This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 49 - H 18 and weight 1.5 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 40 – H 26 and weight 5 kg.

This hand-cast crafted Djenne bracelet is made of bronze and terracotta dates as early as the 11th or 12th century. This type of bracelets were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth. 

Made of 100% Brass / Bronze

Model is W 11 – H 3 and weight 0.15 kg.

This Old Makonde "Lipiko" Helmet Mask originates from Southern Tanzania and Northeast Mozambique. The Lipico helmet masks are worn on the top of the head and cover only part of the face. The helmet is worn tipped upward on the head so the dancer can see. The masks sometimes represent ancestral spirits, sometimes animals. The lipiko masks, which in the language of the Makonde people means “helmet mask.

Made of 100% wood, pigment.

Model is W 24 – H 26 and weight  0.6 kg.

This zoomorphic Dogon mask made of hardwood with a kaolin coating is an exceptional piece for your collection. It originates from Mali and was created to represent spirits of the wilderness. 

Made of 100% Wood, mineral pigments

Model is W 16 - H 26 and weight 3 kg.

This Bozo Fish puppet is used for performances in the region around the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba.

Made of 100% Wood, paint, nails, tape

Model is W 64 - H 25 and weight 4.2 kg.

This rare and beautiful 19th–early-20th century Yombe Phemba (Maternity) Figure, originates from the Kongo peoples, Yombe group - Democratic Republic of the Congo, and is called Nkisi (means holy). The figures were used to ward off danger to mothers during delivery and to protect the health of the child.

Made of 100% Wood, kaolin.

Model is W 16 - H 75 and weight 5.2 kg.

Ancestor' Mangbetu figure box, originating from the Mangbetu peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). They are believed to be ancestral portraits of Mangbetu royalties, and were used to decorate thrones, and likely placed in a shrine to honor them.

Made of 100% light wood, fiber Patin.

Model is W 40 - H 19 and weight 3 kg.

This Dogon Nommo figure has been rendered in a simplified way, reducing it to its essential. It is elongated with emphasis on geometric forms. This is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. The subjective impression is one of immobility with a mysterious sense of a solemn gravity and serene majesty, although conveying at the same time a latent movement. Their art deals with the myths whose complex ensemble regulates the life of the individual. The sculptures are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market. Thick patina made of blood and millet beer.

Made of 100% wood.

Model is W 37 - H 10 and weight 0.5 kg.

This beautiful Punu mask from Gabon is called ‘Okuyi’ or ‘Mukudji. It was worn during acrobatic dances by men on stilts.

Made of 100% wood, kaolin, pigments.

Model is W 33 - H 25 and weight 1.6 kg.

This fine Dogon tobacco pot or tabatière made of wood comes from the region of toro, at the extreme east of the Bandiagara cliff, near ireli. in Mali. The vessels were used in secondary burial rituals by the Dogon. Of great antiquity, this pot is particularly high and refined, the figures are there in the number of four, which is a sacred figure for the Dogons.

Made of 100% Wood

Model is W 11 – H 21 and weight 1.8 kg.

This great Mumuye figure, carved with crescentic coiffure, an helmet like shaped head, large circular eyes and disc-like ears has a characteristical toroidal shape and the unmistakable stylistic sign of this Mumuye ethnic group.

Made of 100% Wood.

Model is W 70 - H 11 and weight 2 kg.

This beautiful piece is a granary door made by the Dogon people of Mali. It was designed to seal off a ceramic and stone granary, which contained agricultural produce which would have sustained a large social group between harvests. Granaries were therefore of primary importance to the Dogon, as the family would have starved if rats or other animals had been able to enter the granary. It displays well and is a striking and attractive piece of secular African design.

Made of 100% wood.

Model is W 42 - H 28 and weight 0.9 kg.

This is a very unique Hand Carved Wood Figurative Latch Dogon Cabinet originating from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. It Stands on Three legs with a Latch.

Made of 100% wood.

Model is W 45 – H 14 and weight 2 kg.

This Antique Black and White Beaded with Cowrie Shell Fly Whisk or Swatter originates from the Dogon People of Mali. A Dogon Noble's fly whisk was considered a prestige object. The fly whisk is a particularly pervasive emblem of leadership in Africa.

Made of 100% wood.

Model is W 3 – H 38 and weight 0.3 kg.

This beautiful hand-carved figure originates from the Senufo people of Ivory Coast, Mali, and Burkina Faso. The figure is called Senufo Rhythm Pounder.  It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people.

