This iron fetish bird figure of early to mid 20th Century, is made by the Dogon tribe from Mali using the old lost-wax method and is in excellent condition. The fetish figure of a bird is believed to symbolize the 'hogon' or spiritual leader. 

Made of 100% Bronze

Model is W 45 – H 30 and weight 3.5 kg.

Beautifully carved antique pair of fertility figurines originating from the Luba tribe from D.R. Congo. Most Luba art relates to kings and important chiefs, who defined their power by the display of prestige objects during important ceremonies.

Made of 100% wood.

Model is W 30– H 12 and weight 3.6 kg.

This is a fabulous Old Makonde "Lipiko" Helmet Mask from Southern Tanzania and Northeast Mozambique. The Lipico helmet masks are worn on the top of the head and cover only part of the face. The helmet is worn tipped upward on the head so the dancer can see. The masks sometimes represent ancestral spirits, sometimes animals. The lipiko masks, which in the language of the Makonde people means “helmet mask.

Made of 100% wood.

Model is W 30 – H 32 and weight 1 kg.

This kneeling maternity figure originates from the Yoruba tribe in Nigeria. This figure depict represents a queen mother as she would sit in state on formal occasions. The kneeling position is a gesture of respect, devotion, and submission. Thus the figure represented in the carving is probably a petitioner rather than a deity. The sculpture may have been a votive offering from a woman who had successfully petitioned for a child. Such royal maternity figures were kept with the venerated seats of ancestral chiefs in special rooms, or they were housed in the shrines of powerful deities that were particularly concerned with the well-being of a royal person, perhaps a queen mother.

Made of 100% wood.

Model is W 66 - H 14 and weight 3.8 kg.

This ancestral Mangbetu statue is an exceptional piece from the Mangbetu also spelled Monbuttu, peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). The Anthropomorphic figure dates from 1950 - 1960.

Made of 100% light wood, fiber Patin.

Model is W 72 - H 231 and weight 5.5 kg.

This hand-carved Nommo figurative latch Dogon box originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. It is anthropomorphic with a lid. This is a great display piece on a desk or dresser.

Made of 100% wood.

Model is W 14 – H 15 and weight 1.7 kg.

This unique figure is the prime example art Mambila, easily identifiable with their heart-shaped faces. The Tadep statues in the Mambila were used for therapeutic purposes. 

Made of 100%  wood, pigments

Model is W 34 - H 18 and weight 0.5 kg.

This handmade comb originates from the Songye of the Democratic Republic of the Congo. The combs were used by both men and women in elaborate and distinctive coiffures and a source of social status. Hair combs were considered a luxury and many become treasured items that were passed down through the generations.

Made of 100% Wood.

Model is W 21 - H 8 and weight 0.2 kg

This Lega (also known as Warega) mask originates from the Bwami tribe in Congo. A well-carved example of Lega wooden face mask. This face is enhanced by the eyebrows exceptionally carved in relief. The long and fine nose, as well as the open eyes and mouth, are carved according to the Lega style.

Made of 100% light hand-carved cane wood, fiber, and pigments.

Model is W 31 - H 20 and weight 0.8 kg.

This old-carved mask of light-coloured wood, originates from the Dogon people of Mali. Satimbe masks are surmounted by a female figure which represents the elder sister of the mask. It's a ceremony mask used during the annual harvest festival (called Bulu), celebrated in all the villages before the rainy season.

Made of 100% wood.

Model is W 28 – H 19 and weight 3 kg.

This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 48 - H 21 and weight 1.6 kg.

The present Fali doll in a typical, round rod shape displays a head, neck, and body richly decorated with geometric lines. The wooden doll is heavily embellished with many chains of red, yellow, white and blue glass pearls, as well as decorated with pierced cowrie shells on old leather bands. It originates from North Cameroon. In Cameroon, when a young Fali man becomes betrothed, he makes a doll(ham pilu) from wood and decorates it with hair, beads, and other small objects. He then gives it to his fiance, who wears it in a baby carrier on her back. The doll is a symbol of their marriage commitment and represents their future child. The man gives the doll the gender that he desires for his first-born. The young woman cares for the figure until the promised child is born; at this point, the couple carefully stores the doll away. It is a Fali custom that a young man should manufacture a doll for his beloved. The woman carries this doll like a baby on her back, thus symbolising her agreement to get married and her wish to have a child. All wood and leather parts of the doll display a good, old usage patina.

Made of 100% wood.

Model is W 37 - H 25 and weight 1.5 kg.

This rare small vessel with figural lids originate from Dogon, and dates . Atop the lid is two seated figures that represents an (idealistic) portrait of the deceased. The vessels were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 13 – H 8 and weight 0.14 kg.

