This  Ancestral Male Figure originates from the Dogon. A man sitting on a stool, with a very erect and dignified posture, holds in his hands some kind of tool. He wears a pectoral necklace. He seems to a village leader.

Made of 100% wood, pigments.

Model is W 73 - H 18 and weight 7.3 kg.

Ancestor' Mangbetu figure box, originating from the Mangbetu peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). They are believed to be ancestral portraits of Mangbetu royalties, and were used to decorate thrones, and likely placed in a shrine to honor them.

Made of 100% light wood, fiber Patin.

Model is W 40 - H 19 and weight 3 kg.

This Dogon statue is hermaphrodite and originates from the Dogon and is called ‘Nommo sculpture’. Carved from hardwood in the strict, clear, angular and angular abstracted ‘bombou-toro-style’ and originally probably black-brown. She is identified as being a "Jonyeleni", a member of the Jo society, a woman's and men's initiation society among the Bamana.

Made of 100% wood.

Model is W 45 - H 48 and weight 1 kg.

This small Kunin sculpture, from the Middle Benue River Valley, Nigeria, is distinguished by its overall elegant proportions and stylistically compared to their Mumuye and Jukun neighbors. The Chamba venerate anthropomorphic statues of male and female gender. The figure is not very common and their role is little known but it has been reported that there figures are used in a cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood, patina.

Model is W 8 - H 67 and weight 1.7 kg.

This iron fetish bird figure of early to mid 20th Century, is made by the Dogon tribe from Mali using the old lost-wax method and is in excellent condition. The fetish figure of a bird is believed to symbolize the 'hogon' or spiritual leader. 

Made of 100% Bronze

Model is W 45 – H 30 and weight 3.5 kg.

This Dege ancestral male figure originates from the Dogon people of Mali. A man in a sitting position, with a very erect and dignified posture. He seems to a village leader. This type of art object with such a quality of achievement is rare, and perhaps the most interesting types of Dogon art, varied in form and rich imagery, they are also among the least well documented. 

Made of 100% wood

Model is W 12 H 55 and weight 2.1 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 41 – H 25 and weight 5 kg.

This Dogon fetish rooster is a handsome example of Dogon art; and as such, presents a style that greatly influenced the art of the West. It was used as an altar piece. In the Dogon religion, the rooster is an important symbol and associated with the Jackal and the failed experiment.

Made of 100% Lost wax casting.

Model is W 1 – H 14 and weight 0.2 kg.

This rare and beautiful 19th–mid-20th century mother-and-child maternity figure carved for the Royal Court originates from northeastern Igboland, Nigeria. The Shango crest sits on atop the head, with ethnic adornments and scarification and exceptional detail in the facial expression. Shango is the god of thunder and lightning. Shango is both feared in the context of justice and magic and venerated as his manifestations bring beneficial rain for crops.

Made of 100% wood.

Model is W 75 - H 16 and weight 5.2 kg.

This young Fang "Eyema Byeri" figure of a male ancestor is characteristic of the style of the Fang Ntumu subgroup of northern Gabon near the Cameroon border. The appearance of Fang reliquary figures varies greatly from region to region. The Fang characteristics are recognized by the accentuated muscular reliefs of the arms and calves, as well as the curved shoulders and thighs. A good illustration of the “classical” style of the Southern Fang with a concave-convex face.

Made of 100% wood

Model is W 10 – H 43 and weight 1 kg.

This Magnificient Bamana ChiWara carving originates from the Bambara tribe in Mali.  The patina is rich and the surface shows significant signs of age.  The mythology of the Bamana people of Mali tells the story of an antelope named Chi Wara who first taught farming skills to humanity.

Made of 100% wood.

Model is W 22 - H 68 and weight 8 kg.

This authentic, well preserved Bronze of the Benin Kingdom is usually seen as a court official whose job it was to herald the arrival of the Oba's royal entourage with the blow of his horn during public processions. The hornblower wears luxurious clothing and is therefore more likely dressed for a specific festival or celebration than for a war.

