Authentic 11th to 15th century Dongon Dege mask made of wood, with chestnut brown patina, simple but yet very harmonious, an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood, fiber Patin.

Model is W 34 - H 15 and weight 1.2 kg.

Miniature horseman bronze figure – the horse and rider motif is a strong symbolic signifying power and status among the Dogon people. Similar to amulets worn around the world, they believe to bring good luck or blessings of the gods. They were mostly worn as pendants on necklaces or bracelets, which represent a source of spiritual strength for their owners. The Dogon place these figures depicting men and women on many different kinds of altars, most of which are dedicated to ancestors, either real or mythical. Although rare, horsemen as icon have existed for 1000 years in Mali. Some depict a hogon, the supreme officeholder, a semi-divine leader of great wisdom, or even a mythological emissary from a distant land.

Made of 100% Bronze, copper alloy.

Model is W 8 – H 19 and weight 0.5 kg.

This superb Marka Mask made with wood, covered with brass sheets, comes from Mali. This is one of the finest examples of Marka masks. This is a beautiful well-carved mask. The works on the brass sheet are final and superb. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.

Model is W 45 - H 16 and weight 2.1 kg.

This rare small pot with figural lids originate from Dogon, and dates . Atop the lid is two seated figures that represents an (idealistic) portrait of the deceased. The vessels were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 6 – H 14 and weight 0.3 kg.

This authentic, well preserved bronze plaque of the Benin Kingdom in what is now Nigeria exhibits a virtuosity and sophistication of style that has astonished the Western world. The figure and pose are classic from the high period of Benin art in the 15th century and honor the King or Oba.

Made of 100% Bronze

Model is W 36 – H 28 and weight 64 kg.

This Bozo Fish puppet is used for performances in the region around the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba.

Made of 100% Wood, paint, nails, tape

Model is W 64 - H 25 and weight 4.2 kg.

This pigmented yellow Senufo Kpelie hand-carved wooden mask comes from the Ivory Coast/Mali. It has preserved its authenticity, surface and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Ivory Coast/Mali Senufo people’s ‘Kpelie’ mask. Beautiful, mysterious and poetic, imbued with the cultural narrative of its people and its time.

Made of 100% wood, pigment.

Model is W 18 – H 30 and weight 0.6 kg.

Miniature figurine of  a horse and rider made of bronze. A strong symbolic figurine implying power and status among the Dogon people. Similar to amulets worn around the neck and ankles by the Dogon, they believe to bring good luck or blessings of the gods. They were mostly worn as pendants or bracelets, and represent a source of spiritual strength for their owners. The Dogon place these figurines depicting men and women on many different kinds of altars, most of which are dedicated to ancestors, either real or mythical. Although rare, horsemen as icon have existed for 1000 years in Mali.

Some depict a hogon, the supreme officeholder, a semi-divine leader of great wisdom, or even a mythological emissary from a distant land.

Made of 100% Brass / Bronze.

Model is W 3 - H 12 and weight 0.4 kg.

Beautifully carved Baule ancestral portrait originating from Ivory Coast. These refined human face masks are usually portraits of particular known individuals or dignitary celebrated during a ceremonial dance called Mbloâ. Masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. Baule art is sophisticated and stylistically diverse.

Made of 100% wood, pigment

Model is W 20 - H 50 and weight 0.6 kg.

Zoomorphic fish puppet figure from the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Masks such as these were used during performance of Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community.

Made of 100% Wood, paint, fabrics.

Model is W 32 – H 112 and weight 1.4 kg.

This Dogon figurative sculpture depicts a Kono, a bird that announce the rains — The singers praise the bird’s character and its importance in the lives of the people. The puppet is from the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. They were used during performance of Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community.

Made of 100% Wood, paint, fabrics.

Model is W 21 – H 70 and weight 1.3 kg.

The Bozo Sogobo Fish puppets come from the region of the Bamana city of Segou or the Bozo area of Mopti, and are crafted by the Bozo artisans for the Sogo ba masquerade. Sculptures such as these were used during performance of Dance troops of young men, members of local youth groups. They sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community. The Bozo people are known as "masters of the river" and their culture and artwork centers around their interaction with the Niger River. The fish puppets come in different colors and shape and are uniquely handcrafted.

Made of 100% Soft wood, pigment, nails.

Model is W 9 – H 39 and weight 0.3 kg.

Miniature horseman bronze figure – the horse and rider motif is a strong symbolic signifying power and status among the Dogon people. Similar to amulets worn around the world, they believe to bring good luck or blessings of the gods. They were mostly worn as pendants on necklaces or bracelets, which represent a source of spiritual strength for their owners. The Dogon place these figures depicting men and women on many different kinds of altars, most of which are dedicated to ancestors, either real or mythical. Although rare, horsemen as icon have existed for 1000 years in Mali. Some depict a hogon, the supreme officeholder, a semi-divine leader of great wisdom, or even a mythological emissary from a distant land.

Made of 100% Bronze, copper alloy.

Model is W 6 – H 9 and weight 0.1 kg.

This beautiful and finely felt dance mask is called “muyombo” with almost completely preserved curtains and remains of bright pigment, is considered one of the oldest of the Pende people of DR Congo (Belgian Congo). Mask such as these were  worn on top of the head like a baseball cap so it may be viewed in profile

Made of 100% wood, red pigments.

