Made of 100% Terracotta

Model is W 18 - H 47 and D 14 weight 7 kg

This sculpture originates from the Igbo peoples, from southern Eastern Nigeria, near a small river called Benue. The tribe is linked to the Idoma. The sculpture is depicting a male seating on what seems to be a royal stool. Seated statues are believed to incarnate fertility, a frequent theme in the region. They help cure illness, and help in reproduction, and fertility. The male figure must have been a royal, a merchant or a trader.

Seated statues are believed to incarnate fertility, a frequent theme in the region. They cure illnesses, and help in reproduction, and fertility. There is strong social pressure toward individual distinction, and men can move upward through successive grades by demonstrating their achievements and their generosity. 

This zoomorphic figure with protruding eyes is a classic example of the Mambila people of northern Nigeria.  The wide range of uses to which such a figure may have been employed was probably determined by the medicines in the possession of the owner, and how it was activated, rather than by specific stylistic characteristics of the sculpture itself.

Made of 100% wood, pigments.

Model is W 41 - H 18 and Weight 1.2 kg.

This fantastic Chamba statue, is not very common and has an exceptional aesthetic presence and compelling abstract design. It was thought to have either a protective or healing function for the Wurkun or Bikwin peoples of the Benue River Valley.

Made of 100% carved wood and camwood powder.

Model is W 60 – H 14 and weight 3 kg.

This small zoomorphic figure made of old bronze, black iron reveals some of the most accomplished sculptures made by a Nigerian tribe called Mumuye. Mumuye figure demonstrates an astonishing range of variations, testifying to their makers’ unbridled creativity and limitless inventiveness. These small sculptures reinforce the status and prestige of their owner, as they hold them in their hands, they have a dialogue with them and thus ensures them personal protection.

Made of 100% old bronze.

Model is W 58 - H 17 and weight 2.2 kg.

Finely cast bronze (brass - copper alloy) figural scene comes from Nigeria. It depicts a kneeling female figure worker or farmer. The work of bronze by the technique of wax lost in African art.

Made of 100% Bronze, copper alloy.

Model is W 6 – H 27 and weight 0.5 kg.

This "Elu" mask originates from the Ogoni tribe in Nigeria. Scarification marks with geometrically incised designs appear on the forehead. The eyes are hollow almond shaped openings. The head decoration has a raised portion representing ancestors or title holders.

Made of 100% light hand-carved cane wood, fiber, and pigments.

Model is W 32 - H 21 and weight 1 kg.

This zoomorphic figure with protruding eyes and a large open mouth and carved teeth is a classic example of the Mambila people of northern Nigeria. They are thought to embody ancestors who are responsible for the clan's wealth.  The wide range of uses to which such a figure may have been employed was probably determined by the medicines in the possession of the owner, and how it was activated, rather than by specific stylistic characteristics of the sculpture itself.

Made of 100% wood, red pigments.

Model is W 39 - H 20 and weight 1.1 kg.

The Jagunjagun ( 'warrior' or Ogun meaning 'god of war') mask represents ancestors of power with the ability to protect the community against external threats. It brings to mind energy, power and authority but is also a visual representation of past calvary that protected the Ekiti peoples during warfare. Epa helmet masks are used to promote health and wellbeing within by celebrating and honouring ancestors, cultural heroes and important individuals (including mothers, priests, farmers, kings and hunters) within a village. Originating in Ekiti and spreading to much of North-Eastern Yoruba towns (including Owo, Efon Alaye, Igbomina and Ijesa), the bi-annual, week-long Epa festival acknowledges the roles these individuals have played in building a successful community. The Jagunjagun ( 'warrior' or Ogun meaning 'god of war') mask represents ancestors of power with the ability to protect the community against external threats. It brings to mind energy, power and authority but is also a visual representation of past calvary that protected the Ekiti peoples during warfare.

Made of 100% wood.

Model is W 34 – H 79 and weight 2.5 kg.

