"Elu" mask with an expressive Bird like face and hinged jaw originates from the Ogoni tribe in Nigeria, early 20th century. Wooden face mask with hinged, movable jaw. Lower jaw portion attached to upper by narrow wooden threads on each side. Semicircular disc like ears protrude from sides of face. Scarification marks with geometrically incised designs appear on both sides of the face at outer corner of eye area. The eyes are hollow almond shaped openings. The head decoration has a raised portion, with a vertical light-painted keloid or scar mark the center.

Made of 100% light hand-carved cane wood, fiber and pigments.

Model is W 30 - H 19 and weight 3 kg.

This type of circular pendant representing a sun refers to an ancient and complex passage of the Dogon cosmogony, at a time when light was given to men through 10 suns. It is is relatively rare in western collections. The sun symbol identification that is sometimes made seems to be foreign rather than a Dogon interpretation. 

Made of 100% Brass / Bronze

Model is W 7 – H 2 and weight 0.12 kg.

This hand-carved Grebo Mask made of dense wood and black pigment belongs to the Kroo group and is nicknamed Nyabwa. The Grebo ethnic group in Ivory Coast uses this helmet mask to prepare spiritually for war.

Made of 100% Dense wood and metal.

Model is W 47 - H 18 and weight 2 kg.

This hand-carved Grebo Mask made of dense wood and black pigment belongs to the Kroo group and is nicknamed Nyabwa. The Grebo ethnic group in Ivory Coast uses this helmet mask to prepare spiritually for war.

Made of 100% Dense wood and metal.

Model is W 41 - H 24 and Weight 1.2 kg.

This somber mask is called “Mbuya” and originates from the Pende people of DR Congo. The mask is made of wood, pigments, and raffia. Pende masks are among the most dramatic works of all African art.

Made of 100% wood, red pigments.

Model is W 51 - H 17 and Weight 1.2 kg.

This Suruku Hyena mask, belong to the 6th class of the society of the Bambara Korah; with Dark brown patina, it is simple but yet very harmonious, and an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. Lots of power.

Made of 100% wood.

Model is W 46 - H 23 and weight 3 kg.

This Old Makonde "Lipiko" Helmet Mask originates from Southern Tanzania and Northeast Mozambique. The Lipico helmet masks are worn on the top of the head and cover only part of the face. The helmet is worn tipped upward on the head so the dancer can see. The masks sometimes represent ancestral spirits, sometimes animals. The lipiko masks, which in the language of the Makonde people means “helmet mask.

Made of 100% wood, pigment.

Model is W 24 – H 26 and weight  0.6 kg.

This hand-carved Grebo Mask made of dense wood and black pigment belongs to the Kroo group and is nicknamed Nyabwa. The Grebo ethnic group in Ivory Coast uses this helmet mask to prepare spiritually for war.

Made of 100% Dense wood and metal.

Model is W 32 – H 21 and weight 2.6 kg.

This example of Dogon art is over 35 years old. Dogon art is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. Their art deals with the myths whose complex ensemble regulates the life of the individual. Their masks are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market.

Made of 100% wood

Model is W 28 - H 18 and weight 3 kg.

This ‘Gomintogo Mask’ originates from the Dogon people of Eastern Mali, and represent one of the 80 masks types of the tribe. The first mask was said to be originally carved by a farmer who killed the deer because it had devastated his fields. The farmer built an altar to shelter the spirit of the deer and prevent it to wanders and take revenge on the living people.

Made of 100% wood.

Model is W 10 – H 18 and weight 1.2 kg

This beautiful ‘Hare mask’ of the Dogon people of Eastern Mali, represents one of the approximately 80 mask types of the Dogon. The mask is white-primed and accentuated with white dots. They are worn in large numbers in funeral dances.

Made of 100% wood.

Model is W 21 – H 14 and weight 1.2 kg.

This beautiful old carving originates from the Fang people of Gabon. Among the Fang, these type of masks identify to the Ngil Society and are known for their elegant abstractions of the human face. They were meant to protect. They are often of great aesthetic quality, which suggests that they are the culmination of a long sculptural tradition.

Made of 100% wood.

Model is W 69 - H 20 and weight 1.4 kg.

This beautiful piece is a Marka Janus double-face helmet originates from Mali. It is decorated with copper plate and brass. Mask of this type were used in the N'Tomo initiation mask for young boys during the circumcision ceremony of adolescents, and when circumcised men advanced from one grade to another. Along the Niger River the Marka use the masks in ceremonies related to fishing and farming. The Marka dress their masks in gaily-colored costumes made of cloth; they often appear in pair, to represent man’s courting of woman. Made of 100% wood, kaolin. Model is W 34 - H 42 and weight 3.4 kg.

