This handcradted Grebo Mask with dense wood belongs to the Grebo group of Kru, a small population of the western coast of the Ivory Coast, and their neighbours from eastern Liberia). The distinctive style with protruding tubular eyes in varying numbers is rare with an exaggerated abstract facial features and large headdresses. Grebo ethnic group in Ivory Coast uses this mask to the needs of “fetish” (sacrifices).

Made of 100% carved wood.

Model is W 25 – H 64 and weight 1.4 kg.

This ancestral Grebo Mask with dense wood and black pigment belongs to the Kru group, a small population of the western coast of the Ivory Coast, and their neighbours from eastern Liberia). The Grebo ethnic group in Ivory Coast uses this mask to the needs of “fetish” (sacrifices). Worn vertically, Kru masks were fitted below a huge headdress which consisted of an arc-shaped structure made of vegetable fibres, covered with cloth and trimmed by a stiff fringe of palm-leafed fibres and long waving feathers, creating awe-inspiring effects.

Made of 100% carved wood.

Model is W 31 – H 49 and weight 1.2 kg.

This beautifully carved animal mask originates from the Baule tribe. Baule art is sophisticated and stylistically diverse. The Baule hold objects in high esteem for the spiritual presence that is related to the object. According to the Baule mythology, the animal of the bush are heavenly spirit of agriculture. These masks are used on the occasion of the new harvest, at the visit of dignitaries, or at the funerals of notables.

Made of 100% wood, pigments

Model is W 21 - H 43 and weight 1.4 kg.

This authentic carved wood mask, depicting an abstracted animal originates from the Dogon tribe in Mali. The Kanaga masks depict the face as an almost long and rectangular box with deeply hollowed channels for the eyes. According to Dogon beliefs, it represents a wild monkey, uncivilized, dangerous, and antisocial behavior –  the direct opposite of their beliefs about the way a proper, solid, upstanding Dogon person is expected to behave.

Made of 100% wood.

Model is W 18 – H 18 and weight 2 kg.

This zoomorphic Dogon mask made of hardwood with a kaolin coating is an exceptional piece for your collection. It originates from Mali and was created to represent spirits of the wilderness. 

Made of 100% Wood, mineral pigments

Model is W 16 - H 26 and weight 3 kg.

This Guro mask and many of the other masks are representations of the spirit of Gu, the wife of Zamble, a supernatural being. Guro masks originate from the west coast of Africa and more specifically from Ivory Coast. Guro mask is very unique and has a combination of human and animal traits and imaginary beasts. The Guro tribe or Gouro tribe as they are sometimes pronounced are very spiritual people and their masks are all representations of their way of live and spiritual way of life.

Made of 100% wood, pigment.

Model is W 18 – H 32 and weight 0.7 kg.

This tribal Mask From the Chokwe is called pwo or mwana pwo mask and  originates from Angola. It has an elaborate hairline made up of a braided fibre fabric, beautiful and unusual scarification patterns on the forehead and cheeks. Pwo signifies womanhood and an elder ancestral female associated with fertility. The cross form on the forehead, known as cingelyengelye, is an early Portuguese influence.

Made of 100% wood, fiber, Patina.

Model is W 28 – H 17 and weight 0.5 kg.

Handcarved yellow Janus Kpelie wooden mask from the Senufo people of Ivory Coast/Mali – a very rare and special double initiation mask, representing the faces of ancestors. It has preserved its authenticity, surface and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Ivory Coast/Mali Senufo people Kpelie mask. Beautiful, mysterious and poetic, imbued with the cultural narrative of its people and its time.

Made of 100% wood, pigment.

Model is W 20 – H 40 and weight 0.8 kg.

This beautiful well-carved mask comes from The Marka, Mali. This is one of the finest examples of Marka masks. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.

Model is W 36 - H 21 and weight 1.5 kg.

This fine and colorful mask is an old Eastern Mbuya Pende. Pende masks are among the most dramatic works of all African art. The Pende tribe carves several different types of masks that they use to communicate with spirits during rituals.

Made of 100% wood

Model is W 49 – H 24 and weight 0. kg.

This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 48 - H 21 and weight 1.6 kg.

This hand-carved Grebo Mask made of dense wood and black pigment belongs to the Kroo group and is nicknamed Nyabwa. The Grebo ethnic group in Ivory Coast uses this helmet mask to prepare spiritually for war.

Made of 100% Dense wood and metal.

Model is W 41 - H 24 and Weight 1.2 kg.

This hand-carved Grebo Mask made of dense wood and black pigment belongs to the Kroo group and is nicknamed Nyabwa. The Grebo ethnic group in Ivory Coast uses this helmet mask to prepare spiritually for war.

Made of 100% Dense wood and metal.

Model is W 32 – H 21 and weight 2.6 kg.

Made of 100% Terracotta

Model is W 28 – H 37 –  D 24 and weight 11 kg

This anthropomorphic figure belongs to the Djenne, It is made of ancient terracotta or fired clay, sculpted by hand in a sitting position, with one finger under each eyeballs, as a mourning gesture, and "So you shall see". This sculpture is characterized by refined and detailed carving of the clay, a distinctive approach comparable to the wood-carving traditions of Africa, and even more so of the Baule.