This authentic antique Benin bronze ancestral altar bell, cast in the form of a dome comes from Nigeria. The bell is surmounted with by a horseman and adorned by geometical shape. Tribal bells were used for a variety of purposes, such as proclaiming a sacred presence as well as a neutralizing hostile or harmful forces. Bells were used as tools of communication, as portable instruments for conveying important messages, and as a form or currency. The predominant method employed by the Edo in creating objects like the Bells, called “lost-wax casting, does not permit for a mold to be used more than once, a fact which accounts for the idiosyncrasies and lack of exact copies in known examples of Benin bronzes. Using the bells and rattle stuffs to call the ancestor’s spirit, the oba offered sacrifices to him and to the earth on the altar.

Made of 100% Bronze, copper alloy.

Model is W 8 – H 32 and weight 0.4 kg.

This ceramic depiction of an ancestral elder was made by the Nok people of Nigeria, at the very start of the first millennium AD. This piece is a classic of the Nok culture. Little is known of the original function of the pieces, but theories include ancestor portrayal, grave markers, and charms to prevent crop failure, infertility, and illness. Also, based on the dome-shaped bases found on several figures, they could have been used as finials for the roofs of ancient structures.

Made of 100% terracotta.

Model is W 48 – H 15 and weight 1.2 kg.

This is a large corpus of Yoruba sculpture known and identified as to symbol and meaning identified to the various orishas or deities. This beautiful sculpture depicts a seated woman, holding a child on her knees and breastfeding. To the Yoruba the prime manifestation of the life force is fertility and women are the stronger sex as the life force manifests itself directly in them in the form of menstruation and childbirth. These figures, some of which were brightly painted, were placed on altars in shrines or displayed at special ceremonies. In Yoruba society, the most important role of women is to bear children, and as such, sculptures depicting mother and child are widespread, reflecting a number of ideas, such as continuity, ancestors, or family.

Made of 100% wood, adroned with beads and cowrie shells.

Model is W 36 – H 100 and weight 2.4 kg.

Vintage tribal ceremonial spoon nicely cast in bronze in the traditional lost wax method, and is decorated with typical tribal motifs. It has aged well, with good colour/patina and is in good condition.

Made of 100% "Bronze" Brass, copper alloy.

Model is W 5 – H 41 and weight 0.5 kg.

This beautiful miniature head cast in the lost wax technique originates from Ife, Nigeria, the religious and former royal centre of the Yoruba people. It is believed to represent a king. According to the oral traditions of the Yoruba people, Ife is the place where life and civilisation began. Ife is regarded as the legendary homeland of theYoruba-speaking peoples and its sacred ruler, the Ooni, is still revered as the descendant of the original creator gods.

Made of 100% "Bronze" Brass, copper alloy.

Model is W 9 – H 22 and weight 0.4 kg.

This Bembe statuette originates from the People's Republic of the Congo. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. The most known are called Biteki, and portray generally impressive corporal scarification. They mostly represent Heads of village, warriors and women.

Made of 100% wood.

Model is W 74 - H 17 and weight 5 kg.

This rare Wurkun (or Bikwin) small figure, in a post or staff-like form, is known as iagalagana and incarnates tutelary spirits. The stylized figure is stuck on iron rods, with a beautiful crusty red ocher patina. These statues were frequently washed with liquid clay, "fed" with millet beer offerings, rubbed with oil, explaining the thickness of the clay.

Made of 100% Iron, Paint.

Model is W 41 - H 14 and weight 3.5 kg.

This miniature free-standing brass head cast in the lost wax technique originates from Ife, Nigeria. The religious and former royal centre of the Yoruba people. According to the oral traditions of the Yoruba people, Ife is the place where life and civilisation began. Ife is regarded as the legendary homeland of theYoruba-speaking peoples and its sacred ruler, the Ooni, is still revered as the descendant of the original creator gods.

Made of 100% Bronze, copper alloy.

Model is W 9 – H 18 and weight 0.3 kg.

