This jewelry or ancestral box originate from the Mangbetu tribe, of the colonial history of the Democratic Republic of the Congo. The unknown artist who carved this box was not only skilled with an adze, or carving tool, but also a savvy businessman who understood his audience: while Mangbetu courtiers preferred boxes with geometric bases, Europeans preferred figurative sculptures. This piece would have been particularly attractive to European consumers, who held a prurient fascination for courtly Mangbetu hairstyles that accentuated the high foreheads of the nobility, shaped through cloth bindings during infancy. Estimated at 15.000 - 20.000 Euros.

Made of 100% wood, bark, vegetable fiber.

Model is W 26 – H 47 and weight 1.2 kg.

This beautiful ‘Gomintogo’ or ‘Hare mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon. The Dogon people have created more than eighty mask types to represent characters in their cosmic myths.

Made of 100% wood.

Model is W 50 – H 21 and weight 2 kg.

This striated masks, or Kifwebe, originates from the Luba, southern part of the Democratic Republic of the Congo. These types of masks were used to mark important periods of social transition and transformation, appearing at the death of a chief or any other eminent person, or when a person assumes an important political title.

Made of 100% wood

Model is W 20 – H 40 and weight 0.9 kg.

This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 48 - H 21 and weight 1.6 kg.

The male fetish figure originates from the Songye, in the southern part of the Democratic Republic of the Congo. They were believed to ward off evil, to preserve the tribe or the family from hostile powers, sorcerers or evil spirits, and to aid fertility. Large ones were owned by and served the community; small ones were for individual families. Adorned with additional objects, Bajimba, with magical properties (horns, skins, teeth, hair, feathers, beads, tacks, cloth, etc.), they gained their power not from the carver but from the Nganga, or spiritual leader. Their carving was considered secondary to their power. Often too powerful to touch, they were moved with long sticks. Although protective, these are confrontational objects, with a warrior's attitude.

Made of 100% wood.

Model is W 55 - H 15 and weight 1.2 kg.

This anthropomorphic Dogon figure originates from Mali. The wooden pillars carried symbolic representations that were references to Dogon mythology, especially ancestors.

Made of 100% Wood, mineral pigments

Model is W 14 - H 61 and weight 2.4 kg.

This rare Bembe-Teke kneeling figure. originates from western Congo, to the north of the mouth of the Congo river. This figure has characteristic sculptural components of both the two neighboring ethnic groups Babembe and Bateke. Teke is also known for their creative arts. Teke sculptures have a religious function but are above all used for their magical qualities. The Teke have two sorts of statues: the Nkida which do not have a magical charge, and the Butti which do. The style of the statues is ‘cubist’ with angular forms and a helm shaped coiffure. Teke statues are rarely feminine.

Made of 100% wood.

Model is W 33 - H 9 and weight 08 kg.

This beautiful Punu mask from Gabon is called ‘Okuyi’ or ‘Mukudji. It was worn during acrobatic dances by men on stilts.

Made of 100% wood, kaolin, pigments.

Model is W 33 - H 25 and weight 1.6 kg.

This small, late 19th–early 20th century, Maginga statue made of wood originates from the Lega peoples of the Democratic Republic of the Congo. The figure portrays angular legs tapering to the torso with protruding navel framed by truncated arms, the sloping shoulders supporting the head with scooped, heart-shaped facial plane, notched mouth and coffee-bean eyes; covered in kaolin.

Made of 100% wood, kaolin, vegetable fibers.

Model is W 51 - H 16 and weight 1.9 kg.

Made of 100% Wood

Model is W 24 - H 39 - D 24 and weight 3 kg

This figurative jar originates from the Mangbetu tribe of the Democratic Republic of Congo. This particular jar might have been used to give water or milk to an infant, and a sign of maternity. The jars were used during ceremonial rituals, and for entertainment purpose during the festivities. The women held it while dancing and in supplication, and to invite the viewers for a drink, therefore it was probably used for beverages other than water. However, in 1963, their role or use switched and they put aside for a reason we do not know. However, the Mangbetu were suspected to be practicing cannibalism so we believe the content of the jar might have been used to carry other types of beverages.

An African Tabwa ancestor figure from the Democratic Republic of Congo, with a cylindrical body rising from a circular base, and carved opening of the abdomen. Fine brown patina.

Made of 100% wood.

Model is W 37 - H 8 and weight 0.5 kg.

This ‘Gomintogo’ or ‘Hare mask’ or ‘Deer Mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon.

Made of 100% wood.

Model is W 53 – H 21 and weight 3.5 kg.

The present Janus figure Lega mask originates from the Bwami tribe in Congo. A well-carved example of Lega wooden face mask, carved from light-coloured wood and with the typical, heart-shaped Lega faces cup inwards, and feature coffee bean eyes and long, flat noses. Both faces were originally coloured white with kaolin (common for the Lega style).

Made of 100% wood.

Model is W 36 - H 24 and weight 0.7 kg.

