This Chokwe shield is carved from wood, with raised heads and striated surface is very similar in form to Songye Shields and Luba Shields. They are interesting because on the outside of the shield, the Chokwe depicted copies of their masks in number of 5 heads. Masks symbolized the connection with the spirits of their ancestors. In connection to their With living conditions, the rounded shield are built for movement and hunting sincde the Northern people are hunters. The shield is completely carved out of wood.

Made of 100% wood, pigment.

Model is W 40 – H 90 and weight 1.4 kg.

A powerful and authentic kran mask made of hard wood, with brown patina and pigments. An unusually old mask of the Dan-Kran, depicting a monkey (chimpanzee or guenon). The mask displays characteristic forms: a short, bulging forehead, deep-set, triangular eyes, protruding, triangular cheeks and a large, open mouth. At the top of the head is a (typical) iron pin. The present Kagle maskâ is an especially old type, as suggested by the rectangular (rather than round) shape of the fastening eyelets for the mask costume along the edge of the mask, as well as by its tongue, which is made of red dyed terracotta. It also features black-dyed terracotta under the eyes and on the top of the head. An

Made of 100% wood, pigments.

Model is W 17 - H 37 and weight 2 kg.

This pair of hand-carved Senufo Kpelie hand-carved wooden masks comes from the Ivory Coast/Mali. They have preserved their authenticity,  surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Ivory Coast/Mali Senufo people's 'Kpelie' mask. Beautiful, mysterious and poetic, imbued with the cultural narrative of its people and its time.

Made of 100% wood

Model is W 34 – H 22 and weight 1.1 kg.

This abstract Dogon monkey mask has a traditional geometric shaped face, eyes, and ears, a prominent groin decorated with geometric motifs, crusted old wooden patina. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood

Model is W 34 - H 16 and weight 1.3

Colorful Bozo Buffalo puppets were used for performances in the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba.

Made of 100% Wood, paint, fabrics.

Model is W 50 H 17 and weight 1.8 kg.

A powerful and Authentic mid 20th century Krahn mask made of hard wood, with brown patina and pigment. The face has a very complex structure and might be identified to the baboon. It has scarifications and a large square tubular mouth. The surface shows a thick encrustation.  It originates from Liberia.

Made of 100% Polychrome wood, pigments.

Model is W 20 – H 15 and weight 1.4 kg.

This pair of Senufo Kpelie hand-carved wooden masks comes from the Ivory Coast/Mali. They have preserved their authenticity,  surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Ivory Coast/Mali Senufo people's 'Kpelie' mask. Beautiful, mysterious and poetic, imbued with the cultural narrative of its people and its time.

Made of 100% wood

Model is W 34 – H 22 and weight 1.1 kg.

This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 48 - H 21 and weight 1.6 kg.

This striated masks, or Kifwebe, originates from the Songye, southern part of the Democratic Republic of the Congo. These types of masks were used to mark important periods of social transition and transformation, appearing at the death of a chief or any other eminent person, or when a person assumes an important political title.

Made of 100% wood

Model is W 25 - H 10 and weight  1.2 kg.

This zoomorphic deer mask is called ‘Gomintogo’. It originates from the Dogon people of Eastern Mali, and represent one of the 80 masks types of the tribe. The first mask was said to be originally carved by a farmer who killed the deer because it had devastated his fields. The farmer built an altar to shelter the spirit of the deer and prevent it to wanders and take revenge on the living people.

Made of 100% wood.

Model is W 24 – H 15 and weight 2.1 kg

This hand-carved Grebo Mask made of dense wood and black pigment belongs to the Kroo group and is nicknamed Nyabwa. The Grebo ethnic group in Ivory Coast uses this helmet mask to prepare spiritually for war.

Made of 100% Dense wood and metal.

Model is W 41 - H 24 and Weight 1.2 kg.

This hand-carved Grebo Mask made of dense wood and black pigment belongs to the Kroo group and is nicknamed Nyabwa. The Grebo ethnic group in Ivory Coast uses this helmet mask to prepare spiritually for war.

Made of 100% Dense wood and metal.

Model is W 32 – H 21 and weight 2.6 kg.

This mask from the Fang tribe is an abstract anthropomorphic carving. They were meant to protect. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.

Made of 100% wood.

Model is W 33 - H 23 and weight 2.8 kg.