Made of 100% Bronze

Age Mid 15th Century

Model is W 60 – H 13 and weight 7.5 kg.

This beautiful hand-carved figure originates from the Senufo people of Ivory Coast, Mali, and Burkina Faso. The figure is called Senufo Rhythm Pounder.  It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people.

Made of 100% wood

Model is W 6 – H 68 and weight 1 kg.

This Bembe statuette originates from the People's Republic of the Congo. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. The most known are called Biteki, and portray generally impressive corporal scarification. They mostly represent Heads of village, warriors and women.

Made of 100% wood.

Model is W 74 - H 17 and weight 5 kg.

This unique figure is the prime example art Mambila, easily identifiable with their heart-shaped faces. The Tadep statues in the Mambila were used for therapeutic purposes. 

Made of 100%  wood, pigments

Model is W 34 - H 18 and weight 0.5 kg.

This great Mumuye figure, carved with crescentic coiffure, an helmet like shaped head, large circular eyes and disc-like ears has a characteristical toroidal shape and the unmistakable stylistic sign of this Mumuye ethnic group.

Made of 100% Wood.

Model is W 70 - H 11 and weight 2 kg.

This Small-scale female figure known as Jonyeleni or nyeleni originates from the artistic tradition of the Bamana people of Baniko region in Mali. The figures are an idealization of youthful feminine beauty. 

Made of 100% wood, dark brown patina.

Model is W 6 - H 61 and weight 1.5 kg.

The present figure, known as Janus Merekun, is a puppet masquerade drama of the Bamana people of Mali. The Sogo bò puppet theater is still widely used in the Bamana tribe and goes back to the old tradition of neighboring Bozo. This piece shows distinct stylistic traits of the Bozo and therefore can not be precisely delineated.

Made of 100% carved wood, metal.

Model is W 6 – H 79 and weight 1.3 kg.

This rare articulated Anthropomorphic Iginga doll made of wood originates from the Lega/Bwami peoples of the Democratic Republic of the Congo. Figures such as this were used as a didactic device during the ritual of the Bwami Society to educate young initiates. Their metaphoric form help instructors to pass the message as do the proverbs, legends, myths and slogans.

Made of 100% wood, vegetable fibers.

Model is W 60 - H 24 and weight 5.5 kg.

This superb statue called "guardian byer", with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, Holds in his hands an offering.

Made of 100% wood

Model is W 62 – H 24 and weight 4 kg.

This superb statue called "Eyema Byeri, guardian byer, with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, holds with both hands the ceremonial flute for initiated So, young boys rite of passage among the Beti-Fang.

Made of 100% wood Model is W 62 – H 24 and weight 4 kg.

This mini figure is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North - West Gabon. It is called "Eyema Byeri " or Guardian Byer". It has a voluminous head and a stocky appearance, in a sitting position, and holds with both hands the ceremonial flute So initiates, boys rite of passage among the Beti-Fang. These types of figures are recognized by the accentuated muscular reliefs of the arms and calves, as well as the rounded-shoulders and thighs (the fixation rostrum on the nsekh-byeri reliquary has disappeared).

Made of 100% wood

Model is W 20 – H 7 and weight 0.8 kg.

This beautiful female hand-carved figure is called "Rhythm Pounder". It originates from the Senufo people of Ivory Coast, Mali, and Burkina Faso. The anthropomorphic figure was once a benevolent symbol of fertility and a conduit to the departed, but also a crucial prop in both commemorative ancestral rites and in initiations of adolescents to adult society. It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people. 

Made of 100% wood

Model is W 20 – H 112 and weight 5 kg.

This superb statue called "guardian byer", with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, with its hand on hips.

Made of 100% wood

Model is W 50 – H 11 and weight 2 kg.

This finely carved bronze figure represents a dwarf at the court of Benin. Wearing courtly dress in continuation of the traditional bronze art of Benin in form of a bearded person with o-shaped legs and neck adornment. In Edo culture dwarfs were known as the jugglers and acrobats in the Oba court.

Made of 100% Bronze

Model is W 46 – H 22 and weight 5 k