This authentic piece is called “Mbangu” (sickness mask) and originates from the Pende people of DR Congo. The Mbuya or village mask is characterized by a somber, gloomy expression such as this one, and represent human types, such as the chief, the diviner, the epileptic with a twisted mouth, the madman or man in a trance, the widow, the lover, or the executioner.

Made of 100% wood, aged surface with black pigment and kaolin.

Model is W 33 - H 16 and Weight 1 kg.

This beautiful ‘Hare mask’ of the Dogon people of Eastern Mali, represents one of the approximately 80 mask types of the Dogon. The mask is white-primed and accentuated with white dots. They are worn in large numbers in funeral dances.

Made of 100% wood.

Model is W 21 – H 14 and weight 1.2 kg.

This zoomorphic Dogon Dege mask made of wood, with chestnut brown patina, simple but yet very harmonious, is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood.

Model is W 70 - H 26 and weight 4 kg.

Vili Yombe Helmet Mask with nails basketry originating from DR Congo. The pigmented wooden mask, the features of the face are carved with great concern for details and naturalistic expression that are often found in the masks of the Woyo and Vili and also the Yombe, in its classical form. Finely carved with black and red pigment throughout. Each mask represents a supernatural being, an expression of the imaginary in which the ancestors are confused. Such masks are used during initiations, funerals of important individuals or may have social control functions or are used by diviners and healers. This mask is very pleasing to the eye and well proportioned in its simplicity, and would be a great addition to any collection.

Made of 100% wood, pigment.

Model is W 38 - H 54 and weight 0.7 kg.

This example of  Baule art is over 25 years old. Baule art is sophisticated and stylistically diverse. The Mblo masks such as this one were used in entertainment dances, one of the oldest of Baule art forms. These refined human face masks are usually portraits of particular known individuals.

Made of 100% wood, pigments

Model is W 22 – H 18 and weight 2 kg.

This striated masks, or Kifwebe, originates from the Songye, southern part of the Democratic Republic of the Congo. These types of masks were used to mark important periods of social transition and transformation, appearing at the death of a chief or any other eminent person, or when a person assumes an important political title. The high forehead and the form of the mask imitate the heads of the pygmies, the original custodians of the land.

Made of 100% wood, pigment.

Model is W 23 – H 49 and weight 0.6 kg.

This Power Figure from the Dem. Rep. of Congo is called Yaka (or Bayaka). It represents a commemorative or reliquary ancestral figure. These are worshiped small huts and receive sacrificial offerings. It is a standing prayer position, with hands joined together. important ancestors in The reliquary figure, carved from very hard wood, displays the typical features of Yaka sculpture.

Made of 100% carved wood, kaolin and red redwood powder.

Model is W 16 - H 63 and weight 1.4 kg.

This handmade comb originates from the Songye of the Democratic Republic of the Congo. The combs were used by both men and women in elaborate and distinctive coiffures and a source of social status. Hair combs were considered a luxury and many become treasured items that were passed down through the generations.

Made of 100% Wood.

Model is W 21 - H 8 and weight 0.2 kg

This fine and colorful mask is an old Eastern Mbuya Pende. Pende masks are among the most dramatic works of all African art. The Pende tribe carves several different types of masks that they use to communicate with spirits during rituals.

Made of 100% wood

Model is W 49 – H 24 and weight 0. kg.

This rare articulated Anthropomorphic Iginga doll made of wood originates from the Lega/Bwami peoples of the Democratic Republic of the Congo. Figures such as this were used as a didactic device during the ritual of the Bwami Society to educate young initiates. Their metaphoric form help instructors to pass the message as do the proverbs, legends, myths and slogans.

Made of 100% wood, vegetable fibers.

Model is W 60 - H 24 and weight 5.5 kg.

This "Elu" mask originates from the Ogoni tribe in Nigeria. Scarification marks with geometrically incised designs appear on the forehead. The eyes are hollow almond shaped openings. The head decoration has a raised portion representing ancestors or title holders.

Made of 100% light hand-carved cane wood, fiber, and pigments.

Model is W 32 - H 21 and weight 1 kg.

A powerful and Authentic mid 20th century Krahn mask made of hard wood, with brown patina and pigment. The face has a very complex structure and might be identified to the baboon. It has scarifications and a large square tubular mouth. The surface shows a thick encrustation.  It originates from Liberia.

Made of 100% Polychrome wood, pigments.

Model is W 20 – H 15 and weight 1.4 kg.

This tri-pigmented wooden mask is typical of the Vuvi: of classical form, finely carved with remains of black pigment on the hairline, brow, and chin, remaining red and white pigment throughout.Masks of this particular type have often been attributed to the Vuvi or Pove people in Gabon; Each mask represents a supernatural being, an expression of the imaginary in which the ancestors are confused.This mask is pleasing and well proportioned in its simplicity.

Made of 100% wood.

Model is W 25 – H 45 and weight 0.9 kg.