In Djenne, they are also called Grebo same as the Baule, a god with several tasks, for he is both judge of hell and helper of those in need, protector of the livings against their enemies. Their use are unknown, but they were found most often inside the houses of the Djenne, next to the effigies of Malian big figures or chief ancestors, and their gestures is always of mourning.

This powerful Grebo Mask with dense wood and black pigment belongs to the Kru group, a small population of the western coast of the Ivory Coast, and their neighbours from eastern Liberia). The Grebo ethnic group in Ivory Coast uses this mask to the needs of “fetish” (sacrifices). Worn vertically, Kru masks were fitted below a huge headdress which consisted of an arc-shaped structure made of vegetable fibres, covered with cloth and trimmed by a stiff fringe of palm-leafed fibres and long waving feathers, creating awe-inspiring effects.

Made of 100% carved wood.

Model is W 24 – H 41 and weight 1.2 kg.

This larger than life figure with the head of a monkey represent one of the humbler gods of the Baulte tribe. It is called Gbekre or Mbotumbo, a god with several tasks, for he is both judge of hell and helper of those in need, protector of the living against their enemies. Statues of standing monkeys were used in many different Baule cults, the most prominent of which was Mbra and they are very different in style of other Baule sculptures. If the ancestor-cult statues are often characterized by refined and detailed carving, the wood stained and often polished, the Gbekre are very different. They are roughly carved in unstained wood. They combine human and animal traits in such a way that it is nearly impossible to separate them. Besides, they are used for many different cults, for a trance divination cult among them. Women are forbidden to see some of them, others are openly shown.

Made of 100% wood.

Model is W 87 - H 23 and weight 11 kg

This beautiful ‘Gomintogo’ or ‘Hare mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon. The Dogon people have created more than eighty mask types to represent characters in their cosmic myths.

Made of 100% wood.

Model is W 50 – H 21 and weight 2 kg.

This larger than life figure with the head of a monkey represent one of the humbler gods of the Baulte tribe. It is called Gbekre or Mbotumbo, a god with several tasks, for he is both judge of hell and helper of those in need, protector of the living against their enemies. Statues of standing monkeys were used in many different Baule cults, the most prominent of which was Mbra and they are very different in style of other Baule sculptures. If the ancestor-cult statues are often characterized by refined and detailed carving, the wood stained and often polished, the Gbekre are very different. They are roughly carved in unstained wood. They combine human and animal traits in such a way that it is nearly impossible to separate them. Besides, they are used for many different cults, for a trance divination cult among them. Women are forbidden to see some of them, others are openly shown.

Made of 100% wood.

Model is W 87 - H 23 and weight 11 kg

This striated masks, or Kifwebe, originates from the Songye, southern part of the Democratic Republic of the Congo. These types of masks were used to mark important periods of social transition and transformation, appearing at the death of a chief or any other eminent person, or when a person assumes an important political title.

Made of 100% wood

Model is W 25 - H 10 and weight  1.2 kg.

This ‘Gomintogo’ or ‘Hare mask’ or ‘Deer Mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon.

Made of 100% wood.

Model is W 53 – H 21 and weight 3.5 kg.

This type of circular pendant representing a sun refers to an ancient and complex passage of the Dogon cosmogony, at a time when light was given to men through 10 suns. It is is relatively rare in western collections. The sun symbol identification that is sometimes made seems to be foreign rather than a Dogon interpretation. 

Made of 100% Brass / Bronze

Model is W 7 – H 2 and weight 0.12 kg.

This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 49 - H 18 and weight 1.5 kg.

This Lega (also known as Warega) mask originates from the Bwami tribe in Congo. A well-carved example of Lega wooden face mask. This face is enhanced by the eyebrows exceptionally carved in relief. The long and fine nose, as well as the open eyes and mouth, are carved according to the Lega style.

Made of 100% light hand-carved cane wood, fiber, and pigments.

Model is W 31 - H 20 and weight 0.8 kg.

This example of  Baule art is over 25 years old. Baule art is sophisticated and stylistically diverse. The Mblo masks such as this one were used in entertainment dances, one of the oldest of Baule art forms. These refined human face masks are usually portraits of particular known individuals.

Made of 100% wood, pigments

Model is W 22 – H 18 and weight 2 kg.

This example of Dogon art is over 35 years old. Dogon art is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. Their art deals with the myths whose complex ensemble regulates the life of the individual. Their masks are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market.

Made of 100% wood

Model is W 28 - H 18 and weight 3 kg.

An old fetish doll that lies outside the realm of anything recognizable in nature. It belongs to the works and the ritual practice of the Senufo tribe. The figure give visual representation to invisible bush spirits and function as divination devices. Believed to be used to uncover misdeeds, false testimony, and culpability. Although such works have the potential to affect all members of a Senufo community, access to this doll oracle is restricted to the most enlightened senior male and, occasionally, female members, who keep it shrouded in secrecy.

Made of 100% Wood, iron, woven fiber, organic material, cowrie shell.

Model is W 25 – H 45 and weight 0.3 kg.