This Dogon fetish rooster is a handsome example of Dogon art; and as such, presents a style that greatly influenced the art of the West. It was used as an altar piece. In the Dogon religion, the rooster is an important symbol and associated with the Jackal and the failed experiment.

Made of 100% Lost wax casting.

Model is W 1 – H 14 and weight 0.2 kg.

Beautiful antique Dogon bracelet made of Bronze and decorated with protective signs and symbols. This type of bracelets such as this were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but al and so as portable wealth. Metal works like this Dogon bracelet is molded in bronze by ‘the lost wax method’, also called ‘cire-perdue’.

Made of 100% Brass / Bronze

Model is W 2– H 9 and weight 0.4 kg.

This rare small pot with figural lids originate from Dogon, and dates . Atop the lid is two seated figures that represents an (idealistic) portrait of the deceased. The vessels were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 6 – H 14 and weight 0.3 kg.

Finely cast bronze (brass - copper alloy) figural scene comes from Nigeria. It depicts a kneeling female figure worker or farmer. The work of bronze by the technique of wax lost in African art.

Made of 100% Bronze, copper alloy.

Model is W 6 – H 27 and weight 0.5 kg.

This Ife bracelet from Benin is made of bronze and was used as currency and left as a gift of great value to the bride, as a wish for prosperity. In addition to the consistency and weight, this cuff is remarkable because of the details of the decorations, which are a clear sign of the Benin artistic mastery. The holes, perfectly integrated in the design, demonstrate the use of the valuable lost wax technique.

Made of 100% Brass / Bronze

Model is W 6 – H 13 and weight 0.6 kg.

Brass ceremonial tobacco pipe, conical, decorated with a geometric ornments and facial features. The piece originates from the Ife tribe in Nigeria. Pieces such as this one were created to honor the king , or Oba, who has reigned, with his ancestors, from the 15th century. Ife is regarded as the legendary homeland of theYoruba-speaking peoples and its sacred ruler, the Ooni, is still revered as the descendant of the original creator gods.

Made of 100% Bronze, copper alloy.

Model is W 18 – H 43 and weight 0.4 kg.

This antique old brass amulet with a Nommo figure originates from the Dogon tribe of Mali. Unique artwork from an old collection. The Nommo figure – represent in Dogon mythology an amphibian deities that arrived from the sky in their fantastic sky ship. Metal works like this Dogon amulet is molded in bronze by ‘the lost wax method’, also called ‘cire-perdue’.

Made of 100% Brass / Bronze

Model is W 4 – H 9 and weight 0.3 kg.

This iron forged neckrest originates from the Dogon Tellem people in Mali. Headrests such as this were used as burial gifts or quite possibly the headrests used by the deceased was buried with the deceased as it is done in some other parts of Africa. The Dogon, who do not now use headrests, attribute them to the Tellem, former inhabitants of the region from the 11th to the 16th centuries. Buria caves contained many objects that were offered as gifts for the dead : bowls, potteries, necklaces, bracelets, rings, and iron staffs. Headrests may have been objects of high status, because only a few caves contained them.

Made of 100% Iron.

Model is W 12 – H 15 and weight 0.2 kg.

This Djenne bracelet made of bronze and terracotta dates as early as the 11th or 12th century. This type of bracelets such as this were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth.

Made of 100% Brass / Bronze

Model is W 12– H 9 and weight 0.2 kg.

This authentic antique Benin bronze ancestral altar bell, cast in the form of a dome comes from Nigeria. The bell is surmounted with by a horseman and adorned by geometical shape. Tribal bells were used for a variety of purposes, such as proclaiming a sacred presence as well as a neutralizing hostile or harmful forces. Bells were used as tools of communication, as portable instruments for conveying important messages, and as a form or currency. The predominant method employed by the Edo in creating objects like the Bells, called “lost-wax casting, does not permit for a mold to be used more than once, a fact which accounts for the idiosyncrasies and lack of exact copies in known examples of Benin bronzes. Using the bells and rattle stuffs to call the ancestor’s spirit, the oba offered sacrifices to him and to the earth on the altar.

Made of 100% Bronze, copper alloy.

Model is W 9 – H 32 and weight 0.4 kg.

This cast iron horseman/horse & rider is a statement of nobility and originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. The nobility of the Malian aristocracy is portrayed in this light iron Dogon horse & rider which shows a fine patina. 

Made of 100% Brass, Iron Alloy

Model is W 25 – H 15 and weight 0.2 kg.

This authentic, well preserved Bronze of the Benin Kingdom in what is now Nigeria exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The figure and pose are classic from the high period of Benin art in the 15th century and honor the King or Oba.

Made of 100% Bronze

Age Mid 15th Century

Model is W 53 – H 15 and weight 5.3 kg.

These finely carved iron objects could have been carried by a ‘ritual thief’ for the complex funerary rituals so well known among the Dogon. It may have also been used by the blacksmith as an indication of his status among the Dogon. It originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. 

Made of 100% Brass, Iron Alloy

Model is W 33 – H 5 and weight 0.1 kg.

Beautiful, rare antique cast bronze sitting female figure, made by the Dogon, but possibly an even older Djenne piece from Mali. Sculpture has a wonderful, very old encrusted patina on it and date at least from the late 19th century but maybe before. 

Made of 100% Brass / Bronze

Model is W 17 – H 8 and weight 1.8 kg.

Dogon Zoomorphic Iron forged sculpture depicting a cameleon. Dogon are famous for their small cast figures and objects, which despite their small size, express status, prestige, and power such as this hand-carved staff. Known for their art as well as their remarkable villages along the heights of the Bandiagara escarpment in Mali, Dogon art remains today some of the best known and most collected African art.

