This Djenne bracelet made of bronze and terracotta dates as early as the 11th or 12th century. This type of bracelets such as this were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth.

Made of 100% Brass / Bronze

Model is W 12– H 9 and weight 0.2 kg.

This Bembe statuette originates from the People's Republic of the Congo. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. The most known are called Biteki, and portray generally impressive corporal scarification. They mostly represent Heads of village, warriors and women.

Made of 100% wood.

Model is W 74 - H 17 and weight 5 kg.

This Kunin statuette originates from Middle Benue River Valley, Nigeria, and is distinguished by its overall elegant proportions. It is stylistically compared to their Mumuye and Jukun neighbors. This figure is not very common and their role is little known but it has been reported that figures such as this are used in a cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood, patina.

Model is W 13 - H 69 and weight 4 kg.

This authentic, well preserved bronze plaque of the Benin Kingdom in what is now Nigeria exhibits a virtuosity and sophistication of style that has astonished the Western world. The figure and pose are classic from the high period of Benin art in the 15th century and honor the King or Oba.

Made of 100% Bronze

Model is W 36 – H 28 and weight 64 kg.

A beautiful Mumuye figure from northeastern Nigeria that incarnate titulary spirits. Mumuye figures carved with crescentic coiffure, an helmet like shaped head, large circular eyes and disc-like ears has a characteristical toroidal shape and the unmistakable stylistic sign of this Mumuye ethnic group. Thye are highly abstracted, perhaps in part because they invoke forms of human and supernatural authority. The statue may have added elements: beads, belts, bracelets, chains, leather laces, ropes or braided vegetable matter, brass wires, or cowrie shells. The statues’ principal characteristic, unique in African art, is the openwork between the body and the arms, which forms a scroll or a spiral around the slender, cylindrical bust. The Mumuye distinguish the gender of the figures on the basis of the shape of the ears; only Mumuye women distend their earlobes.

Made of 100% Wood with dark patina, kaolin, fiber, beads.

Model is W 12 – H 30 and weight 0.2 kg.

This Kunin statuette originates from Middle Benue River Valley, Nigeria, and is distinguished by its overall elegant proportions. It is stylistically compared to their Mumuye and Jukun neighbors. This figure is not very common and their role is little known but it has been reported that figures such as this are used in a cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood, patina.

Model is W 10 - H 66 and weight 2 kg.

This authentic antique Benin bronze ancestral altar bell, cast in the form of a dome comes from Nigeria. The bell is surmounted with by a horseman and adorned by geometical shape. Tribal bells were used for a variety of purposes, such as proclaiming a sacred presence as well as a neutralizing hostile or harmful forces. Bells were used as tools of communication, as portable instruments for conveying important messages, and as a form or currency. The predominant method employed by the Edo in creating objects like the Bells, called “lost-wax casting, does not permit for a mold to be used more than once, a fact which accounts for the idiosyncrasies and lack of exact copies in known examples of Benin bronzes. Using the bells and rattle stuffs to call the ancestor’s spirit, the oba offered sacrifices to him and to the earth on the altar.

Made of 100% Bronze, copper alloy.

Model is W 8 – H 32 and weight 0.4 kg.

This beautiful miniature Ife head is cast in the lost wax technique, and originates from Ife, Nigeria. The heads often depict historic individuals and heroes of Ife, spiritual home of the Yoruba. According to the oral traditions of the Yoruba people, Ife is the place where life and civilisation began. Ife is regarded as the legendary homeland of theYoruba-speaking peoples and its sacred ruler, the Ooni, is still revered as the descendant of the original creator gods.

Made of 100% "Bronze" Brass, copper alloy.

Model is W 16 – H 19 and weight 0.4 kg.

This Kunin statuette originates from Middle Benue River Valley, Nigeria, and is distinguished by its overall elegant proportions. It is stylistically compared to their Mumuye and Jukun neighbors. This figure is not very common and their role is little known but it has been reported that figures such as this are used in a cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood, patina.

