Beautifully carved Baule ancestral portrait originating from Ivory Coast. These refined human face masks are usually portraits of particular known individuals or dignitary celebrated during a ceremonial dance called Mbloâ. Masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. Baule art is sophisticated and stylistically diverse.

Made of 100% wood, pigment

Model is W 14 - H 34 and weight 0.8 kg.

The Guros are well known as sculptors of colorful masks, statuettes, pulleys weavers and spoons. This Guro mask and many of the other masks are representations of the spirit of Gu, the wife of Zamble, a supernatural being. Guro masks originate from the west coast of Africa and more specifically from Ivory Coast. Guro mask is very unique and has a combination of human and animal traits and imaginary beasts. The Guro tribe or Gouro tribe as they are sometimes pronounced are very spiritual people and their masks are all representations of their way of live and spiritual way of life.

Made of 100% wood, pigment.

Model is W 30 – H 40 and weight 0.9 kg.

This Dogon bronze figure depict a woman in a kneeling position. The figure has a circular but flat body with spiky breasts. Her face reveals a couple of protruding lips, and on her head she has a neatly ethnic hairstyle. The figurines are decorated with tribal figurations and may represent fertility or maternity. These figures were placed on a family altar or kept in the village priest’s shrine where they would have offerings that were meant to infuse them with life force and to assist humans on earth to intercede with the deities. These unique figurines are molded using the basic method of lost-wax casting that has been widely practiced on the African continent for several hundred years prior to the arrival of the first western visitors. This is an impressive piece of art that is seldom seen in Dogon sculpture.

Made of 100% Bronze.

Model is W 5 – H 12 and weight 0.35 kg.

This handcrafted hairpin with a zoomorphic figure abstract is a handsome example of Dogon art; and as such, presents a style that greatly influenced the art of the West. It was used as an hair ornament and jewelry. A superb heavy oxidized vert-de-gris patina of greens and browns as well as encrusted deposits cover this imposing ring.The Dogon are an ethnic group living in the central plateau region of Mali, south of the Niger bend near the city of Bandiagara in the Mopti region. Certain researchers investigating the Dogon have reported that they seem to possess advanced astronomical knowledge.

Model is W 3 - H 16 and weight 0.2 kg

This finely crafted bronze Royal leopard was made by a craftsman blacksmith using the technique of lost wax, with beautifully detailed patterns, depicting the leopard skin. A "Leopard" was used as a symbol of Justice and power in the Yoruba culture. African proverbs about leopards are so "spot on": The rain wets the leopard's spots but does not wash them off." Leopard appears most frequently in yoruba art, as “king of the forest”, his reputation is as great as that of the Oba, or king. The leopard came to be a royal symbol as it heralded for the balance between his strength and his reserve and moderation as a leader. The leopard symbolizes the complete harmony between two compelling forces – the menacing and the moderating – that, in Benin, it is believed every ideal Oba should possess.

Made of 100% Bronze, copper alloy.

Model is W 32 – H 40 and weight 1.2 kg

African bronze senufo statue from Mali. It has preserved its authenticity, surface and aged patina. Sculptural art are the epitome in the cultural and spiritual lives of the Senufo people.

Made of 100% Bronze, copper alloy.

Model is W 12 – H 34 and weight 0.8 kg

The Bozo Sogobo Fish puppets come from the region of the Bamana city of Segou or the Bozo area of Mopti, and are crafted by the Bozo artisans for the Sogo ba masquerade. Sculptures such as these were used during performance of Dance troops of young men, members of local youth groups. They sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community. The Bozo people are known as "masters of the river" and their culture and artwork centers around their interaction with the Niger River. The fish puppets come in different colors and shape and are uniquely handcrafted.

Made of 100% Soft wood, pigment, nails.

Model is W 9 – H 39 and weight 0.3 kg.

This authentic mask depicting an abstracted human face showing traces of exposure to the elem bird mask is made of wood, with a crusted old wooden patina. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood, fiber Patin.