This ancestral pwo or mwana pwo mask, with an elaborate hairline made up of a braided fibre fabric, beautiful and unusual scarification patterns on the forehead and cheeks originates from Angola. Pwo signifies womanhood and an elder ancestral female associated with fertility. The cross form on the forehead, known as cingelyengelye, is an early Portuguese influence.

Made of 100% wood, fiber, Patina.

Model is W 17 – H 28 and weight 0.59 kg.

This example of Dogon art is over 35 years old. Dogon art is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. Their art deals with the myths whose complex ensemble regulates the life of the individual. Their masks are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market.

Made of 100% wood

Model is W 28 - H 18 and weight 3 kg.

This authentic carved wood mask, depicting an abstracted animal originates from Mali. Dogon masks, such as this one called kanaga, are worn primarily at dama, a collective funerary rite for Dogon men. The ritual’s goal is to ensure the safe passage of the spirits of the deceased to the world of the ancestors.

Made of 100% wood.

Model is W 49 – H 28 and weight 1.5 kg.

This type of circular pendant representing a sun refers to an ancient and complex passage of the Dogon cosmogony, at a time when light was given to men through 10 suns. It is is relatively rare in western collections. The sun symbol identification that is sometimes made seems to be foreign rather than a Dogon interpretation. 

Made of 100% Brass / Bronze

Model is W 7 – H 2 and weight 0.12 kg.

This anthropomorphic helmet mask with two female figures, originates from the Dogon people of Mali. The mask identified as representing a warrior, a member of a neighboring ethnic group with a reputation for aggressive, warlike behavior. The warrior mask has a special role in the masked dances of the dama ceremony.

Made of 100% wood.

Model is W 18 – H 52 and weight 1.3 kg.

This unusual and particularly imaginative helmet like mask is from the Nsukka area, the northern part of the northcentral Igbo region in Nigeria. This region has one of the most complex and diverse mask making traditions in Nigeria.

Made of 100% wood

Model is W 33 – H 25 and weight 1.2 kg.

This is a fabulous Old Makonde "Lipiko" Helmet Mask from Southern Tanzania and Northeast Mozambique. The Lipico helmet masks are worn on the top of the head and cover only part of the face. The helmet is worn tipped upward on the head so the dancer can see. The masks sometimes represent ancestral spirits, sometimes animals. The lipiko masks, which in the language of the Makonde people means “helmet mask.

Made of 100% wood.

Model is W 30 – H 32 and weight 1 kg.

This anthropomorphic Dogon figure originates from Mali. The wooden pillars carried symbolic representations that were references to Dogon mythology, especially ancestors.

Made of 100% Wood, mineral pigments

Model is W 14 - H 61 and weight 2.4 kg.

This fine and colorful mask is an old Eastern Mbuya Pende. Pende masks are among the most dramatic works of all African art. The Pende tribe carves several different types of masks that they use to communicate with spirits during rituals.

Made of 100% wood

Model is W 49 – H 24 and weight 0. kg.

This ancestral pwo or mwana pwo mask, with an elaborate hairline made up of a braided fibre fabric, beautiful and unusual scarification patterns on the forehead and cheeks originates from Angola. Pwo signifies womanhood and an elder ancestral female associated with fertility. The cross form on the forehead, known as cingelyengelye, is an early Portuguese influence.

Made of 100% wood, fiber, Patina.

Model is W 23 – H 46 and weight 1.2 kg.

This ‘Gomintogo Mask’ originates from the Dogon people of Eastern Mali, and represent one of the 80 masks types of the tribe. The first mask was said to be originally carved by a farmer who killed the deer because it had devastated his fields. The farmer built an altar to shelter the spirit of the deer and prevent it to wanders and take revenge on the living people.

Made of 100% wood.

Model is W 10 – H 18 and weight 1.2 kg

This abstract anthropomorphic carving originates mask from the Fang tribe. They were meant to protect. They are often of great aesthetic quality, which suggests that they are the culmination of a long sculptural tradition. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.

Made of 100% wood.

Model is W 25 - H 20 and weight  1kg.

This beautiful piece is a Marka Janus double-face helmet originates from Mali. It is decorated with copper plate and brass. Mask of this type were used in the N'Tomo initiation mask for young boys during the circumcision ceremony of adolescents, and when circumcised men advanced from one grade to another. Along the Niger River the Marka use the masks in ceremonies related to fishing and farming. The Marka dress their masks in gaily-colored costumes made of cloth; they often appear in pair, to represent man’s courting of woman. Made of 100% wood, kaolin. Model is W 34 - H 42 and weight 3.4 kg.