Model is W 7 - H 40 and weight 0.2 kg.

This extremely rare Mama Bush Cow in full figure is a classic example of a traditional African figure created by the Mama people who live in the interior of Nigeria in the Benue River Valley north of the Jos plateau.

Made of 100% wood, camwood, pigment.

Model is W 51 - H 15 and weight 3 kg.

This hollowed helmet-like mask is called Agbogho Mmwo, and originates from the Nsukka area, the northern part of the northcentral Igbo region in Nigeria. This region has one of the most complex and diverse mask making traditions in Nigeria. The stylized facial features represents numerous attributes of the ideal of female beauty among the Igbo. Worn each year for 'The Fame of Maidens' ceremony, it is intended to instruct youths in attitudes necessary for moral as well as physical beauty, the moral ideals of purity, obedience, good character and generosity. Varied aged surface with areas of red, white, black and blue pigment.

Made of 100% wood,pigment.

Model is W 42 - H 26 and weight 1.1 kg.

This ceramic depiction of an ancestral elder was made by the Nok people of Nigeria, at the very start of the first millennium AD. This piece is a classic of the Nok culture. Little is known of the original function of the pieces, but theories include ancestor portrayal, grave markers, and charms to prevent crop failure, infertility, and illness. Also, based on the dome-shaped bases found on several figures, they could have been used as finials for the roofs of ancient structures.

 

Made of 100% terracotta.

Model is W 48 – H 15 and weight 1.2 kg.

This finely crafted bronze Royal leopard was made by a craftsman blacksmith using the technique of lost wax, with beautifully detailed patterns, depicting the leopard skin. A "Leopard" was used as a symbol of Justice and power in the Yoruba culture. African proverbs about leopards are so "spot on": The rain wets the leopard's spots but does not wash them off." Leopard appears most frequently in yoruba art, as “king of the forest”, his reputation is as great as that of the Oba, or king. The leopard came to be a royal symbol as it heralded for the balance between his strength and his reserve and moderation as a leader. The leopard symbolizes the complete harmony between two compelling forces – the menacing and the moderating – that, in Benin, it is believed every ideal Oba should possess.

Made of 100% Bronze, copper alloy.

Model is W 38 – H 50 and weight 1.4 kg

This fantastic Chamba statue, is not very common and has an exceptional aesthetic presence and compelling abstract design. It was thought to have either a protective or healing function for the Wurkun or Bikwin peoples of the Benue River Valley.

Made of 100% carved wood and camwood powder.

Model is W 60 – H 14 and weight 3 kg.

This small zoomorphic figure made of old bronze, black iron reveals some of the most accomplished sculptures made by a Nigerian tribe called Mumuye. Mumuye figure demonstrates an astonishing range of variations, testifying to their makers’ unbridled creativity and limitless inventiveness. These small sculptures reinforce the status and prestige of their owner, as they hold them in their hands, they have a dialogue with them and thus ensures them personal protection.

Made of 100% old bronze.

Model is W 58 - H 17 and weight 2.2 kg.

This miniature Ife head is cast in the lost wax technique, and originates from Ife, Nigeria. The heads often depict historic individuals and heroes of Ife, spiritual home of the Yoruba. According to the oral traditions of the Yoruba people, Ife is the place where life and civilisation began. Ife is regarded as the legendary homeland of theYoruba-speaking peoples and its sacred ruler, the Ooni, is still revered as the descendant of the original creator gods.

Made of 100% "Bronze" Brass, copper Alloy.

Model is W 8 – H 22 and weight 0.4 kg.

This beautiful miniature head cast in the lost wax technique originates from Ife, Nigeria, the religious and former royal centre of the Yoruba people. It is believed to represent a king. According to the oral traditions of the Yoruba people, Ife is the place where life and civilisation began. Ife is regarded as the legendary homeland of theYoruba-speaking peoples and its sacred ruler, the Ooni, is still revered as the descendant of the original creator gods.