Model is W 53- H 22 and weight 0.9 kg.

This type of circular pendant representing a sun refers to an ancient and complex passage of the Dogon cosmogony, at a time when light was given to men through 10 suns. It is relatively rare in western collections.  The sun symbol identification that is sometimes made seems to be foreign rather than a Dogon interpretation.

Made of 100% Brass / Bronze

Model is W 8 - H 2 and weight 0.3 kg.

This Dogon mask with a superstructure is carved from heavy, dense wood, and originates from the Dogon peoples of Mali. The mask depict an abstracted face, a classic from the Dogon. A traditional shape used by the Dogon in much of their carvings. It’s a ceremony mask used during the annual harvest festival (called Bulu), celebrated in all the villages before the rainy season.

Made of 100% wood, pigment.

Model is W 59 - H 22 and weight 1.1 kg.

This authentic carved wood mask, depicting an abstracted animal originates from Mali. Dogon masks, such as this one called kanaga, are worn primarily at dama, a collective funerary rite for Dogon men. The ritual’s goal is to ensure the safe passage of the spirits of the deceased to the world of the ancestors.

Made of 100% wood.

Model is W 36 – H 18 and weight 1.2 kg.

This door lock  (called Konbalabala) was generally used on the doors of dwellings. The design of the door lock represents among many things a person or myth or story. Door Locks were often given as as wedding gifts to young brides. 

The Bozo Sogobo Fish puppets come from the region of the Bamana city of Segou or the Bozo area of Mopti, and are crafted by the Bozo artisans for the Sogo ba masquerade. Sculptures such as these were used during performance of Dance troops of young men, members of local youth groups. They sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community. The Bozo people are known as "masters of the river" and their culture and artwork centers around their interaction with the Niger River. The fish puppets come in different colors and shape and are uniquely handcrafted.

Made of 100% Soft wood, pigment, nails.

Model is W 9 – H 39 and weight 0.3 kg.

This ancestral pwo or mwana pwo mask, with an elaborate hairline made up of a braided fibre fabric, beautiful and unusual scarification patterns on the forehead and cheeks originates from Angola. Pwo signifies womanhood and an elder ancestral female associated with fertility. The cross form on the forehead, known as cingelyengelye, is an early Portuguese influence.

Made of 100% wood, fiber, Patina.

Model is W 21 - H 38 and weight 0.6 kg.

This is a beautiful example of a Dogon bracelet. It shows old patina from usage, and is decorated with protective signs and symbols. This type of bracelets such as this were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth. Metal works like this Dogon bracelet is molded in bronze by ‘the lost wax method’, also called ‘cire-perdue’.

Made of 100% Brass / Bronze

Model is W 2 – H 14 and weight 0.3 kg.

This Dogon bronze figure depict a woman in a kneeling position. The figure has a circular but flat body with spiky breasts. Her face reveals a couple of protruding lips, and on her head she has a neatly ethnic hairstyle. The figurines are decorated with tribal figurations and may represent fertility or maternity. These figures were placed on a family altar or kept in the village priest’s shrine where they would have offerings that were meant to infuse them with life force and to assist humans on earth to intercede with the deities. These unique figurines are molded using the basic method of lost-wax casting that has been widely practiced on the African continent for several hundred years prior to the arrival of the first western visitors. This is an impressive piece of art that is seldom seen in Dogon sculpture.

Made of 100% Bronze.

Model is W 5 – H 12 and weight 0.35 kg.

This small antique bell, cast in the form of a dome comes from Benin. Tribal bells were used for a variety of purposes, such as proclaiming a sacred presence as well as a neutralizing hostile or harmful forces. Bells were used as tools of communication, as portable instruments for conveying important messages, and as a form or currency. The predominant method employed by the Edo in creating objects like the Bells, called “lost-wax casting, does not permit for a mold to be used more than once, a fact which accounts for the idiosyncrasies and lack of exact copies in known examples of Benin bronzes. Using the bells and rattle stuffs to call the ancestor’s spirit, the oba offered sacrifices to him and to the earth on the altar.

Made of 100% Bronze, copper alloy.

Model is W 9 – H 19 and weight 0.1 kg.

This abstract Dogon monkey mask has a traditional geometric shaped face, eyes, and ears, a prominent groin decorated with geometric motifs, crusted old wooden patina. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. 

Made of 100% wood

Model is W 31 – H 18 and weight 1.8

This authentic Marka Mask is made of dense wood seat on a raised base. It it originates from Mali. All along the Niger, this mask type is used for ceremonies associated with fishing and agriculture.A fine examples of Marka masks and a great addition to any serious collection for its artistic and intrinsic values. Made of 100% wood, metal. Model is W 22 - H 49 and weight 1.4 kg.

"Elu" mask with hinged movable jaw originates from the Ogoni tribe in Nigeria, early 20th century. Lower jaw portion attached to upper by narrow wooden threads on each side. Semicircular disc like ears protrude from sides of face. Scarification marks with geometrically incised designs appear on forehead. The eyes are hollow almond shaped openings. The head decoration has a raised portion representing ancestors or title holders.

Made of 100% light hand-carved cane wood, fiber and pigments.

Model is W 33 - H 21 and weight 0.8 kg.