This zoomorphic figure with protruding eyes and a large open mouth and carved teeth is a classic example of the Mambila people of northern Nigeria. They are thought to embody ancestors who are responsible for the clan's wealth.  The wide range of uses to which such a figure may have been employed was probably determined by the medicines in the possession of the owner, and how it was activated, rather than by specific stylistic characteristics of the sculpture itself.

Made of 100% wood, red pigments.

Model is W 39 - H 20 and weight 1.1 kg.

This superbly sculpted Marka Mask is made of wood, covered with brass sheets, comes from Mali. This is one of the finest examples of Marka masks. This is a beautiful well-carved mask. The works on the brass sheet are final and superb. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.

Model is W 49 - H 17 and weight 2.2 kg.

This anthromorphic ceremonial spoon originate from the Dan people of the Ivory Coast and Liberia.With these spoons the women of the Dan cater for guests who come to the village to attend big ceremonial feasts. Artists in Dan communities mastered the art of carving impressive, large wooden spoons that are virtuoso works of sculpture. The spoons are known by many names, including wake mia or wunkirmian, which roughly translates as "spoon associated with feasts." The spoons range in size from a foot to two feet and have one or (rarely) two parallel bowls. The handle of the spoon is always decorated and often is related to the human form and often feature a pair of legs like this example.Among the Dan, the owner of the spoon is called wa ke de, "at feasts acting woman." It is a title of great distinction that is given to the most hospitable woman of the village. With the honor, however, comes responsibility - the wa ke de must prepare the large feast that accompanies masquerade ceremonies.

Made of 100% wood, kaolin, pigments.

Model is W 19 – H 28 and weight 0.3 kg.

This unusual and particularly imaginative helmet like mask is from the Nsukka area, the northern part of the northcentral Igbo region in Nigeria. This region has one of the most complex and diverse mask making traditions in Nigeria.

Made of 100% wood

Model is W 33 – H 25 and weight 1.2 kg.

This fine and colorful mask is an old Eastern Mbuya Pende. Pende masks are among the most dramatic works of all African art. The Pende tribe carves several different types of masks that they use to communicate with spirits during rituals.

Made of 100% wood

Model is W 49 – H 24 and weight 0. kg.

This beautifully well-carved mask, made of wood, covered with brass sheets and copper originates from Mali. This is one of the finest examples of Marka masks.  The works on the brass sheet are final and superb. This mask would have a place in any good collection for its artistic and intrinsic values.

Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.

Model is W 45 - H 16 and weight 2.1 kg.

This Magnificient Bamana ChiWara carving originates from the Bambara tribe in Mali.  The patina is rich and the surface shows significant signs of age.  The mythology of the Bamana people of Mali tells the story of an antelope named Chi Wara who first taught farming skills to humanity.

Made of 100% wood.

Model is W 22 - H 68 and weight 8 kg.

This mask from the Fang tribe is an abstract anthropomorphic carving. They were meant to protect. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.

Made of 100% wood.

Model is W 33 - H 23 and weight 2.8 kg.

This example of  Baule art is over 25 years old. Baule art is sophisticated and stylistically diverse. The Mblo masks such as this one were used in entertainment dances, one of the oldest of Baule art forms. These refined human face masks are usually portraits of particular known individuals.

Made of 100% wood, pigments

Model is W 22 – H 18 and weight 2 kg.

This authentic mask depicting an abstracted human face showing traces of exposure to the elem bird mask is made of wood, with a crusted old wooden patina. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood, fiber Patin.

Model is W 34 – H 15 and weight 1.2 kg.

This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 49 - H 18 and weight 1.5 kg.

This zoomorphic Dogon mask made of wood, with chestnut brown patina, simple but yet very harmonious, is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood, laundry blue decorations.

Model is W 51 - H 20 and weight 3.9 kg.

This reliquary figure is called Ekuk means both “protective forest spirit” and “children of beete.” It displays a flat surface and often has a whitened heart-shaped face, a triangular nose, coffee-bean eyes and small or non-existent mouth. The faces is painted in white kaolin earth, a pigment associated by the Kwele with light and clarity, the two essential factors in the fight against evil.

Made of 100% carved wood, kaolin.

Model is W 21 – H 36 and weight 0.9 kg.