This authentic mask depicting an abstracted human face showing traces of exposure to the elem bird mask is made of wood, with a crusted old wooden patina. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood, fiber Patin.

Model is W 34 – H 15 and weight 1.2 kg.

Hermaphrodite figure originating from the Dogon people of Mali. Often Dogon figures recreate the hermaphroditic mythology of their beliefs. The maternity figure represents one of the ‘mother’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo.

Made of 100% wood

Model is W 16 – H 56 and weight 3.4 kg.

This seated Dogon couple sculpture gives eloquent expression to the shared and symmetrical responsibilities of men and women in Dogon society. The virtually identical forms of the male and female protagonists in this visual commentary accentuate the parity of their subtly distinctive roles. She is responsible for child care, he for providing sustenance. He has one hand protectively draped across her shoulders. This emphasizes their mutual roles in procreation and nurturing. Male and female are connected to one another by his gesture, but additionally are articulated as discrete units. This approach reflects Dogon attitudes toward marriage as a partnership of independent equals. This balanced duality is also a central tenet of Dogon mythology.

Made of 100% wood.

Model is W 65 - H 20 and weight 4 kg.

This hand-cast crafted ceremonial Djenne Three Clover Leaf Ring is made of bronze and dates as early as the 11th or 12th century. Dugged from the ground, it has retained its archeological patina. A superb heavy oxidized vert-de-gris patina of greens and browns as well as encrusted deposits cover this imposing ring.

Made of 100% Brass / Bronze

Model is W 5 – H 3 and weight 0.02 kg.

This impressive male fetish figure originates from the Songye, in the southern part of the Democratic Republic of the Congo. This particular piece features an horn one on top of the head, large open mouth with protruding tooth. On the back of the neck, there used to be a small compartment that was used to put to insert fetish material, called boanga. Typically the arms are along the body and hands are placed on each side of the abdomen. The fetish is firmly planted on his legs slightly bent forward and feet are carved on a thick cylindrical base that is eroded in some places. The patina is brown and light brown in places. Songye fetish figures vary in size from 4 to 60. The works of Songye craftsmen are often used within the secret societies during various ceremonies.

Made of 100% wood

Model is W 16 – H 73 and weight 3.5 kg.

This authentic carved wood mask, depicting an abstracted animal originates from the Dogon tribe in Mali. The Kanaga masks depict the face as an almost long and rectangular box with deeply hollowed channels for the eyes. According to Dogon beliefs, it represents a wild monkey, uncivilized, dangerous, and antisocial behavior –  the direct opposite of their beliefs about the way a proper, solid, upstanding Dogon person is expected to behave.

Made of 100% wood.

Model is W 18 – H 18 and weight 2 kg.

This miniature Cast Handmade Dogon iron sculpture is a farmer or shepherd holding a wand. The sculpture reflects the artistry, power, and authority of the Dogon blacksmith. Iron sculpture has a special meaning for the Dogon for they blend symbol and a powerful aesthetic in a very abstract image.

Made of 100% Brass, Iron Alloy

Model is W 27 – H 8 and weight 0.07 kg.

This fine Dogon tobacco pot or tabatière made of wood comes from the region of toro, at the extreme east of the Bandiagara cliff, near ireli. in Mali. The vessels were used in secondary burial rituals by the Dogon. Of great antiquity, this pot is particularly high and refined, the figures are there in the number of four, which is a sacred figure for the Dogons.

Made of 100% Wood

Model is W 11 – H 21 and weight 1.8 kg.

This old-carved mask of light-coloured wood, originates from the Dogon people of Mali. Satimbe masks are surmounted by a female figure which represents the elder sister of the mask. It's a ceremony mask used during the annual harvest festival (called Bulu), celebrated in all the villages before the rainy season.

Made of 100% wood.

Model is W 28 – H 19 and weight 3 kg.

This beautiful ‘Gomintogo’ or ‘Hare mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon. The Dogon people have created more than eighty mask types to represent characters in their cosmic myths.

Made of 100% wood.

Model is W 50 – H 21 and weight 2 kg.

This hand-cast crafted Djenne hairpin is a handsome example of Dogon art; and as such, presents a style that greatly influenced the art of the West. It was used as an hair ornament and jewelry. The figure is a mother and child in a seated position. 

Made of 100% Brass / Bronze

Model is W 1 – H 14 and weight 0.2 kg.

