This Dogon figurative sculpture depicts a Kono, a bird that announce the rains — The singers praise the bird’s character and its importance in the lives of the people. The puppet is from the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. They were used during performance of Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community.

Made of 100% Wood, paint, fabrics.

Model is W 24 – H 74 and weight 1.4 kg.

This is a beautiful example of a Dogon bracelet. It shows old patina from usage, and is decorated with protective signs and symbols. This type of bracelets such as this were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth. Metal works like this Dogon bracelet is molded in bronze by ‘the lost wax method’, also called ‘cire-perdue’.

Made of 100% Brass / Bronze

Model is W 2 – H 12 and weight 0.2 kg.

African Bronze Warrior figure from the Senufo tribe of Mali. It has preserved its authenticity, surface, and aged patina. Sculptural art is the epitome in the cultural and spiritual lives of the Senufo people.

Made of 100% Bronze, copper alloy.

Model is W 6 - H 26 and weight 0.3 kg

The Bozo Sogobo Fish puppets come from the region of the Bamana city of Segou or the Bozo area of Mopti, and are crafted by the Bozo artisans for the Sogo ba masquerade. Sculptures such as these were used during performance of Dance troops of young men, members of local youth groups. They sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community. The Bozo people are known as "masters of the river" and their culture and artwork centers around their interaction with the Niger River. The fish puppets come in different colors and shape and are uniquely handcrafted.

Made of 100% Soft wood, pigment, nails.

Model is W 9 – H 39 and weight 0.3 kg.

This beautiful and finely felt dance mask is called “muyombo” with almost completely preserved curtains and remains of bright pigment, is considered one of the oldest of the Pende people of DR Congo (Belgian Congo). Mask such as these were  worn on top of the head like a baseball cap so it may be viewed in profile

Made of 100% wood, red pigments.

Model is W 53- H 22 and weight 0.9 kg.

Bozo Fish puppets were used for performances in the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba.

Made of 100% Wood, paint, fabrics

Model is W 12 - H 27 and weight 3 kg.

This pigmented yellow Senufo Kpelie hand-carved wooden mask comes from the Ivory Coast/Mali. It has preserved its authenticity, surface and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Ivory Coast/Mali Senufo people’s ‘Kpelie’ mask. Beautiful, mysterious and poetic, imbued with the cultural narrative of its people and its time.

Made of 100% wood, pigment.

Model is W 18 – H 30 and weight 0.6 kg.

This hollowed helmet-like mask is called Agbogho Mmwo, and originates from the Nsukka area, the northern part of the northcentral Igbo region in Nigeria. This region has one of the most complex and diverse mask making traditions in Nigeria. The stylized facial features represents numerous attributes of the ideal of female beauty among the Igbo. Worn each year for 'The Fame of Maidens' ceremony, it is intended to instruct youths in attitudes necessary for moral as well as physical beauty, the moral ideals of purity, obedience, good character and generosity. Varied aged surface with areas of red, white, black and blue pigment.

Made of 100% wood,pigment.

Model is W 42 - H 26 and weight 1.1 kg.

Antique Dogon multi-arms lamps ornated with decorations. These functional iron lamps, with bowls to burn oil, and 2 staffs, express status, prestige and power. lamps were used during ceremonies in a community or individual sanctuary or used as an incense Burner. Oil known as tulu, made from the Karite tree nut was burned in the cup to produce a dark, smoky light that was as much a light for ritual purposes as for illumination. They would bring honor to the ancestors, the current leadership and the owner of the sculpture. They usually depicted a former leader, seated, standing or on horseback. Although rare, horsemen as icon have existed for 1000 years in Mali. Some would depict a hogon, the supreme officeholder, a semi-divine leader of great wisdom, or even a mythological emissary from a distant land.

Made of 100% Iron.

Model is W 15 – H 85 and weight 0.8 kg."

This Bozo Fish puppet is used for performances in the region around the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba.

Made of 100% Wood, paint, nails, tape

Model is W 64 - H 25 and weight 4.2 kg.

This antique bronze bracelet was worn and used as currency trade money and investment and highly prized in Western Africa from 1600-1900 by the Dogon tribal people for trading / buying transactions in Mali. This form of currency is beautifully designed with some tribal patterns and molded in bronze with the lost-wax method, also called cire-perdue. These "primitive" currencies were both aesthetic and functional as they were creative symbols of wealth and power and functionally used a means of exchange. They were used to purchase everyday items such as food, cloth, tools, land, livestock and for brides.

Made of 100% Bronze.

Model is W 6 - H 14 and weight 1.3 kg.

This Dogon mask with a superstructure is carved from heavy, dense wood, and originates from the Dogon peoples of Mali. The mask depict an abstracted face, a classic from the Dogon. A traditional shape used by the Dogon in much of their carvings. It’s a ceremony mask used during the annual harvest festival (called Bulu), celebrated in all the villages before the rainy season.

Made of 100% wood, pigment.

Model is W 59 - H 22 and weight 1.1 kg.

