This Mid 20th century Chamba statue is not very common and their role is little known but it has been reported that  figures such as this are used in cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood and camwood powder.

Model is W 50 - H 167 and weight 4.7 kg.

The present Anthropomorphic figure, known as Bamana (Jonyeleni), female seated figure on a stylized stool, originates from the artistic tradition of the Bamana. A tradition rich, filled with pottery, sculptures, beautiful bokolanfini cloth, and wrought iron figures fashioned by blacksmiths.

Made of 100% wood, dark patina.

Model is W 69 - H 1 and weight 4.5 kg.

This Magnificient Bamana ChiWara carving originates from the Bambara tribe in Mali.  The patina is rich and the surface shows significant signs of age.  The mythology of the Bamana people of Mali tells the story of an antelope named Chi Wara who first taught farming skills to humanity.

Made of 100% wood.

Model is W 22 - H 68 and weight 8 kg.

This ancestral Mangbetu statue is an exceptional piece from the Mangbetu also spelled Monbuttu, peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). The Anthropomorphic figure dates from 1950 - 1960.

Made of 100% light wood, fiber Patin.

Model is W 72 - H 231 and weight 5.5 kg.

This superb statue called "guardian byer", with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, Holds in his hands an offering.

Made of 100% wood

Model is W 50 – H 20 and weight 2.4 kg.

This young Fang "Eyema Byeri" figure of a male ancestor is characteristic of the style of the Fang Ntumu subgroup of northern Gabon near the Cameroon border. The appearance of Fang reliquary figures varies greatly from region to region. The Fang characteristics are recognized by the accentuated muscular reliefs of the arms and calves, as well as the curved shoulders and thighs. A good illustration of the “classical” style of the Southern Fang with a concave-convex face.

Made of 100% wood

Model is W 10 – H 43 and weight 1 kg.

This figure’s posture of up-stretched arms is a common Dogon motif that is often interpreted as a prayer for rain. Here it seems more likely to represent supplication to the ancestors.

Made of 100% wood.

Model is W 60 - H 12 and weight 2 kg.

This hand-carved zoomorphic figure comes from the Senufo tribe of Ivory Coast/Mali. It has preserved its authenticity, surface and aged patina. The wood carving is exquisite and have all of the hallmarks of the Senufo people. 

Made of 100% wood

Model is W 32 – H 17 and weight 2 kg.

This iron fetish bird figure of early to mid 20th Century, is made by the Dogon tribe from Mali using the old lost-wax method and is in excellent condition. The fetish figure of a bird is believed to symbolize the 'hogon' or spiritual leader. 

Made of 100% Bronze

Model is W 45 – H 30 and weight 3.5 kg.

This rare articulated Anthropomorphic Iginga doll made of wood originates from the Lega/Bwami peoples of the Democratic Republic of the Congo. Figures such as this were used as a didactic device during the ritual of the Bwami Society to educate young initiates. Their metaphoric form help instructors to pass the message as do the proverbs, legends, myths and slogans.

Made of 100% wood, vegetable fibers.

Model is W 60 - H 24 and weight 5.5 kg.

This unique clay maternity figure was sculpted by the creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.

Made of 100% Terracotta

Model is W 38 – H 7 and weight 0.8 kg.

This rare and beautiful mother-and-child figure is called Osé Shango, a maternity figure carved by the Yoruba tribe of the northeastern Igboland, Nigeria.

Made of 100% wood, glossy honey brown patina.

Model is W 50 - H 20 and weight 2.4 kg.

This ceramic depiction of an ancestral elder was made by the Nok people of Nigeria, at the very start of the first millennium AD. This piece is a classic of the Nok culture. Little is known of the original function of the pieces, but theories include ancestor portrayal, grave markers, and charms to prevent crop failure, infertility, and illness. Also, based on the dome-shaped bases found on several figures, they could have been used as finials for the roofs of ancient structures.

Made of 100% terracotta.

Model is W 48 – H 15 and weight 1.2 kg.