Made of 100% wood

Model is W 6 – H 68 and weight 1 kg.

This rare Wurkun (or Bikwin) small figure, in a post or staff-like form, is known as iagalagana and incarnates tutelary spirits. The stylized figure is stuck on iron rods, with a beautiful crusty red ocher patina. These statues were frequently washed with liquid clay, "fed" with millet beer offerings, rubbed with oil, explaining the thickness of the clay.

Made of 100% Iron, Paint.

Model is W 41 - H 14 and weight 3.5 kg.

This ancestral Mangbetu mother-child figure made of light wood, fiber Patin, is an exceptional piece for your collection. It originates from the Mangbetu also spelled Monbuttu, peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). The Anthropomorphic figure dates from 1950 - 1960.

Made of 100% light wood, fiber Patin.

Model is W 76 - H 21 and weight 4.5 kg.

This zoomorphic Senufo reliquary figure, with its elongated cylindrical trunk is characteristic of the style of the Fang Ntumu subgroup of northern Gabon near the Cameroon border. The appearance of Fang reliquary figures varies greatly from region to region. In general, the artists who created these figures apparently were interested in depicting the ancestors through individualized features, such as hairstyle and adornment.

Made of 100% wood.

Model is W 42 - H 6 and weight 0.4 kg.

This Dege ancestral male figure originates from the Dogon people of Mali. A man in a sitting position, with a very erect and dignified posture. He seems to a village leader. This type of art object with such a quality of achievement is rare, and perhaps the most interesting types of Dogon art, varied in form and rich imagery, they are also among the least well documented. 

Made of 100% wood

Model is W 12 H 55 and weight 2.1 kg.

This zoomorphic figure with protruding eyes and a large open mouth and carved teeth is a classic example of the Mambila people of northern Nigeria. They are thought to embody ancestors who are responsible for the clan's wealth.  The wide range of uses to which such a figure may have been employed was probably determined by the medicines in the possession of the owner, and how it was activated, rather than by specific stylistic characteristics of the sculpture itself.

Made of 100% wood, red pigments.

Model is W 39 - H 20 and weight 1.1 kg.

This handmade comb originates from the Songye of the Democratic Republic of the Congo. The combs were used by both men and women in elaborate and distinctive coiffures and a source of social status. Hair combs were considered a luxury and many become treasured items that were passed down through the generations.

Made of 100% Wood.

Model is W 21 - H 8 and weight 0.2 kg

This zoomorphic deer mask is called ‘Gomintogo’. It originates from the Dogon people of Eastern Mali, and represent one of the 80 masks types of the tribe. The first mask was said to be originally carved by a farmer who killed the deer because it had devastated his fields. The farmer built an altar to shelter the spirit of the deer and prevent it to wanders and take revenge on the living people.

Made of 100% wood.

Model is W 24 – H 15 and weight 2.1 kg

The male fetish figure originates from the Songye, in the southern part of the Democratic Republic of the Congo. They were believed to ward off evil, to preserve the tribe or the family from hostile powers, sorcerers or evil spirits, and to aid fertility. Large ones were owned by and served the community; small ones were for individual families. Adorned with additional objects, Bajimba, with magical properties (horns, skins, teeth, hair, feathers, beads, tacks, cloth, etc.), they gained their power not from the carver but from the Nganga, or spiritual leader. Their carving was considered secondary to their power. Often too powerful to touch, they were moved with long sticks. Although protective, these are confrontational objects, with a warrior's attitude.

Made of 100% wood.

Model is W 55 - H 15 and weight 1.2 kg.

This type of circular pendant representing a sun refers to an ancient and complex passage of the Dogon cosmogony, at a time when light was given to men through 10 suns. It is is relatively rare in western collections. The sun symbol identification that is sometimes made seems to be foreign rather than a Dogon interpretation. 

Made of 100% Brass / Bronze

Model is W 7 – H 2 and weight 0.12 kg.

This figure represents a kneeling maternity figure holding a shaft, and with a baby on her back. Her facial features are very expressive and are carved with naturalistic detailing such as large scarification on cheeks and forehead. The finial hairstyle called known as irun agogo, adds to the figure's beauty. The patina is shiny and smooth. This figure, a recent bride or a priestess, depicts an homage to maternity or motherhood and was used as a shrine to deities Shango or Eshu in the Yoruba religion. The mother and child could have had a more public role appearing during festivals and religious ceremonies. The piece has a shine and rich patina.

Made of 100% wood.

Model is W 70 - H 27 and weight 6 kg.