Hand-cast crafted Mono Bronze mask, with highly refined features, embodies the best of early sophisticated bronze work of Dogon art. The raised nose, lips and eyes must have been formed by pounding over a mold. Eyes are bulbous, ears flared, the delicate mouth is slightly parted, the chin tapers from a wide forehead giving it a pointed face, hollow design around the edges, elongated nose. It has a rusted oxidized patina. The mask was probably worn on the hip as a symbol of honor by a high ranking person. It represents sophisticated bronze work, conveying a strong sense of “personality” and “presence,” that says a great deal about the blacksmith’s skill. In Africa there are important secret societies in which ancestors are honored by sacrifice and offerings. Made with lost wax process, it is a unique piece with an amazing patina. The iron masks are wired to hang, but could also be mounted as with mask

Made of 100% Brass / Bronze

Model is W 19 – H 28 and weight 1.2 kg.

This authentic antique Benin bronze ancestral altar bell, cast in the form of a dome comes from Nigeria. The bell is surmounted with by a horseman and adorned by geometical shape. Tribal bells were used for a variety of purposes, such as proclaiming a sacred presence as well as a neutralizing hostile or harmful forces. Bells were used as tools of communication, as portable instruments for conveying important messages, and as a form or currency. The predominant method employed by the Edo in creating objects like the Bells, called “lost-wax casting, does not permit for a mold to be used more than once, a fact which accounts for the idiosyncrasies and lack of exact copies in known examples of Benin bronzes. Using the bells and rattle stuffs to call the ancestor’s spirit, the oba offered sacrifices to him and to the earth on the altar.

Made of 100% Bronze, copper alloy.

Model is W 9 – H 32 and weight 0.4 kg.

Rare, old, African cast bronze maternity figure from Benin, by the Akan people. Great sculpture of a woman sitting on a stool, with his hands on his knees. It is very abstract in the elongations and distortions of the body, the decorative jewelry, and the subtle crosshatch designs on the body (denoting scarification?). Work has a bronze patina with traces of green coloring, usually denoting age on bronze, sometimes a color that happens when the metal is buried.

Made of 100% "Bronze" Brass, copper Alloy.

Model is W 8 – H 16 and weight 0.3 kg.

This hand-cast crafted Djenne horsman ring is made of bronze and dates as early as the 11th or 12th century. An authentic reduced-scale sculpture, worn by the religious chief. The mounted warrior is an ancestor figure, said to impart spiritual power. Asuperb heavy oxidized vert-de-gris patina of greens and browns as well as encrusted deposits cover this imposing ring.

Made of 100% Brass / Bronze

Model is W 5 – H 5 and weight 0.2 kg.

This authentic antique Benin bronze ancestral altar bell, cast in the form of a dome comes from Nigeria. The bell is surmounted with by a horseman and adorned by geometical shape. Tribal bells were used for a variety of purposes, such as proclaiming a sacred presence as well as a neutralizing hostile or harmful forces. Bells were used as tools of communication, as portable instruments for conveying important messages, and as a form or currency. The predominant method employed by the Edo in creating objects like the Bells, called “lost-wax casting, does not permit for a mold to be used more than once, a fact which accounts for the idiosyncrasies and lack of exact copies in known examples of Benin bronzes. Using the bells and rattle stuffs to call the ancestor’s spirit, the oba offered sacrifices to him and to the earth on the altar.

Made of 100% Bronze, copper alloy.

Model is W 8 – H 30 and weight 0.5 kg.

This miniature bronze figure depicts a “Kotoko Equestrian, Guardians of the Soul” –the horse and rider motif is a strong symbolic meaning in the culture of the African Kotoko people. Similar to amulets worn around the world, they believe to bring good luck or blessings of the gods. "Kotoko Equestrians" are mostly worn as pendants on necklaces or bracelets, which represent a source of spiritual strength for their owners.

Made of 100% Bronze

Model is W 6 – H 12 and weight 0.3 kg.

