Product Description
Ancestral Male Figure, Dogon – Mali
This Ancestral Male Figure originates from the Dogon. A man sitting on a stool, with a very erect and dignified posture, holds in his hands some kind of tool. He wears a pectoral necklace. He seems to a village leader.
Made of 100% wood, pigments.
Model is W 73 – H 18 and weight 7.3 kg.
Description
This Ancestral Male Figure originates from the Dogon. A man sitting on a stool, with a very erect and dignified posture, holds in his hands some kind of tool. He wears a pectoral necklace. He seems to a village leader. Carved for personal or family use, they commemorate the foundation of a community and are worshiped by the village. This type of art object with such a quality of achievement and a wood so old is rare.
The Dogon place wood figures depicting men and women on many different kinds of altars, most of which are dedicated to ancestors, either
real or mythical. Although figurative sculptures, called Dege, are perhaps the most interesting types of Dogon art, varied in form and rich in
imagery, they are also among the least well documented. Few altars have been described in detail or illustrated; those that have been
described do not suggest any consistent pattern linking a particular style of a figure or a specific posture or gesture with any one kind of altar.
There is also little information with which to identify the persons represented by the figures.
The Dogon an ethnic group are mainly located in the administrative districts of Bandiagara and Douentza in Mali, West Africa. The precise origins of the Dogon people, like those of many other ancient cultures, are not yet determined. Their civilization emerged, in much the same way as ancient Egypt. Around 1490 AD the Dogon people migrated to the Bandiagara cliffs of central Mali. There are approximately 700 Dogon villages, with an average of 400 inhabitants. The tribe’s folk call themselves ‘Dogon’ or ‘Dogom’, but in the older literature they are most often called ‘Habe’, a Fulbe meaning ‘stranger’. The Dogon have been described as the most studied and least understood tribal group in Africa. Their history, technology, cultural wealth, art and even oral legends are among the most involved in Africa, not least because the policy is in fact essentially artificial, comprising various sub-units that were grouped together on the basis of propinquity under the colonial administration. They are excessively prolific in terms of artistic production, not least because they have mastered all the main materials that are used in traditional African art; figures in stone, iron, bronze/copper and of course wood are all known, in addition to cave/rock painting and adaptation of more modern materials.
Additional information
| Weight | 7.3 kg |
|---|---|
| Dimensions | 73 × 18 cm |
| Color | |
| Material |
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