Made of 100% Brass / Bronze

Model is W 9 – H 27 and weight 0.3 kg.

The piece featured here is a deeply carved wood spear head in a bamboo shaft from the Dogon tribe in Mali. The spear head is carved of heavy dense wood and shows bars or barbs down one side. The head would remove from the shaft. The most notable weapons were made using a long wooden sheath and a metallic head as well as the bow and arrows and shields often made from animal hide. Spears were leaf shaped with along wooden shaft.The weapons consisted of spears and special javelins.Sometimes these were attached to a long string so that, after spearing an enemy, the spear could be pulled back again and used once more.

Made of 100% Iron, bamboo.

Model is W 5 – H 96 and weight 0.6 kg.

Dogon are famous for their small cast figures and objects, which despite their small size, express status, prestige, and power such as this hand-carved staff. Known for their art as well as their remarkable villages along the heights of the Bandiagara escarpment in Mali, Dogon art remains today some of the best known and most collected African art.

Made of 100% Iron.

Model is W 1 – H 105 and weight 0.4 kg.

This superb cast bronze bell or, less known than the bronzes of Benin, is a Tikar bronze bell. They also stand in African art by their finesse. The Tikar Sculpture symbol s unknown to us, it's finely crafted and has a nice patina. The Tikar are a pygmy people found in western Cameroon. They developed a process of using hot wax and bronze called "Lost Wax Method" to create masks and statues to be used during agricultural and other ceremonies and festivals.The Tikar have traditionally performed bronze casting. Some objects typically attributed to Bamun / Bamelike are actually Tikar.

Made of 100% "Bronze" Brass, copper Alloy.

Model is W 8 – H 33 and weight 0.4 kg.

This authentic, well-preserved bronze plaque of the Benin Kingdom in what is now Nigeria exhibits a virtuosity and sophistication of style that has astonished the Western world. The figure and pose are classic from the high period of Benin art in the 15th century and honor the King or Oba.

Made of 100% Bronze

Model is W 35 - H 33 and weight 3.1 kg

This hand-cast crafted Djenne horsman ring is made of bronze and dates as early as the 11th or 12th century. An authentic reduced-scale sculpture, worn by the religious chief. The mounted warrior is an ancestor figure, said to impart spiritual power. A superb heavy oxidized vert-de-gris patina of greens and browns as well as encrusted deposits cover this imposing ring.

Made of 100% Brass / Bronze

Model is W 5 – H 2 and weight 0.01 kg.

Antique Dogon multi-arms lamps ornated with decorations. These functional iron lamps, with bowls to burn oil, and 2 staffs, express status, prestige and power. lamps were used during ceremonies in a community or individual sanctuary or used as an incense Burner. Oil known as tulu, made from the Karite tree nut was burned in the cup to produce a dark, smoky light that was as much a light for ritual purposes as for illumination. They would bring honor to the ancestors, the current leadership and the owner of the sculpture. They usually depicted a former leader, seated, standing or on horseback. Although rare, horsemen as icon have existed for 1000 years in Mali. Some would depict a hogon, the supreme officeholder, a semi-divine leader of great wisdom, or even a mythological emissary from a distant land.

Made of 100% Iron.

Model is W 9 – H 104 and weight 0.8 kg.

This authentic antique Benin bronze ancestral altar bell, cast in the form of a dome comes from Nigeria. The bell is surmounted with by a horseman and adorned by geometical shape. Tribal bells were used for a variety of purposes, such as proclaiming a sacred presence as well as a neutralizing hostile or harmful forces. Bells were used as tools of communication, as portable instruments for conveying important messages, and as a form or currency. The predominant method employed by the Edo in creating objects like the Bells, called “lost-wax casting, does not permit for a mold to be used more than once, a fact which accounts for the idiosyncrasies and lack of exact copies in known examples of Benin bronzes. Using the bells and rattle stuffs to call the ancestor’s spirit, the oba offered sacrifices to him and to the earth on the altar.

Made of 100% Bronze, copper alloy.

Model is W 8 – H 32 and weight 0.4 kg.

This vintage Oba warrior figure comes from Benin. The male character wears ornaments around the waist and neck. He also wears a hairstyle, showing his high rank in the benign society, we find in fact the frontal excrescence of the royal headdresses. The art of Benin, an art of court, it is closely associated with the king, known as Oba and exclusively for the use of the inhabitants of the royal palace and, most often, placed on altars dedicated by each new Oba . The tradition of Ife bronze course objects dates back to the 14th century. The Benin bronzes are probably among the most famous of the tribal art of Black Africa.

Made of 100% Bronze, copper alloy.

Model is W 8 – H 24 and weight 0.4 kg.

This miniature bronze figure depicts a “Kotoko Equestrian, Guardians of the Soul” –the horse and rider motif is a strong symbolic meaning in the culture of the African Kotoko people. Similar to amulets worn around the world, they believe to bring good luck or blessings of the gods. "Kotoko Equestrians" are mostly worn as pendants on necklaces or bracelets, which represent a source of spiritual strength for their owners.

Made of 100% Bronze

Model is W 6 – H 9 and weight 0.4 kg.

This is a beautiful example of a Dogon bracelet. It shows old patina from usage and is decorated with protective signs and symbols. This type of bracelets was highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money but also as portable wealth. Metalworks like this Dogon bracelet is molded in bronze with the lost wax method, also called cire-perdue.

Made of 100% Brass / Bronze

Model is W 2 - H 9 and weight 0.4 kg.

This rare small pot with figural lids originate from Dogon, and dates . Atop the lid is two seated figures that represents an (idealistic) portrait of the deceased. The vessels were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 6 – H 14 and weight 0.3 kg.