This rare, museum quality, authentic amulet is made of Bronze and originates from the Dogon tribe, a symbol of a material power, but also the instrument of warlike adventures. A superb heavy oxidized vert-de-gris patina of greens and browns as well as encrusted deposits cover this imposing ring.The Dogon are an ethnic group living in the central plateau region of Mali, south of the Niger bend near the city of Bandiagara in the Mopti region. Certain researchers investigating the Dogon have reported that they seem to possess advanced astronomical knowledge.

Made of 100% Brass / Bronze

Model is W 6 – H 6 and weight 0.3 kg.

Beautifully hand carved figural amulet originating from the Dogon people of Mali. According to Dogon thought, copper shares the essence of Nommo, a mythological being that represents order, purity, fertility, and life. They are supposed to protect the wearer.Small in scale but large in personality, these amulets, bracelets, rings, and pendants deserve close examination as a significant Dogon artistic tradition.The identity between the Nommo and the blacksmith creates a bond and an identity that gives the blacksmith special powers which include the ability to call down rain so important in Dogon life.

Made of 100% Brass / Bronze

Model is W 5 – H 12 and weight 0.2 kg.

This cast iron horseman/horse & rider is a statement of nobility and originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. The nobility of the Malian aristocracy is portrayed in this light iron Dogon horse & rider which shows a fine patina. 

Made of 100% Brass, Iron Alloy

Model is W 25 – H 15 and weight 0.2 kg.

Ancestral Oba warrior figure coming from Benin. The male character wears ornaments around the waist and neck. He also wears a hairstyle, showing his high rank in the benign society, we find in fact the frontal excrescence of the royal headdresses. The art of Benin, an art of court, it is closely associated with the king, known as Oba and exclusively for the use of the inhabitants of the royal palace and, most often, placed on altars dedicated by each new Oba . The tradition of Ife bronze course objects dates back to the 14th century. The Benin bronzes are probably among the most famous of the tribal art of Black Africa.

Made of 100% Bronze, copper alloy.

Model is W 8 – H 24 and weight 0.4 kg.

This miniature free-standing brass head cast in the lost wax technique originates from Ife, Nigeria. The religious and former royal centre of the Yoruba people. According to the oral traditions of the Yoruba people, Ife is the place where life and civilisation began. Ife is regarded as the legendary homeland of theYoruba-speaking peoples and its sacred ruler, the Ooni, is still revered as the descendant of the original creator gods.

Made of 100% Bronze, copper alloy.

Model is W 9 – H 18 and weight 0.3 kg.

This hand-cast crafted Djenne bracelet is made of bronze and terracotta dates as early as the 11th or 12th century. This type of bracelets were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth. 

Made of 100% Brass / Bronze

Model is W 11 – H 3 and weight 0.15 kg.

This miniature bronze figure depicts a “Kotoko Equestrian, Guardians of the Soul” –the horse and rider motif is a strong symbolic meaning in the culture of the African Kotoko people. Similar to amulets worn around the world, they believe to bring good luck or blessings of the gods. "Kotoko Equestrians" are mostly worn as pendants on necklaces or bracelets, which represent a source of spiritual strength for their owners.

Made of 100% Bronze

Model is W 6 – H 9 and weight 0.4 kg.

This miniature bronze figure depicts a “Kotoko Equestrian, Guardians of the Soul” –the horse and rider motif is a strong symbolic meaning in the culture of the African Kotoko people. Similar to amulets worn around the world, they believe to bring good luck or blessings of the gods. "Kotoko Equestrians" are mostly worn as pendants on necklaces or bracelets, which represent a source of spiritual strength for their owners.

Made of 100% Bronze.

Model is W 6 – H 8 and weight 0.3 kg.

This rare small pot with figural lids originate from Dogon, and dates . Atop the lid is a seated figure that represent an (idealistic) portrait of the deceased. The vessels were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 6 – H 14 and weight 0.4 kg.

A great example of a Dogon bracelet by the Hogon (Dogon king). It shows old patina from usage, and is decorated with protective signs and symbols. This type of bracelets were highly prized in Western Africa, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth. Metal works like this Dogon bracelet is molded in bronze by ‘the lost wax method’, also called ‘cire-perdue’.