These finely carved iron objects could have been carried by a ‘ritual thief’ for the complex funerary rituals so well known among the Dogon. It may have also been used by the blacksmith as an indication of his status among the Dogon. It originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. 

Made of 100% Brass, Iron Alloy

Model is W 33 – H 5 and weight 0.1 kg.

This horse headed hand-carved box comes with a carved two Nommo figures on the lid. The piece originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. This is a great display piece on a desk or dresser.

Made of 100% wood.

Model is W 14 – H 16 and weight 2.1 kg.

This beautiful piece is a granary door made by the Dogon people of Mali. It was designed to seal off a ceramic and stone granary, which contained agricultural produce which would have sustained a large social group between harvests. Granaries were therefore of primary importance to the Dogon, as the family would have starved if rats or other animals had been able to enter the granary. It displays well and is a striking and attractive piece of secular African design.

Made of 100% wood.

Model is W 42 - H 28 and weight 0.9 kg.

This  Ancestral Male Figure originates from the Dogon. A man sitting on a stool, with a very erect and dignified posture, holds in his hands some kind of tool. He wears a pectoral necklace. He seems to a village leader.

Made of 100% wood, pigments.

Model is W 73 - H 18 and weight 7.3 kg.

This cast iron horseman/horse & rider is a statement of nobility and originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. The nobility of the Malian aristocracy is portrayed in this light iron Dogon horse & rider which shows a fine patina. 

Made of 100% Brass, Iron Alloy

Model is W 25 – H 15 and weight 0.2 kg.

This example of Dogon art is over 35 years old. Dogon art is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. Their art deals with the myths whose complex ensemble regulates the life of the individual. Their masks are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market.

Made of 100% wood

Model is W 28 - H 18 and weight 3 kg.

This hand-cast crafted Djenne bracelet is made of bronze and terracotta dates as early as the 11th or 12th century. This type of bracelets were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth. 

Made of 100% Brass / Bronze

Model is W 11 – H 3 and weight 0.15 kg.

This zoomorphic Dogon mask made of hardwood with a kaolin coating is an exceptional piece for your collection. It originates from Mali and was created to represent spirits of the wilderness. 

Made of 100% Wood, mineral pigments

Model is W 16 - H 26 and weight 3 kg.

This hand-carved Nommo figurative latch Dogon box originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. It is anthropomorphic with a lid. This is a great display piece on a desk or dresser.

Made of 100% wood.

Model is W 14 – H 15 and weight 1.7 kg.

The “guardian Byer”, is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North – West Gabon. The character in a sitting position, with its voluminous head and stocky appearance, holds in his hands the ceremonial flute So initiates, boys rite of passage among the Beti-Fang.

Made of 100% wood

Model is W 14 – H 51 and weight 2.3 kg.

This Dogon Nommo figure has been rendered in a simplified way, reducing it to its essential. It is elongated with emphasis on geometric forms. This is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. The subjective impression is one of immobility with a mysterious sense of a solemn gravity and serene majesty, although conveying at the same time a latent movement. Their art deals with the myths whose complex ensemble regulates the life of the individual. The sculptures are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market. Thick patina made of blood and millet beer.

Made of 100% wood.

Model is W 37 - H 10 and weight 0.5 kg.

This hand-cast crafted Djenne ring is made of bronze and dates as early as the 11th or 12th century. Dugged from the ground, it has retained its archeological patina. A superb heavy oxidized vert-de-gris patina of greens and browns as well as encrusted deposits cover this imposing ring.

Made of 100% Brass / Bronze

Model is W 5 – H 3 and weight 0.02 kg.

Beautiful, rare antique cast bronze sitting female figure, made by the Dogon, but possibly an even older Djenne piece from Mali. Sculpture has a wonderful, very old encrusted patina on it and date at least from the late 19th century but maybe before. 

Made of 100% Brass / Bronze

Model is W 17 – H 8 and weight 1.8 kg.

This beautiful standing sculpture of a woman holding a child and staff is hermaphrodite and originates from the Dogon. The maternity figure evokes stature, with its long neck, great dignity, hierarchy.  The style, known as Bombou-Toro is believed to represent the ideals of beauty, fertility, commonly used as shrine figures.  They were often objects of petitions or prayers for fertility and successful births. 

Made of 100% wood.

Model is W 68 - H 16 and weight 3.2 kg.