Product Description
STANDING FEMALE MATERNITY FIGURE, DOGON
This beautiful Bombou-Toro statue of a woman standing holding a child is hermaphrodite and originates from the Dogon tribe of Mali. It evokes stature and represents a maternity figure, ‘mother and child’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo. They were often objects of petitions or prayers for fertility and successful births.
Made of 100% wood.
Model is W 17 – H 71 and weight 4.1 kg.
Description
This beautiful Bombou-Toro statue of a woman standing holding a child is hermaphrodite and originates from the Dogon tribe of Mali. It evokes stature and represents a maternity figure, the ‘mother and child’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo. With a long neck, slender proportions, and detailed and delicate features, representing great dignity, Dogon figures often recreate the hermaphroditic mythology of their beliefs. Maternity figures depict the ideal of beauty, fertility, commonly used as shrine figures. They were often objects of petitions or prayers for fertility and successful births.
The Dogon an ethnic group are mainly located in the administrative districts of Bandiagara and Douentza in Mali, West Africa. The precise origins of the Dogon people, like those of many other ancient cultures, are not yet determined. Their civilization emerged, in much the same way as ancient Egypt. Around 1490 AD the Dogon people migrated to the Bandiagara cliffs of central Mali. There are approximately 700 Dogon villages, with an average of 400 inhabitants. The tribe’s folk call themselves ‘Dogon’ or ‘Dogom’, but in the older literature they are most often called ‘Habe’, a Fulbe meaning ‘stranger’. The Dogon have been described as the most studied and least understood tribal group in Africa. Their history, technology, cultural wealth, art and even oral legends are among the most involved in Africa, not least because the policy is in fact essentially artificial, comprising various sub-units that were grouped together on the basis of propinquity under the colonial administration. They are excessively prolific in terms of artistic production, not least because they have mastered all the main materials that are used in traditional African art; figures in stone, iron, bronze/copper and of course wood are all known, in addition to cave/rock painting and adaptation of more modern materials.
Additional information
| Weight | 4.1 kg |
|---|---|
| Dimensions | 17 × 71 cm |
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