Made of 100% Brass / Bronze

Model is W 2 – H 9 and weight 0.4 kg.

Oba warrior figure originating from Benin. The male character wears ornaments around the waist and neck. He also wears a hairstyle, showing his high rank in the benign society, we find in fact the frontal excrescence of the royal headdresses. The art of Benin, an art of court, it is closely associated with the king, known as Oba and exclusively for the use of the inhabitants of the royal palace and, most often, placed on altars dedicated by each new Oba . The tradition of Ife bronze course objects dates back to the 14th century. The Benin bronzes are probably among the most famous of the tribal art of Black Africa.

Made of 100% Bronze, copper alloy.

Model is W 8 – H 22 and weight 0.4 kg.

Finely cast bronze (brass - copper alloy) figural scene comes from Nigeria. It depicts a kneeling female figure worker or farmer. The work of bronze by the technique of wax lost in African art.

Made of 100% Bronze, copper alloy.

Model is W 6 – H 27 and weight 0.5 kg.

These finely carved iron objects could have been carried by a ‘ritual thief’ for the complex funerary rituals so well known among the Dogon. It may have also been used by the blacksmith as an indication of his status among the Dogon. It originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. 

Made of 100% Brass, Iron Alloy

Model is W 33 – H 5 and weight 0.1 kg.

This rare small pot with figural lids originate from Dogon, and dates . Atop the lid is two seated figures that represents an (idealistic) portrait of the deceased. The vessels were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 6 – H 14 and weight 0.3 kg.

This authentic antique Benin bronze ancestral altar bell, cast in the form of a dome comes from Nigeria. The bell is surmounted with by a horseman and adorned by geometical shape. Tribal bells were used for a variety of purposes, such as proclaiming a sacred presence as well as a neutralizing hostile or harmful forces. Bells were used as tools of communication, as portable instruments for conveying important messages, and as a form or currency. The predominant method employed by the Edo in creating objects like the Bells, called “lost-wax casting, does not permit for a mold to be used more than once, a fact which accounts for the idiosyncrasies and lack of exact copies in known examples of Benin bronzes. Using the bells and rattle stuffs to call the ancestor’s spirit, the oba offered sacrifices to him and to the earth on the altar.

Made of 100% Bronze, copper alloy.

Model is W 8 – H 32 and weight 0.4 kg.

This rare small vessel with figural lids originate from Dogon, and dates . Atop the lid is two seated figures that represents an (idealistic) portrait of the deceased. The vessels were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 13 – H 8 and weight 0.14 kg.

This miniature Ife head is cast in the lost wax technique, and originates from Ife, Nigeria. The heads often depict historic individuals and heroes of Ife, spiritual home of the Yoruba. According to the oral traditions of the Yoruba people, Ife is the place where life and civilisation began. Ife is regarded as the legendary homeland of theYoruba-speaking peoples and its sacred ruler, the Ooni, is still revered as the descendant of the original creator gods.

Made of 100% "Bronze" Brass, copper Alloy.

Model is W 8 – H 22 and weight 0.4 kg.

This beautiful miniature head cast in the lost wax technique originates from Ife, Nigeria, the religious and former royal centre of the Yoruba people. It is believed to represent a king. According to the oral traditions of the Yoruba people, Ife is the place where life and civilisation began. Ife is regarded as the legendary homeland of theYoruba-speaking peoples and its sacred ruler, the Ooni, is still revered as the descendant of the original creator gods.

Made of 100% "Bronze" Brass, copper alloy.

Model is W 9 – H 22 and weight 0.4 kg.

These functional iron lamps, with bowls to burn oil, and one staff, express status, prestige and power. They would bring honor to the ancestors, the current leadership and the owner of the sculpture. They usually depicted a former leader, seated, standing or on horseback. Although rare, horsemen as icon have existed for 1000 years in Mali. Some would depict a hogon, the supreme officeholder, a semi-divine leader of great wisdom, or even a mythological emissary from a distant land.

Made of 100% Iron, bamboo.

Model is W 2 – H 52 and weight 0.4 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 41 – H 25 and weight 5 kg.