This beautifully carved animal mask originates from the Baule tribe. Baule art is sophisticated and stylistically diverse. The Baule hold objects in high esteem for the spiritual presence that is related to the object. According to the Baule mythology, the animal of the bush are heavenly spirit of agriculture. These masks are used on the occasion of the new harvest, at the visit of dignitaries, or at the funerals of notables.

Made of 100% wood, pigments

Model is W 21 - H 43 and weight 1.4 kg.

This beautiful ‘Gomintogo’ or ‘Hare mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon. The Dogon people have created more than eighty mask types to represent characters in their cosmic myths.

Made of 100% wood.

Model is W 50 – H 21 and weight 2 kg.

This tribal Mask From the Chokwe is called pwo or mwana pwo mask and  originates from Angola. It has an elaborate hairline made up of a braided fibre fabric, beautiful and unusual scarification patterns on the forehead and cheeks. Pwo signifies womanhood and an elder ancestral female associated with fertility. The cross form on the forehead, known as cingelyengelye, is an early Portuguese influence.

Made of 100% wood, fiber, Patina.

Model is W 28 – H 17 and weight 0.5 kg.

This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 49 - H 18 and weight 1.5 kg.

An old fetish doll that lies outside the realm of anything recognizable in nature. It belongs to the works and the ritual practice of the Senufo tribe. The figure give visual representation to invisible bush spirits and function as divination devices. Believed to be used to uncover misdeeds, false testimony, and culpability. Although such works have the potential to affect all members of a Senufo community, access to this doll oracle is restricted to the most enlightened senior male and, occasionally, female members, who keep it shrouded in secrecy.

Made of 100% Wood, iron, woven fiber, organic material, cowrie shell.

Model is W 25 – H 45 and weight 0.3 kg.

This type of circular pendant representing a sun refers to an ancient and complex passage of the Dogon cosmogony, at a time when light was given to men through 10 suns. It is is relatively rare in western collections. The sun symbol identification that is sometimes made seems to be foreign rather than a Dogon interpretation. 

Made of 100% Brass / Bronze

Model is W 7 – H 2 and weight 0.12 kg.

This larger than life figure with the head of a monkey represent one of the humbler gods of the Baulte tribe. It is called Gbekre or Mbotumbo, a god with several tasks, for he is both judge of hell and helper of those in need, protector of the living against their enemies. Statues of standing monkeys were used in many different Baule cults, the most prominent of which was Mbra and they are very different in style of other Baule sculptures. If the ancestor-cult statues are often characterized by refined and detailed carving, the wood stained and often polished, the Gbekre are very different. They are roughly carved in unstained wood. They combine human and animal traits in such a way that it is nearly impossible to separate them. Besides, they are used for many different cults, for a trance divination cult among them. Women are forbidden to see some of them, others are openly shown.

Made of 100% wood.

Model is W 87 - H 23 and weight 11 kg

This fine and colorful mask is an old Eastern Mbuya Pende. Pende masks are among the most dramatic works of all African art. The Pende tribe carves several different types of masks that they use to communicate with spirits during rituals.

Made of 100% wood

Model is W 49 – H 24 and weight 0. kg.

This beautiful ‘Hare mask’ of the Dogon people of Eastern Mali, represents one of the approximately 80 mask types of the Dogon. The mask is white-primed and accentuated with white dots. They are worn in large numbers in funeral dances.

Made of 100% wood.

Model is W 21 – H 14 and weight 1.2 kg.

This hand-carved Grebo Mask made of dense wood and black pigment belongs to the Kroo group and is nicknamed Nyabwa. The Grebo ethnic group in Ivory Coast uses this helmet mask to prepare spiritually for war.

Made of 100% Dense wood and metal.

Model is W 32 – H 21 and weight 2.6 kg.

This zoomorphic Dyodyomini Dogon mask made of Hardwood with a kaolin coating is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. The term Dyodyomini which designates this type of mask evokes a bird that pecks. It would be a Dobu, a sort of hornbill, white and brown, with a long curved beak. It was created on the occasion of a Dama (funeral ceremony, the feast of mourning).

Made of 100% wood.

Model is W 48 - H 192 and weight 1 kg.

This example of Dogon art is over 35 years old. Dogon art is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. Their art deals with the myths whose complex ensemble regulates the life of the individual. Their masks are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market.

Made of 100% wood

Model is W 28 - H 18 and weight 3 kg.

This superbly sculpted Marka Mask is made of wood, covered with brass sheets, comes from Mali. This is one of the finest examples of Marka masks. This is a beautiful well-carved mask. The works on the brass sheet are final and superb. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.

Model is W 49 - H 17 and weight 2.2 kg.

This striated masks, or Kifwebe, originates from the Songye, southern part of the Democratic Republic of the Congo. These types of masks were used to mark important periods of social transition and transformation, appearing at the death of a chief or any other eminent person, or when a person assumes an important political title.