Model is W 34 – H 15 and weight 1.2 kg.

This finely carved iron object depicts a Nommo staff. It originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. They could have been carried by a ritual Chief for the complex funerary rituals so well known among the Dogon. It may have also been used by the blacksmith as an indication of his status among the Dogon.

Made of 100% Bronze, copper alloy.

Model is W 2 - H 33 and weight 0.3 kg.

Miniature figurine of  a horse and rider made of bronze. A strong symbolic figurine implying power and status among the Dogon people. Similar to amulets worn around the neck and ankles by the Dogon, they believe to bring good luck or blessings of the gods. They were mostly worn as pendants or bracelets, and represent a source of spiritual strength for their owners. The Dogon place these figurines depicting men and women on many different kinds of altars, most of which are dedicated to ancestors, either real or mythical. Although rare, horsemen as icon have existed for 1000 years in Mali.

Some depict a hogon, the supreme officeholder, a semi-divine leader of great wisdom, or even a mythological emissary from a distant land.

Made of 100% Brass / Bronze.

Model is W 3 - H 12 and weight 0.4 kg.

This antique bronze bracelet was worn and used as currency trade money and investment and highly prized in Western Africa from 1600-1900 by the Dogon tribal people for trading / buying transactions in Mali. This form of currency is beautifully designed with some tribal patterns and molded in bronze with the lost-wax method, also called cire-perdue. These "primitive" currencies were both aesthetic and functional as they were creative symbols of wealth and power and functionally used a means of exchange. They were used to purchase everyday items such as food, cloth, tools, land, livestock and for brides.

Made of 100% Bronze.

Model is W 6 - H 14 and weight 1.3 kg.

Antique Dogon multi-arms lamps ornated with decorations. These functional iron lamps, with bowls to burn oil, and 2 staffs, express status, prestige and power. lamps were used during ceremonies in a community or individual sanctuary or used as an incense Burner. Oil known as tulu, made from the Karite tree nut was burned in the cup to produce a dark, smoky light that was as much a light for ritual purposes as for illumination. They would bring honor to the ancestors, the current leadership and the owner of the sculpture. They usually depicted a former leader, seated, standing or on horseback. Although rare, horsemen as icon have existed for 1000 years in Mali. Some would depict a hogon, the supreme officeholder, a semi-divine leader of great wisdom, or even a mythological emissary from a distant land.

Made of 100% Iron.

Model is W 15 – H 85 and weight 0.8 kg."

Beautifully carved Baule ancestral portrait originating from Ivory Coast. These refined human face masks are usually portraits of particular known individuals or dignitary celebrated during a ceremonial dance called Mbloâ. Masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. Baule art is sophisticated and stylistically diverse.

Made of 100% wood, pigment

Model is W 12 - H 30 and weight 0.6 kg.

This antique iron necklace originates from the Senufo people of Mali. It was originally used as an amulet anklet or chevillière. Traditional chevillières are worn by women but men, may also wear them, especially the larger and heavier anklets. Created using the lost wax method that involves creating a model in beeswax. Once completed, wax rods are attached to it and the entire model is encased in layers of fine clay. The structure is heated and the melted wax runs out through the channels of wax rods; molten metal is poured into the mold - the mold is broken and the piece has been created, resulting in a unique and original piece.

Made of 100% Brass / Bronze

Model is W 2 – H 16 and weight 0.3 kg.

This door lock  (called Konbalabala) was generally used on the doors of dwellings. The design of the door lock represents among many things a person or myth or story. Door Locks were often given as as wedding gifts to young brides. 

This rare bronze container originate from the Dogon people. Vessels such as these were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 23 – H 40 and weight 0.6 kg.

Beautifully carved Baule ancestral portrait originating from Ivory Coast. These refined human face masks are usually portraits of particular known individuals or dignitary celebrated during a ceremonial dance called Mbloâ. Masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. Baule art is sophisticated and stylistically diverse.

