animal and human elements. Gela masks have been given a variety of identities that, rather than describing their physical appearance, are linked to the powers associated with the mask persona. 

The Guere ethnic group are found traditionally in Ivory Coast . They are associated with the Wobe, Kran, Gere and others and are often grouped together with them as "We" people . The mask of the We people are often grimacing, fierce looking. 

Made of 100% Wood, horns.

Model is W 27 – H 37 and weight 4 kg.

This superbly sculpted Marka Mask is made of wood, covered with brass sheets, comes from Mali. This is one of the finest examples of Marka masks. This is a beautiful well-carved mask. The works on the brass sheet are final and superb. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.

Model is W 49 - H 17 and weight 2.2 kg.

This example of Dogon art is over 35 years old. Dogon art is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. Their art deals with the myths whose complex ensemble regulates the life of the individual. Their masks are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market.

Made of 100% wood

Model is W 28 - H 18 and weight 3 kg.

This mask from the Fang tribe is an abstract anthropomorphic carving. They were meant to protect. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.

Made of 100% wood.

Model is W 33 - H 23 and weight 2.8 kg.

This pigmented yellow Senufo Kpelie hand-carved wooden mask comes from the Ivory Coast/Mali. It has preserved its authenticity, surface and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Ivory Coast/Mali Senufo people’s ‘Kpelie’ mask. Beautiful, mysterious and poetic, imbued with the cultural narrative of its people and its time.

Made of 100% wood, pigment.

Model is W 18 – H 30 and weight 0.6 kg.

This beautiful hand-carved anthropomorphic figure comes from the Ivory Coast/Mali and is called Tugubele. It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people. This impressive representation depicts a mother nursing an infant. The sculpture is used to honor women and their maternal role in ceremonies and festivals of the tyekpa society, a social association among the Senufo peoples. The delicate infant is lying on his mother's lap, while the mother remains stoic. The head of the mother is rendered in a rather expressionistic fashion, with pronounced mouth, large eyes, and crestlike coiffure. Her slit eyes suggest a sense of introspection and serenity as she fulfills her maternal obligations. The surface of the figure is finished in a lustrous sticky patina, indicating the frequent application of oils as spiritual libations, but also to preserve the piece.

Made of 100% wood

Model is W 40 – H 93 and weight 6 kg.

This beautifully carved mask originates from the Baule tribe. Baule art is sophisticated and stylistically diverse. The Mblo masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. These refined human face masks are usually portraits of particular known individuals.

Made of 100% wood, pigments

Model is W 46 – H 24 and weight 0.9 kg.

This zoomorphic deer mask is called ‘Gomintogo’. It originates from the Dogon people of Eastern Mali, and represent one of the 80 masks types of the tribe. The first mask was said to be originally carved by a farmer who killed the deer because it had devastated his fields. The farmer built an altar to shelter the spirit of the deer and prevent it to wanders and take revenge on the living people.

Made of 100% wood.

Model is W 24 – H 15 and weight 2.1 kg

This beautiful Punu mask from Gabon is called ‘Okuyi’ or ‘Mukudji. It was worn during acrobatic dances by men on stilts.

Made of 100% wood, kaolin, pigments.

Model is W 33 - H 25 and weight 1.6 kg.

This unusual and particularly imaginative helmet like mask is from the Nsukka area, the northern part of the northcentral Igbo region in Nigeria. This region has one of the most complex and diverse mask making traditions in Nigeria.

Made of 100% wood

Model is W 33 – H 25 and weight 1.2 kg.

This anthropomorphic Dogon figure originates from Mali. The wooden pillars carried symbolic representations that were references to Dogon mythology, especially ancestors.

Made of 100% Wood, mineral pigments

Model is W 14 - H 61 and weight 2.4 kg.

This beautiful female hand-carved figure is called "Rhythm Pounder". It originates from the Senufo people of Ivory Coast, Mali, and Burkina Faso. The anthropomorphic figure was once a benevolent symbol of fertility and a conduit to the departed, but also a crucial prop in both commemorative ancestral rites and in initiations of adolescents to adult society. It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people. 

Made of 100% wood

Model is W 20 – H 112 and weight 5 kg.