This hand-carved wooden equestrian figure originates from the Dogon Tribe. It depicts a hogon, the supreme officeholder, a semi-divine leader of great wisdom, a warrior, or even a mythological emissary from a distant land, expressing status, prestige, and power. They would bring honor to the ancestors, the current leadership and the owner of the sculpture. Although rare, horsemen as icon have existed for 1000 years in Mali.

Made of 100% wood.

Model is W 82 - H 22 and weight 6.7 kg

The Ntomo (also called N’domo) Bamana mask originate from Mali. They were worn by boys as they passed through the early cycle of initiation into manhood. As part of the six initiation societies collectively known as Dyow, the main aim of the initial 5-year long N’tomo Dyo is to prepare uncircumcised boys for adulthood and to educate them about life including farming skills and discipline. The masqueraders wearing the masks, enter the village compound to announce the start of a ritual or a puppet masquerade. There are two main style groups of their masks. One is characterized by an oval face with four to ten horns in a row on top like a comb, often covered with cowries or dried red berries. The other type has a ridged nose, a protruding mouth, a superstructure of vertical horns, in the middle of which or in front of which is a standing figure or an animal. The ntomo masks with thin mouths underscore the virtue of silence and the importance of controlling one’s speech. During their time in ntomo the boys learn to accept discipline. They do not yet have access to the secret knowledge related to kore and other initiation societies. Members wore a wooden face mask during the initiation festival at harvest time and when begging for rice.

Made of 100% Wood, pigment, seeds, latex, metal.

Model is W 21 – H 58 and weight 2 kg

This superbly sculpted Marka Mask is made of wood, covered with brass sheets, comes from Mali. This is one of the finest examples of Marka masks. This is a beautiful well-carved mask. The works on the brass sheet are final and superb. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.

Model is W 49 - H 17 and weight 2.2 kg.

This Bamana ChiWara carving is identified as a male and originates from the Bambara tribe in Mali. Chiwara, also spelled Chi wara or Tyiwara, antelope figure of the Bambara (Bamana) people of Mali that represents the spirit that taught humans the fundamentals of agriculture. The Bamana people honour Chiwara though art and dance.

Made of 100% wood.

Model is W 20 - H 78 and weight 1.2 kg.

This colorful horeman marionette was made by the Bozo people of Mali. It was used as a dance accessory. In Bozo culture, horseman figures used to depict prestige and power of the horse associated with royalty. Compared to the Dogon and Bamana, there is little published or illustrated of Bozo sculpture other than their rich and colorful puppet tradition. The puppets will satirize social and personal behavior of the local and national politicians, the braggart, the loose woman, the miser and the foreigner.

Made of 100% wood, pigment.

Model is W 61 - H 76 and weight 2.8 kg.

This zoomorphic Dogon mask made of wood, with chestnut brown patina, simple but yet very harmonious, is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood, laundry blue decorations.

Model is W 51 - H 20 and weight 3.9 kg.

This sculpture originates from the Dogon and is identified as being a ‘Jonyeleni / Do´Njelini’, a member of the Jo society, a woman’s and men’s initiation society among the Bamana. Carved from hardwood in the strict, clear, angular and angular abstracted ‘bombou-toro-style’ and originally probably black-brown.

Made of 100% wood.

Model is W 68 – H 20 and weight 2.9 kg.

This authentic Marka Mask is made of dense wood, and accentuated with fabrics at the back of it, originates from Mali. A fine examples of Marka masks. This is a beautiful well-carved mask. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, fabrics.

Model is W 22 – H 41 and weight 1.5 kg.

This authentic and beautiful mask made of dense wood, and red pigment originates from Mali. Bamana Kore were worn by adult Bamana males during the initiation of young men into adulthood. All Bamana males advance through various levels of initiation and secret knowledge and the marka mask appears for only the most senior of men representing their personal struggle to achieve knowledge and wisdom. The symbolism of this mask belongs to the Kore society. A fine examples of Bamana masks and a great addition to any serious collection for its artistic and intrinsic values.

Made of 100% wood, pigment.

Model is W 30 - H 50 and weight 1.2 kg.

A wonderful Old Bamana Sogo Bo Marionette head from the Bambara people / Bozo Peoples in Segou region of Mali. The elaborate hairstyle suggests the character of the preferred, benign woman barabara (unlike the evil woman galomuso ). We see pigmentation of red and black. The Sogo bò puppet theater is still widespread in the tribal area of ​​Bamana and has entertaining character, often with moral approaches, representing a comprehensive dance and vocal performance.

Made of 100% wood, pigment.

Model is W 26 - H 54 and weight 1.8 kg.