Made of 100% wood

Model is W 25 - H 10 and weight  1.2 kg.

This beautiful well-carved mask comes from The Marka, Mali. This is one of the finest examples of Marka masks. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.

Model is W 36 - H 21 and weight 1.5 kg.

This Lega (also known as Warega) mask originates from the Bwami tribe in Congo. A well-carved example of Lega wooden face mask. This face is enhanced by the eyebrows exceptionally carved in relief. The long and fine nose, as well as the open eyes and mouth, are carved according to the Lega style.

Made of 100% light hand-carved cane wood, fiber, and pigments.

Model is W 31 - H 20 and weight 0.8 kg.

This beautiful Punu mask from Gabon is called ‘Okuyi’ or ‘Mukudji. It was worn during acrobatic dances by men on stilts.

Made of 100% wood, kaolin, pigments.

Model is W 33 - H 25 and weight 1.6 kg.

This Guro mask and many of the other masks are representations of the spirit of Gu, the wife of Zamble, a supernatural being. Guro masks originate from the west coast of Africa and more specifically from Ivory Coast. Guro mask is very unique and has a combination of human and animal traits and imaginary beasts. The Guro tribe or Gouro tribe as they are sometimes pronounced are very spiritual people and their masks are all representations of their way of live and spiritual way of life.

Made of 100% wood, pigment.

Model is W 24 – H 60 and weight 1 kg.

This beautifully carved and tri-dimensional mask originates from the Baule tribe. The Janus or double mask represents the marriage of the sun and the moon or often to celebrate twins, whose birth is always a good sign. Baule art is sophisticated and stylistically diverse, the refined human face masks are usually portraits of particular known individuals belonging to the clan. The Mblo masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms.

Made of 100% wood, pigments

Model is W 20 – H 52 and weight 0.6 kg.

This ‘Gomintogo’ or ‘Hare mask’ or ‘Deer Mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon.

Made of 100% wood.

Model is W 53 – H 21 and weight 3.5 kg.

This unusual and particularly imaginative helmet like mask is from the Nsukka area, the northern part of the northcentral Igbo region in Nigeria. This region has one of the most complex and diverse mask making traditions in Nigeria.

Made of 100% wood

Model is W 33 – H 25 and weight 1.2 kg.

"Elu" mask with an expressive Bird like face and hinged jaw originates from the Ogoni tribe in Nigeria, early 20th century. Wooden face mask with hinged, movable jaw. Lower jaw portion attached to upper by narrow wooden threads on each side. Semicircular disc like ears protrude from sides of face. Scarification marks with geometrically incised designs appear on both sides of the face at outer corner of eye area. The eyes are hollow almond shaped openings. The head decoration has a raised portion, with a vertical light-painted keloid or scar mark the center.

Made of 100% light hand-carved cane wood, fiber and pigments.

Model is W 30 - H 19 and weight 3 kg.

In this type of masks, human features are combined with the powerful bill of the hornbill bird, which is the most distinguishing feature of these masks. The bird is honored by the Jimini, the Ligbi, the Senufo and other peoples. They attach great importance to this bird, considering it one of mythical primeval animals, an attendant on the souls of the dead and a symbol of fertility. They are danced during the funerals of distinguished Muslim holy men, and their performances mark critical moments during the Muslim calendar year, and at the end of Ramadan, the month-long Islamic fast. The masqueraders are greatly admired for the grace of their dance movements, which they perform in pairs and in perfect unison. They are also valued for the positive qualities ascribed to the hornbill, whose behavior and family life are considered exemplary by the Ligbi.

Made of 100% wood.

Model is W 19 – H 28 and weight 0.4 kg.

This is a fabulous Old Makonde "Lipiko" Helmet Mask from Southern Tanzania and Northeast Mozambique. The Lipico helmet masks are worn on the top of the head and cover only part of the face. The helmet is worn tipped upward on the head so the dancer can see. The masks sometimes represent ancestral spirits, sometimes animals. The lipiko masks, which in the language of the Makonde people means “helmet mask.

Made of 100% wood.

Model is W 30 – H 32 and weight 1 kg.

This abstract anthropomorphic carving originates mask from the Fang tribe. They were meant to protect. They are often of great aesthetic quality, which suggests that they are the culmination of a long sculptural tradition. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.

Made of 100% wood.

Model is W 25 - H 20 and weight  1kg.

This ‘Gomintogo Mask’ originates from the Dogon people of Eastern Mali, and represent one of the 80 masks types of the tribe. The first mask was said to be originally carved by a farmer who killed the deer because it had devastated his fields. The farmer built an altar to shelter the spirit of the deer and prevent it to wanders and take revenge on the living people.

Made of 100% wood.

Model is W 10 – H 18 and weight 1.2 kg