This hand carved headrest reminiscent of a turtle originates from the Dogon people in Mali. The heavy honey-colored wood has a beautiful grain, the larger handle or extremity is richly patinated from having been carried around by its owner. The flat and slightly curved portion of the headrest also has a warm patina from usage. Dogon headrests are rare, replicating the larger stools in style and form, retaining all of the elegance and the aesthetics of larger pieces. Headrests like stools are considered to be objects of prestige, denoting social status and hierarchy in African societies.

Made of 100% wood.

Model is W 12 - H 29 and weight 0.4 kg.

This is a very unique hand carved wood double door cabinet originates from the Dogon tribe. It Stands on Three legs with a Latch. It is a anthropomorphic with double headed figure and relief carved women on the door and a lizard on the back.

Made of 100% wood

Model is W 63 – H 15 and weight 2.5 kg.

This authentic, well preserved Bronze of the Benin Kingdom in what is now Nigeria exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The figure and pose are classic from the high period of Benin art in the 15th century and honor the King or Oba.

Made of 100% Bronze

Age Mid 15th Century

Model is W 53 – H 15 and weight 5.3 kg.

This Old Makonde "Lipiko" Helmet Mask originates from Southern Tanzania and Northeast Mozambique. The Lipico helmet masks are worn on the top of the head and cover only part of the face. The helmet is worn tipped upward on the head so the dancer can see. The masks sometimes represent ancestral spirits, sometimes animals. The lipiko masks, which in the language of the Makonde people means “helmet mask.

Made of 100% wood, pigment.

Model is W 24 – H 26 and weight  0.6 kg.

This ancestral Mangbetu mother-child figure made of light wood, fiber Patin, is an exceptional piece for your collection. It originates from the Mangbetu also spelled Monbuttu, peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). The Anthropomorphic figure dates from 1950 - 1960.

Made of 100% light wood, fiber Patin.

Model is W 76 - H 21 and weight 4.5 kg.

This Bozo Fish puppet is used for performances in the region around the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba.

Made of 100% Wood, paint, nails, tape

Model is W 64 - H 25 and weight 4.2 kg.

This figure represents a kneeling maternity figure holding a shaft, and with a baby on her back. Her facial features are very expressive and are carved with naturalistic detailing such as large scarification on cheeks and forehead. The finial hairstyle called known as irun agogo, adds to the figure's beauty. The patina is shiny and smooth. This figure, a recent bride or a priestess, depicts an homage to maternity or motherhood and was used as a shrine to deities Shango or Eshu in the Yoruba religion. The mother and child could have had a more public role appearing during festivals and religious ceremonies. The piece has a shine and rich patina.

Made of 100% wood.

Model is W 70 - H 27 and weight 6 kg.

This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 49 - H 18 and weight 1.5 kg.

This Dogon Nommo figure has been rendered in a simplified way, reducing it to its essential. It is elongated with emphasis on geometric forms. This is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. The subjective impression is one of immobility with a mysterious sense of a solemn gravity and serene majesty, although conveying at the same time a latent movement. Their art deals with the myths whose complex ensemble regulates the life of the individual. The sculptures are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market. Thick patina made of blood and millet beer.

Made of 100% wood.

Model is W 37 - H 10 and weight 0.5 kg.

This figure represents a female kneeling figure holding a bowl, known as Olumeye. Her facial features are very expressive and are carved with naturalistic detailing such as large scarification on cheeks and forehead. The finial hairstyle called known as irun agogo, adds to the figure's beauty. The patina is shiny and smooth. This figure, a recent bride or a priestess, depicts an homage to maternity or motherhood and was used as a shrine to deities Shango or Eshu in the Yoruba religion. The piece has a shine and rich patina. The Olumeye are carved most often in the shape of a rooster and placed in front of a female figure who is shown kneeling in a position of submission and offering. The bowl was used to serve cola nuts to elite guests.

Made of 100% wood.

Model is W 66 – H 14 and weight 3.8 kg.

This Bembe statuette originates from the Central African Democratic Republic of the Congo Bembe People. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. It is a male Fetish or Power Figure ‘Bilongo’. They mostly represent Heads of village, warriors and women. 

Made of 100% wood.

Model is W 60 - H 19 and weight 4 kg.

This fantastic Chamba statue, is not very common and has an exceptional aesthetic presence and compelling abstract design. It was thought to have either a protective or healing function for the Wurkun or Bikwin peoples of the Benue River Valley.

Made of 100% carved wood and camwood powder.

Model is W 60 – H 14 and weight 3 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 40 – H 26 and weight 5 kg.