The Ntomo (also called N’domo) Bamana mask originate from Mali. They were worn by boys as they passed through the early cycle of initiation into manhood. As part of the six initiation societies collectively known as Dyow, the main aim of the initial 5-year long N’tomo Dyo is to prepare uncircumcised boys for adulthood and to educate them about life including farming skills and discipline. The masqueraders wearing the masks, enter the village compound to announce the start of a ritual or a puppet masquerade. There are two main style groups of their masks. One is characterized by an oval face with four to ten horns in a row on top like a comb, often covered with cowries or dried red berries. The other type has a ridged nose, a protruding mouth, a superstructure of vertical horns, in the middle of which or in front of which is a standing figure or an animal. The ntomo masks with thin mouths underscore the virtue of silence and the importance of controlling one’s speech. During their time in ntomo the boys learn to accept discipline. They do not yet have access to the secret knowledge related to kore and other initiation societies. Members wore a wooden face mask during the initiation festival at harvest time and when begging for rice.

Made of 100% Wood, pigment, seeds, latex, metal.

Model is W 25 – H 61 and weight 2kg

This beautifully well-carved mask, made of wood, covered with brass sheets and copper originates from Mali. This is one of the finest examples of Marka masks.  The works on the brass sheet are final and superb. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.

Model is W 45 - H 16 and weight 2.1 kg.

The Ntomo (also called N’domo) Bamana mask originate from Mali. They were worn by boys as they passed through the early cycle of initiation into manhood. As part of the six initiation societies collectively known as Dyow, the main aim of the initial 5-year long N’tomo Dyo is to prepare uncircumcised boys for adulthood and to educate them about life including farming skills and discipline. The masqueraders wearing the masks, enter the village compound to announce the start of a ritual or a puppet masquerade. There are two main style groups of their masks. One is characterized by an oval face with four to ten horns in a row on top like a comb, often covered with cowries or dried red berries. The other type has a ridged nose, a protruding mouth, a superstructure of vertical horns, in the middle of which or in front of which is a standing figure or an animal. The ntomo masks with thin mouths underscore the virtue of silence and the importance of controlling one's speech. During their time in ntomo the boys learn to accept discipline. They do not yet have access to the secret knowledge related to kore and other initiation societies. Members wore a wooden face mask during the initiation festival at harvest time and when begging for rice.

Made of 100% Wood.

Model is W 22 - H 58 and weight 1.4 kg

This beautiful piece is a Marka Janus double-face helmet originates from Mali. It is decorated with copper plate and brass. Mask of this type were used in the N'Tomo initiation mask for young boys during the circumcision ceremony of adolescents, and when circumcised men advanced from one grade to another. Along the Niger River the Marka use the masks in ceremonies related to fishing and farming. The Marka dress their masks in gaily-colored costumes made of cloth; they often appear in pair, to represent man’s courting of woman. Made of 100% wood, kaolin. Model is W 34 - H 42 and weight 3.4 kg.

A bright colored and antique Sogo Bo stool with head base from the Bambara people / Bozo Peoples in Segou region of Mali. The figure depict the character of the preferred, benign woman barabara (unlike the evil woman galomuso ). We see pigmentation of orange and black. The Sogo bò puppet theater is still widespread in the tribal area of ​​Bamana and has entertaining character, often with moral approaches, representing a comprehensive dance and vocal performance. Bozo people live along Niger river and are related to Bamana. They are known as people of the fish as they make their living by fishing. They also create mythical beings for masquerades and performances before hunting and fishing events.

Made of 100% wood, pigment.

Model is W 30 - H 54 and weight 1.3 kg.

This Bamana ChiWara carving is identified as a male and originates from the Bambara tribe in Mali. Chiwara, also spelled Chi wara or Tyiwara, antelope figure of the Bambara (Bamana) people of Mali that represents the spirit that taught humans the fundamentals of agriculture. The Bamana people honor Chiwara though art and dance.

Made of 100% wood.

Model is W 53 - H 9 and weight 2.3 kg.

This Bamana ChiWara carving is identified as a male and originates from the Bambara tribe in Mali. Chiwara, also spelled Chi wara or Tyiwara, antelope figure of the Bambara (Bamana) people of Mali that represents the spirit that taught humans the fundamentals of agriculture. The Bamana people honour Chiwara though art and dance.

Made of 100% wood.

Model is W 41 - H 15 and weight 0.9 kg.

This Boli Fetish figure originates from the Bamana People in Mali, West Africa. It was used by initiates of the Komo Society, some of whom are experts in the creation and use of magical fetishes associations to help accomplish specific goals delineated by priests, elders and members. These goals may vary and represent a wide variety of subjects affecting Bamana life, such as the destruction of anti-social sorcerers, the abolishment of disease or danger, the punishment of individuals found to be acting against society’s interests, or providing a bountiful harvest. The objects themselves harbor huge quantities of energy called nyama, and are activated by association priests once the specific task is articulated. Only initiated and trained professionals are capable of activating these instruments.These figures are assembled from diverse organic materials over a wooden core. They are thought to symbolize the universe and to harness spiritual power.