The beautifully carved figure is an important addition to any collection. The carving is a key example of an Igbo sculptural genre called ikenga. It depicts a women in a seated position with a child on her laps. The mother and child ikenga, an homage to maternity and motherhood, could have been part of a shrine, where it would have received prayers and sacrifices in return for the ancestors’ support and guidance or had a more public role appearing during festivals and religious ceremonies.

Made of 100% wood.

Model is W 28 – H 73 and weight 2.6 kg.

This small Kunin sculpture, from the Middle Benue River Valley, Nigeria, is distinguished by its overall elegant proportions and stylistically compared to their Mumuye and Jukun neighbors. The Chamba venerate anthropomorphic statues of male and female gender. The figure is not very common and their role is little known but it has been reported that there figures are used in a cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood, patina.

Model is W 8 - H 67 and weight 1.7 kg.

Carved Wood Figurative Latch Dogon box originating from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. It Stands on Three legs with a Latch.

Made of 100% wood.

Model is W 63 – H 15 and weight 2.7 kg.

This Ife bracelet from Benin is made of bronze and was used as currency and left as a gift of great value to the bride, as a wish for prosperity. In addition to the consistency and weight, this cuff is remarkable because of the details of the decorations, which are a clear sign of the Benin artistic mastery. The holes, perfectly integrated in the design, demonstrate the use of the valuable lost wax technique.

Made of 100% Brass / Bronze

Model is W 6 – H 13 and weight 0.6 kg.

This finely cast bronze (brass - copper alloy) figural scene comes from Nigeria. It depicts a female figure, an elder smoking tobacco and holding, what seems to be a staff.

The work of bronze by the technique of wax lost in African art.

Made of 100% Bronze, copper alloy.

Model is W 7 – H 16 and weight 0.3 kg.

A particularly unusual helmet like mask from the Nsukka area, the northern part of the north-central Igbo region in Nigeria. This region has one of the most complex and diverse mask making traditions in Nigeria.

Made of 100% wood.

Model is W 39 - H 22 and weight 0.7 kg.

The beautifully carved figure is a key example of an Igbo sculptural genre called ikenga. It depicts a a male warrior in a seated position on a one-legged stool, holding a cutlass in one hand and a tool. The figure wears an elaborate headdress comprised of two curving, interconnected horn-like extensions, with three projecting cone shapes on either side of the face. The horns, perhaps those of a ram, underline the rank or chief status of the image. The figure’s forehead and temples are graced with parallel incisions imitating local scarification patterns known as ichi. The ichi scars signal that the sculpture represents a high-ranking member of one of the many Igbo male associations. The white color around the eyes, derived from chalk, signifies purity and protection, and refers to the benevolence of the spirits.

Made of 100% wood.

Model is W 28 – H 96 and weight 2.6 kg.

Oba warrior figure originating from Benin. The male character wears ornaments around the waist and neck. He also wears a hairstyle, showing his high rank in the benign society, we find in fact the frontal excrescence of the royal headdresses. The art of Benin, an art of court, it is closely associated with the king, known as Oba and exclusively for the use of the inhabitants of the royal palace and, most often, placed on altars dedicated by each new Oba . The tradition of Ife bronze course objects dates back to the 14th century. The Benin bronzes are probably among the most famous of the tribal art of Black Africa.

Made of 100% Bronze, copper alloy.

Model is W 8 – H 22 and weight 0.4 kg.

This hand-carved Nommo figurative latch Dogon box originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. It is anthropomorphic with a lid. This is a great display piece on a desk or dresser.

Made of 100% wood.

Model is W 14 – H 15 and weight 1.7 kg.

This unusual and particularly imaginative helmet like mask is from the Nsukka area, the northern part of the northcentral Igbo region in Nigeria. This region has one of the most complex and diverse mask making traditions in Nigeria.

Made of 100% wood

Model is W 33 – H 25 and weight 1.2 kg.