Made of 100% "Bronze" Brass, copper alloy.

Model is W 9 – H 22 and weight 0.4 kg.

This beautiful mask with a figure surmounting it is an Epa masks origination from the Yoruba/Ekiti people of northern Nigeria. Masks such as these are considered one of the largest masks used in Africa, and worn as a helmet. The Yoruba/Ekiti festival celebrates life, unity, and abundance of the village, and honor the families and lineages of the elders. The female figure surmounting the mask is a traditional Yoruba power symbol of offering, feminine powers, create life-balancing men’s social skills as rulers and chiefs. These large masks have extraordinary presence-conveying some of their power to visually project abstract principles and sculptural authority. This is one of them and it would hold a prominent place in a collection.

Made of 100% Wood.

Model is W 69 H 19 and weight 3.2 kg.

Brass ceremonial tobacco pipe, conical, decorated with a geometric ornments and facial features. The piece originates from the Ife tribe in Nigeria. Pieces such as this one were created to honor the king , or Oba, who has reigned, with his ancestors, from the 15th century. Ife is regarded as the legendary homeland of theYoruba-speaking peoples and its sacred ruler, the Ooni, is still revered as the descendant of the original creator gods.

Made of 100% Bronze, copper alloy.

Model is W 18 – H 43 and weight 0.4 kg.

This small Kunin sculpture, from the Middle Benue River Valley, Nigeria, is distinguished by its overall elegant proportions and stylistically compared to their Mumuye and Jukun neighbors. The Chamba venerate anthropomorphic statues of male and female gender. The figure is not very common and their role is little known but it has been reported that there figures are used in a cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood, patina.

Model is W 8 - H 67 and weight 1.7 kg.

This unusual and particularly imaginative helmet like mask is from the Nsukka area, the northern part of the northcentral Igbo region in Nigeria. This region has one of the most complex and diverse mask making traditions in Nigeria.

Made of 100% wood

Model is W 33 – H 25 and weight 1.2 kg.

This rare Wurkun (or Bikwin) small figure, in a post or staff-like form, is known as iagalagana and incarnates tutelary spirits. The stylized figure is stuck on iron rods, with a beautiful crusty red ocher patina. These statues were frequently washed with liquid clay, "fed" with millet beer offerings, rubbed with oil, explaining the thickness of the clay.

Made of 100% Iron, Paint.

Model is W 41 - H 14 and weight 3.5 kg.

This rare and beautiful mother-and-child figure is called Osé Shango, a maternity figure carved by the Yoruba tribe of the northeastern Igboland, Nigeria.

Made of 100% wood, glossy honey brown patina.

Model is W 50 - H 20 and weight 2.4 kg.

Female spirit statue (Anjenu) originating from the Idoma peoples that live south of the Benue river. The statue evokes a spiritual protective power that inhabits the water or the bush and sometimes appears in dreams. Anjenu helps to cure illness and, above all, aids female fertility. The Anjenu was invoked by men who wanted their wives to become pregnant. Protruding conical breasts and navels are common. The face is usually painted with white pigments, scarification marks in front of the ears as well as the vertical one on the forehead, and the blackened lips surrounding the mouth with its clearly visible teeth - a stylistic characteristic often shared with Ibo people. Seated statues are believed to incarnate fertility, a frequent theme in the region.

Made of 100% wood, pigment.

Model is W 30 – H 50 and weight 0.6 kg.

This hand-cast crafted Djenne bracelet is made of bronze and terracotta dates as early as the 11th or 12th century. This type of bracelets were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth. 

Made of 100% Brass / Bronze

Model is W 11 – H 3 and weight 0.15 kg.

This Early-mid 20th century mother-and-child figures are placed in shrines and used by diviners in northeastern Igboland, Nigeria. The Igbo figures of mother and child are very rare.

Made of 100% wood, kaolin.

Model is W 55 - H 19 and weight 3.5 kg.