Made of 100% wood.

Model is W 30 - H 20 and weight 1.7 kg.

This Do Njelini 〈Jonyeleni〉 scuplture is hermaphrodite and originates from the Bamana peoples of Mali. Statues such as this represent the "beautiful young woman of the Jo. The new initiates travel for several monthes to neighboring villages with these wood figures. They advertise their new adult status and their desire for mariage. The Nyeleni sculptures incorporate the physical characteristics that are considered attractive and visually pleasing in a young Bamana woman. An even more vital message conveyed by the sculpture is the importance of motherhood in maintaining social cohesion and continuity within Bamana society, and elders' roles in passing on their skills, powers, and values to future generations.

Made of 100% wood.

Model is W 48 - H 10 and weight 1.2 kg.

The Ntomo (also called N’domo) Bamana mask originate from Mali. They were worn by boys as they passed through the early cycle of initiation into manhood. As part of the six initiation societies collectively known as Dyow, the main aim of the initial 5-year long N’tomo Dyo is to prepare uncircumcised boys for adulthood and to educate them about life including farming skills and discipline. The masqueraders wearing the masks, enter the village compound to announce the start of a ritual or a puppet masquerade. There are two main style groups of their masks. One is characterized by an oval face with four to ten horns in a row on top like a comb, often covered with cowries or dried red berries. The other type has a ridged nose, a protruding mouth, a superstructure of vertical horns, in the middle of which or in front of which is a standing figure or an animal. The ntomo masks with thin mouths underscore the virtue of silence and the importance of controlling one’s speech. During their time in ntomo the boys learn to accept discipline. They do not yet have access to the secret knowledge related to kore and other initiation societies. Members wore a wooden face mask during the initiation festival at harvest time and when begging for rice.

Made of 100% Wood, pigment, seeds, latex, metal.

Model is W 21 – H 58 and weight 1 kg

This beautifully crafted female figure with child is called ‘nyeleni’ or ‘jo-nyeleni’. The style is characterized by slender proportions, with detailed and delicate features. They are considered to be extremely beautiful. They illustrate ideals of physical beauty and ideals of character and action and maternity. The figures are brought out of the shrine to appear in annual public ceremonies. It has evoked stature, great dignity, and hieratic.

Made of 100% wood.

Model is W 62 – H 17 and weight 2.4 kg.

This animal spirit ffrom the bush represent a hyena, and has been sculpted by the Bamana people of Mali. Locted int he Mopti region. The piece is beautifully carved with a smooth and shinny surface, and has maintain its beauty with few wears and tears. A great piece of our many zoomorphic Dogon masks.

Made of 100% wood.

Model is W 46– H 25 and weight 2.1

The Bamana Ntomo is an initiation mask originating from the Bamabara tribe of Mali, wirthin the Ntomo Society. The elongated form and clean lines of this mask, depicting the stylized face of a young man, are hallmarks of a sculptural style that originated in the Segou region. The mask was worn in performances conducted by Ntomo, the first of several initiation associations that guided men from youth to old age, oversaw ritual activities, and gave structure to communities. The antelope and the youthful female figures on this mask encouraged young men to achieve prowess in farming and courting. While Ntomo is no longer active in the Segou region, secular youth associations now present entertaining performances featuring masks and marionettes.

Made of 100% wood, kaolin, pigments.

Model is W 20 - H 39 and weight 0.7 kg.

This authentic Marka Mask is made of dense wood, and accentuated with fabrics at the back of it originates from Mali. A fine examples of Marka masks and a great addition to any serious collection for its artistic and intrinsic values.

Made of 100% wood.

Model is W 26 - H 45 and weight 1.4 kg.

The present Anthropomorphic figure, known as Bamana (Jonyeleni), female standing, with beautiful scarification, and the typical Bamana , originates from the artistic tradition of the Bamana. A tradition rich, filled with pottery, sculptures, beautiful bokolanfini cloth, and wrought iron figures fashioned by blacksmiths.

Made of 100% wood, dark patina.

Model is W 95 - H 21 and weight 5.6 kg.

This beautiful female figure is hermaphrodite and originates from the Bamana peoples of Mali. The style is known as Gwan, which is characterized by slender proportions, with its long neck and great dignity, hieratic, with detailed and delicate features. Gwan sculptures occur in groups and are normally enshrined. illustrate the ideal of physical beauty, and character and action. The figures are brought out of the shrine to appear in annual public ceremonies. Very nice patina, old wood.

Made of 100% wood.

Model is W 55 – H 12 and weight 1.5 kg.