This finely carved bronze figure represents a dwarf at the court of Benin. Wearing courtly dress in continuation of the traditional bronze art of Benin in form of a bearded person with o-shaped legs and neck adornment. In Edo culture dwarfs were known as the jugglers and acrobats in the Oba court.

Made of 100% Bronze

Model is W 46 – H 22 and weight 5 k

This cast iron horseman/horse & rider is a statement of nobility and originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. The nobility of the Malian aristocracy is portrayed in this light iron Dogon horse & rider which shows a fine patina. 

Made of 100% Brass, Iron Alloy

Model is W 25 – H 15 and weight 0.2 kg.

This large Dogon statue of a woman standing carrying a child on her back and holding a calebasse is hermaphrodite and originates from the Dogon. The maternity figure represents one of the ‘mother’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo.

Made of 100% wood, crusted Patina, Kaolin..

Model is W 91 - H 20 and weight 13 kg.

These two 'Nommo sculpture' are a lovely example of an old Dogon primordial couple which was found in a village in the Mopti region of Mali.

Made of 100% wood.

Model is W 41 - H 20 and weight 4.7 kg.

This figure represents a female kneeling figure holding a bowl, known as Olumeye. Her facial features are very expressive and are carved with naturalistic detailing such as large scarification on cheeks and forehead. The finial hairstyle called known as irun agogo, adds to the figure's beauty. The patina is shiny and smooth. This figure, a recent bride or a priestess, depicts an homage to maternity or motherhood and was used as a shrine to deities Shango or Eshu in the Yoruba religion. The piece has a shine and rich patina. The Olumeye are carved most often in the shape of a rooster and placed in front of a female figure who is shown kneeling in a position of submission and offering. The bowl was used to serve cola nuts to elite guests.

Made of 100% wood.

Model is W 66 – H 14 and weight 3.8 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 41 – H 25 and weight 5 kg.

This Bembe statuette originates from the Central African Democratic Republic of the Congo Bembe People. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. It is a male Fetish or Power Figure ‘Bilongo’. They mostly represent Heads of village, warriors and women. 

Made of 100% wood.

Model is W 60 - H 19 and weight 4 kg.

This beautiful Dogon seated woman holding a child is hermaphrodite and originates from the Dogon. It has evokes stature, with its long neck and great dignity, hieratic. Very nice patina, old wood. The style is known as Bombou-Toro, which is characterized by slender proportions, with detailed and delicate features, and are believed to represent episodes from Dogon mythology.

Made of 100% wood.

Model is W 51 - H 17 and weight 4.8 kg.

This beautiful hand-carved figure originates from the Senufo people of Ivory Coast, Mali, and Burkina Faso. The figure is called Senufo Rhythm Pounder.  It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people.

Made of 100% wood

Model is W 6 – H 68 and weight 1 kg.

This Dogon statue is hermaphrodite and originates from the Dogon and is called ‘Nommo sculpture’. Carved from hardwood in the strict, clear, angular and angular abstracted ‘bombou-toro-style’ and originally probably black-brown.

Made of 100% wood.

Model is W 45 - H 12 and weight 2 kg.

This wooden reliquary figure from the Fang tribe are abstract anthropomorphic carvings. They were meant to protect. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.

Made of 100% wood.

Model is W 70 - H 21 and weight 3 kg.

This beautiful Bombou-Toro statue of a woman standing holding a child is hermaphrodite and originates from the Dogon tribe of Mali. It evokes stature and represents a maternity figure, ‘mother and child’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo. They were often objects of petitions or prayers for fertility and successful births.

Made of 100% wood.

Model is W 17 - H 71 and weight 4.1 kg.

This small, late 19th–early 20th century, Maginga statue made of wood originates from the Lega peoples of the Democratic Republic of the Congo. The figure portrays angular legs tapering to the torso with protruding navel framed by truncated arms, the sloping shoulders supporting the head with scooped, heart-shaped facial plane, notched mouth and coffee-bean eyes; covered in kaolin.

Made of 100% wood, kaolin, vegetable fibers.

Model is W 51 - H 16 and weight 1.9 kg.