This unique clay small sculptures of a couple was sculpted by creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.

Made of 100% Terracotta

Model is W 38 – H 7 and weight 0.8 kg.

This ceramic depiction of an ancestral elder was made by the Nok people of Nigeria, at the very start of the first millennium AD. This piece is a classic of the Nok culture. Little is known of the original function of the pieces, but theories include ancestor portrayal, grave markers, and charms to prevent crop failure, infertility, and illness. Also, based on the dome-shaped bases found on several figures, they could have been used as finials for the roofs of ancient structures.

Made of 100% terracotta.

Model is W 48 – H 15 and weight 1.2 kg.

This superb statue called "guardian byer", with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, with its hand on hips.

Made of 100% wood

Model is W 50 – H 11 and weight 2 kg.

This young Fang "Eyema Byeri" figure of a male ancestor is characteristic of the style of the Fang Ntumu subgroup of northern Gabon near the Cameroon border. The appearance of Fang reliquary figures varies greatly from region to region. The Fang characteristics are recognized by the accentuated muscular reliefs of the arms and calves, as well as the curved shoulders and thighs. A good illustration of the “classical” style of the Southern Fang with a concave-convex face.

Made of 100% wood

Model is W 10 – H 43 and weight 1 kg.

This small, late 19th–early 20th century, Maginga statue made of wood originates from the Lega peoples of the Democratic Republic of the Congo. The figure portrays angular legs tapering to the torso with protruding navel framed by truncated arms, the sloping shoulders supporting the head with scooped, heart-shaped facial plane, notched mouth and coffee-bean eyes; covered in kaolin.

Made of 100% wood, kaolin, vegetable fibers.

Model is W 51 - H 16 and weight 1.9 kg.

This beautiful hand-carved figure originates from the Senufo people of Ivory Coast, Mali, and Burkina Faso. The figure is called Senufo Rhythm Pounder.  It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people.

Made of 100% wood

Model is W 6 – H 68 and weight 1 kg.

This Dogon carved wood sculpture is a hunter holding two wands. The sculpture reflects the artistry, power, and authority of the Dogon artistry. Wooden sculptures have a special meaning for the Dogon for they blend symbol and a powerful aesthetic in a very abstract image.

Made of 100% wood.

Model is W 23 – H 72 and weight 2 kg.

This Dege ancestral male figure originates from the Dogon people of Mali. A man in a sitting position, with a very erect and dignified posture. He seems to a village leader. This type of art object with such a quality of achievement is rare, and perhaps the most interesting types of Dogon art, varied in form and rich imagery, they are also among the least well documented. 

Made of 100% wood

Model is W 12 H 55 and weight 2.1 kg.

This wooden reliquary figure from the Fang tribe are abstract anthropomorphic carvings. They were meant to protect. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.

Made of 100% wood.

Model is W 70 - H 21 and weight 3 kg.

This Early-mid 20th century mother-and-child figures are placed in shrines and used by diviners in northeastern Igboland, Nigeria. The Igbo figures of mother and child are very rare.

Made of 100% wood, kaolin.

Model is W 55 - H 19 and weight 3.5 kg.

This finely carved bronze figure represents a dwarf at the court of Benin. Wearing courtly dress in continuation of the traditional bronze art of Benin in form of a bearded person with o-shaped legs and neck adornment. In Edo culture dwarfs were known as the jugglers and acrobats in the Oba court.

Made of 100% Bronze

Model is W 46 – H 22 and weight 5 k

This figure’s posture of up-stretched arms is a common Dogon motif that is often interpreted as a prayer for rain. Here it seems more likely to represent supplication to the ancestors.

Made of 100% wood.

Model is W 60 - H 12 and weight 2 kg.

This large Dogon statue of a woman standing carrying a child on her back and holding a calebasse is hermaphrodite and originates from the Dogon. The maternity figure represents one of the ‘mother’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo.