Made of 100% wood, pigment

Model is W 18 - H 30 and weight 0.4 kg.

Colorful Bozo Belier puppets were used for performances in the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community.

Made of 100% Wood, paint, fabrics.

Model is W 30 – H 56 and weight 1.2 kg.

This rare authentic amulet is made of iron and originates from the Dogon tribe, a symbol of a material power, but also the instrument of warlike adventures. A superb heavy oxidized vert-de-gris patina of greens and browns as well as encrusted deposits cover this imposing ring.The Dogon are an ethnic group living in the central plateau region of Mali, south of the Niger bend near the city of Bandiagara in the Mopti region. Certain researchers investigating the Dogon have reported that they seem to possess advanced astronomical knowledge.

Made of 100% Brass / Bronze

Model is W 11 – H 12 and weight 0.3 kg.

The Ntomo (also called N’domo) Bamana mask originate from Mali. They were worn by boys as they passed through the early cycle of initiation into manhood. As part of the six initiation societies collectively known as Dyow, the main aim of the initial 5-year long N’tomo Dyo is to prepare uncircumcised boys for adulthood and to educate them about life including farming skills and discipline. The masqueraders wearing the masks, enter the village compound to announce the start of a ritual or a puppet masquerade. There are two main style groups of their masks. One is characterized by an oval face with four to ten horns in a row on top like a comb, often covered with cowries or dried red berries. The other type has a ridged nose, a protruding mouth, a superstructure of vertical horns, in the middle of which or in front of which is a standing figure or an animal. The ntomo masks with thin mouths underscore the virtue of silence and the importance of controlling one’s speech. During their time in ntomo the boys learn to accept discipline. They do not yet have access to the secret knowledge related to kore and other initiation societies. Members wore a wooden face mask during the initiation festival at harvest time and when begging for rice.

Made of 100% Wood, pigment, seeds, latex, metal.

Model is W 25 – H 61 and weight 2kg

This miniature Ife head is cast in the lost wax technique, and originates from Ife, Nigeria. The heads often depict historic individuals and heroes of Ife, spiritual home of the Yoruba. According to the oral traditions of the Yoruba people, Ife is the place where life and civilisation began. Ife is regarded as the legendary homeland of theYoruba-speaking peoples and its sacred ruler, the Ooni, is still revered as the descendant of the original creator gods.

Made of 100% "Bronze" Brass, copper Alloy.

Model is W 8 – H 22 and weight 0.4 kg.

This pigmented yellow Senufo Kpelie hand-carved wooden mask comes from the Ivory Coast/Mali. It has preserved its authenticity, surface and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Ivory Coast/Mali Senufo people’s ‘Kpelie’ mask. Beautiful, mysterious and poetic, imbued with the cultural narrative of its people and its time.

Made of 100% wood, pigment.

Model is W 18 – H 30 and weight 0.6 kg.

This authentic, well preserved bronze plaque of the Benin Kingdom in what is now Nigeria exhibits a virtuosity and sophistication of style that has astonished the Western world. The figure and pose are classic from the high period of Benin art in the 15th century and honor the King or Oba.

Made of 100% Bronze

Model is W 36 – H 28 and weight 64 kg.

Zoomorphic fish puppet figure from the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Masks such as these were used during performance of Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community.

Made of 100% Wood, paint, fabrics.

Model is W 32 – H 112 and weight 1.4 kg.

This ancestral pwo or mwana pwo mask, with an elaborate hairline made up of a braided fibre fabric, beautiful and unusual scarification patterns on the forehead and cheeks originates from Angola. Pwo signifies womanhood and an elder ancestral female associated with fertility. The cross form on the forehead, known as cingelyengelye, is an early Portuguese influence.

Made of 100% wood, fiber, Patina.

Model is W 21 - H 38 and weight 0.6 kg.

Bozo Fish puppets were used for performances in the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba.

Made of 100% Wood, paint, fabrics

Model is W 12 - H 27 and weight 3 kg.