This abstract monkey mask has a traditional geometric shaped face, eyes, and ears, a prominent groin decorated with geometric motifs, crusted old wooden patina. It originates from the Dogon people of Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. Mask such as this one are worn during the Dama Masquerade and are are identified as monkeys. "Omono" refers to the 'white' monkey; the red monkey mask is known as "Ko" and the black monkey is called "Dege".

Made of 100% wood

Model is W 34 – H 15 and weight 1.2

African bronze senufo statue from Mali. It has preserved its authenticity, surface and aged patina. Sculptural art are the epitome in the cultural and spiritual lives of the Senufo people.

Made of 100% Bronze, copper alloy.

Model is W 10 – H 36 and weight 0.6 kg

This Senufo Kpelie hand-carved wooden mask comes from the Ivory Coast/Mali. It has preserved its authenticity, surface and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Ivory Coast/Mali Senufo people’s ‘Kpelie’ mask. Beautiful, mysterious and poetic, imbued with the cultural narrative of its people and its time.

Made of 100% wood

Model is W 16 – H 30 and weight 0.9 kg.

Authentic 11th to 15th century Dongon Dege mask made of wood, with chestnut brown patina, simple but yet very harmonious, an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood, fiber Patin.

Model is W 34 - H 15 and weight 1.2 kg.

This Dogon figurative sculpture depicts a Kono, a bird that announce the rains — The singers praise the bird’s character and its importance in the lives of the people. The puppet is from the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. They were used during performance of Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community.

Made of 100% Wood, paint, fabrics.

Model is W 21 – H 70 and weight 1.3 kg.

This small antique bell, cast in the form of a dome comes from Benin. Tribal bells were used for a variety of purposes, such as proclaiming a sacred presence as well as a neutralizing hostile or harmful forces. Bells were used as tools of communication, as portable instruments for conveying important messages, and as a form or currency. The predominant method employed by the Edo in creating objects like the Bells, called “lost-wax casting, does not permit for a mold to be used more than once, a fact which accounts for the idiosyncrasies and lack of exact copies in known examples of Benin bronzes. Using the bells and rattle stuffs to call the ancestor’s spirit, the oba offered sacrifices to him and to the earth on the altar.

Made of 100% Bronze, copper alloy.

Model is W 9 – H 19 and weight 0.1 kg.

Zoomorphic fish puppet figure from the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Masks such as these were used during performance of Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community.

Made of 100% Wood, paint, fabrics.

Model is W 13 – H 48 and weight 0.3 kg.

This is a beautiful example of a Dogon bracelet. It shows old patina from usage, and is decorated with protective signs and symbols. This type of bracelets such as this were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth. Metal works like this Dogon bracelet is molded in bronze by ‘the lost wax method’, also called ‘cire-perdue’.

Made of 100% Brass / Bronze

Model is W 2 – H 14 and weight 0.3 kg.

This elaborately carved vessel was used to hold food consumed during the investment rituals of Dogon religious and political leaders known as hogon. Hogon are the high priests of the cult of Lebe, the first Dogon ancestor to die, whose body was miraculously transformed into a snake after his death. Associated with regeneration and renewal, the cult is charged with maintaining the earth's fertility and ensuring the protection and well-being of Dogon society. This vessel's large size and visual elaboration indicates the hogon's importance within the life of a Dogon community.

Made of 100% Brass / Bronze.

Model is W 8– H 14 and weight 0.3 kg.

African bronze senufo statue from Mali. It has preserved its authenticity, surface and aged patina. Sculptural art are the epitome in the cultural and spiritual lives of the Senufo people.

Made of 100% Bronze, copper alloy.

Model is W 12 – H 34 and weight 0.8 kg

This rare small pot with figural lids originate from Dogon, and dates . Atop the lid is two seated figures that represents an (idealistic) portrait of the deceased. The vessels were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 6 – H 14 and weight 0.3 kg.

The Bozo Sogobo Fish puppets come from the region of the Bamana city of Segou or the Bozo area of Mopti, and are crafted by the Bozo artisans for the Sogo ba masquerade. Sculptures such as these were used during performance of Dance troops of young men, members of local youth groups. They sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community. The Bozo people are known as "masters of the river" and their culture and artwork centers around their interaction with the Niger River. The fish puppets come in different colors and shape and are uniquely handcrafted.

Made of 100% Soft wood, pigment, nails.

Model is W 9 – H 39 and weight 0.3 kg.

A classic’ mask developed among the Bete, a continuous forehead, coffee bean eyes, and hemispheric protruding mouth. The present Bete mask consists of medium-weight wood. The deep-set face is white (by means of kaolin), the remaining areas dyed a dark brown colour. Mask such as this were the emissary of the occult powers and establishes a link between the material and the invisible. Each mask has an individual name, usually kept secret. Its function is to evoke a mythical past. The masks are made available to the chief to guarantee the prerogatives of the political power.

Made of 100% wood, pigment.

Model is W 20 - H 30 and weight 1.6 kg.

Colorful Bozo Belier puppets were used for performances in the region of the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba. Through the movements of the puppets and the songs that accompany them, the youth association is able to comment on the social and political life of the community.

Made of 100% Wood, paint, fabrics.

Model is W 30 – H 56 and weight 1.2 kg.