Made of 100% wood, crusted Patina, Kaolin..

Model is W 91 - H 20 and weight 13 kg.

This Dogon statue is hermaphrodite and originates from the Dogon and is called ‘Nommo sculpture’. Carved from hardwood in the strict, clear, angular and angular abstracted ‘bombou-toro-style’ and originally probably black-brown. She is identified as being a "Jonyeleni", a member of the Jo society, a woman's and men's initiation society among the Bamana.

Made of 100% wood.

Model is W 45 - H 48 and weight 1 kg.

This superb statue called "Eyema Byeri, guardian byer, with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, holds with both hands the ceremonial flute for initiated So, young boys rite of passage among the Beti-Fang.

Made of 100% wood Model is W 62 – H 24 and weight 4 kg.

This  Ancestral Male Figure originates from the Dogon. A man sitting on a stool, with a very erect and dignified posture, holds in his hands some kind of tool. He wears a pectoral necklace. He seems to a village leader.

Made of 100% wood, pigments.

Model is W 73 - H 18 and weight 7.3 kg.

This fantastic Chamba statue, is not very common and has an exceptional aesthetic presence and compelling abstract design. It was thought to have either a protective or healing function for the Wurkun or Bikwin peoples of the Benue River Valley.

Made of 100% carved wood and camwood powder.

Model is W 60 – H 14 and weight 3 kg.

This beautiful Mama Bush Cow in full figure is classic example of a traditional African figure created by the Mama people who live in the interior of Nigeria in the Benue River Valley north of the Jos plateau. It is extremely rare to get hold of a Mama Bush Cow.

Made of 100% wood, cam wood, pigment.

Model is W 50 - H 16 and weight 2 kg.

This female figure holding a child is a Dogon hermaphrodite originating from the Dogon Tribe of Mali. With its long neck and great dignity, it evokes a hierarchical status. The style is known as Bombou-Toro. Maternity figures depict the ideals of beauty, fertility, commonly used as shrine figures. They were often objects of petitions or prayers for fertility and successful births.

Made of 100% wood.

Model is W 12 - H 80 and weight 4 kg.

This Bembe statuette originates from the People's Republic of the Congo. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. The most known are called Biteki, and portray generally impressive corporal scarification. They mostly represent Heads of village, warriors and women.

Made of 100% wood.

Model is W 74 - H 17 and weight 5 kg.

This small zoomorphic figure made of old bronze, black iron reveals some of the most accomplished sculptures made by a Nigerian tribe called Mumuye. Mumuye figure demonstrates an astonishing range of variations, testifying to their makers’ unbridled creativity and limitless inventiveness. These small sculptures reinforce the status and prestige of their owner, as they hold them in their hands, they have a dialogue with them and thus ensures them personal protection.

Made of 100% old bronze.

Model is W 58 - H 17 and weight 2.2 kg.

This beautiful female hand-carved figure is called "Rhythm Pounder". It originates from the Senufo people of Ivory Coast, Mali, and Burkina Faso. The anthropomorphic figure was once a benevolent symbol of fertility and a conduit to the departed, but also a crucial prop in both commemorative ancestral rites and in initiations of adolescents to adult society. It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people. 

Made of 100% wood

Model is W 20 – H 112 and weight 5 kg.

This  Ancestral Figure originates from Dogon. Carved for personal or family use, they commemorate the foundation of a community and are worshiped by the village. This type of art object with such a quality of achievement and a wood so old is rare. The figure is normally placed on an altar and most of which are dedicated to ancestors, either real or mythical. 

Made of 100% wood, Kaolin pigments.

Model is W 14 - H 26 and weight 2 kg.

This cast iron horseman/horse & rider is a statement of nobility and originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. The nobility of the Malian aristocracy is portrayed in this light iron Dogon horse & rider which shows a fine patina. 

Made of 100% Brass, Iron Alloy

Model is W 25 – H 15 and weight 0.2 kg.