This old Dogon 'Nommo sculpture' is female. Carved from hardwood in the strict, clear, angular and angular abstracted 'bombou-toro-style' and originally probably black-brown.This kind of wooden statue was commonly used as shrine figures, in order to ensure births and prosperity to the village.

Made of 100% wood.

Model is W 37 - H 9 and weight 0.8 kg.

This hand-carved anthropomorphic figure comes from the Ivory Coast/Mali and is called Tugubele. It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people. 

Made of 100% wood

Model is W 72 – H 23 and weight 0.5 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 40 – H 26 and weight 5 kg.

This unique figure is the prime example art Mambila, easily identifiable with their heart-shaped faces. The Tadep statues in the Mambila were used for therapeutic purposes. 

Made of 100%  wood, pigments

Model is W 34 - H 18 and weight 0.5 kg.

This superb statue called "Eyema Byeri, guardian byer, with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, holds with both hands the ceremonial flute for initiated So, young boys rite of passage among the Beti-Fang.

Made of 100% wood Model is W 62 – H 24 and weight 4 kg.

This beautiful standing sculpture of a woman holding a child and staff is hermaphrodite and originates from the Dogon. The maternity figure evokes stature, with its long neck, great dignity, hierarchy.  The style, known as Bombou-Toro is believed to represent the ideals of beauty, fertility, commonly used as shrine figures.  They were often objects of petitions or prayers for fertility and successful births. 

Made of 100% wood.

Model is W 68 - H 16 and weight 3.2 kg.

This ceramic depiction of an ancestral elder was made by the Nok people of Nigeria, at the very start of the first millennium AD. This piece is a classic of the Nok culture. Little is known of the original function of the pieces, but theories include ancestor portrayal, grave markers, and charms to prevent crop failure, infertility, and illness. Also, based on the dome-shaped bases found on several figures, they could have been used as finials for the roofs of ancient structures.

Made of 100% terracotta.

Model is W 48 – H 15 and weight 1.2 kg.

This beautiful Mama Bush Cow in full figure is classic example of a traditional African figure created by the Mama people who live in the interior of Nigeria in the Benue River Valley north of the Jos plateau. It is extremely rare to get hold of a Mama Bush Cow.

Made of 100% wood, cam wood, pigment.

Model is W 50 - H 16 and weight 2 kg.

The present Anthropomorphic figure, known as Bamana (Jonyeleni), female seated figure on a stylized stool, originates from the artistic tradition of the Bamana. A tradition rich, filled with pottery, sculptures, beautiful bokolanfini cloth, and wrought iron figures fashioned by blacksmiths.

Made of 100% wood, dark patina.

Model is W 69 - H 1 and weight 4.5 kg.

This old Dogon maternity figure is a fine work of art. It represents the mythical ancestor and symbolically the feminine ideals of beauty and fertility. This kind of Dogon statue was commonly used as shrine figures and kept on a Binu shrine in the village, in order to ensure successful births, fertility, and prosperity to the village.

Made of 100% wood.

Model is W 7 - H 46 and weight 1 kg.

This Dogon statue is hermaphrodite and originates from the Dogon and is called ‘Nommo sculpture’. Carved from hardwood in the strict, clear, angular and angular abstracted ‘bombou-toro-style’ and originally probably black-brown.

Made of 100% wood.

Model is W 45 - H 12 and weight 2 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 41 – H 25 and weight 5 kg.

This rare Wurkun (or Bikwin) small figure, in a post or staff-like form, is known as iagalagana and incarnates tutelary spirits. The stylized figure is stuck on iron rods, with a beautiful crusty red ocher patina. These statues were frequently washed with liquid clay, "fed" with millet beer offerings, rubbed with oil, explaining the thickness of the clay.

Made of 100% Iron, Paint.

Model is W 41 - H 14 and weight 3.5 kg.

The “guardian Byer”, is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North – West Gabon. The character in a sitting position, with its voluminous head and stocky appearance, holds in his hands the ceremonial flute So initiates, boys rite of passage among the Beti-Fang.

Made of 100% wood

Model is W 14 – H 51 and weight 2.3 kg.

This  Ancestral Figure originates from Dogon. Carved for personal or family use, they commemorate the foundation of a community and are worshiped by the village. This type of art object with such a quality of achievement and a wood so old is rare. The figure is normally placed on an altar and most of which are dedicated to ancestors, either real or mythical. 

Made of 100% wood, Kaolin pigments.

Model is W 14 - H 26 and weight 2 kg.

This cast iron horseman/horse & rider is a statement of nobility and originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. The nobility of the Malian aristocracy is portrayed in this light iron Dogon horse & rider which shows a fine patina. 

Made of 100% Brass, Iron Alloy

Model is W 25 – H 15 and weight 0.2 kg.

This miniature Cast Handmade Dogon iron sculpture is a farmer or shepherd holding a wand. The sculpture reflects the artistry, power, and authority of the Dogon blacksmith. Iron sculpture has a special meaning for the Dogon for they blend symbol and a powerful aesthetic in a very abstract image.

Made of 100% Brass, Iron Alloy

Model is W 27 – H 8 and weight 0.07 kg.

This ancestral Mangbetu mother-child figure made of light wood, fiber Patin, is an exceptional piece for your collection. It originates from the Mangbetu also spelled Monbuttu, peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). The Anthropomorphic figure dates from 1950 - 1960.

Made of 100% light wood, fiber Patin.

Model is W 76 - H 21 and weight 4.5 kg.

This beautiful Dogon seated woman holding a child is hermaphrodite and originates from the Dogon. It has evokes stature, with its long neck and great dignity, hieratic. Very nice patina, old wood. The style is known as Bombou-Toro, which is characterized by slender proportions, with detailed and delicate features, and are believed to represent episodes from Dogon mythology.

Made of 100% wood.

Model is W 51 - H 17 and weight 4.8 kg.

This ancestral Mangbetu statue is an exceptional piece from the Mangbetu also spelled Monbuttu, peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). The Anthropomorphic figure dates from 1950 - 1960.

Made of 100% light wood, fiber Patin.

Model is W 72 - H 231 and weight 5.5 kg.

This female figure holding a child is a Dogon hermaphrodite originating from the Dogon Tribe of Mali. With its long neck and great dignity, it evokes a hierarchical status. The style is known as Bombou-Toro. Maternity figures depict the ideals of beauty, fertility, commonly used as shrine figures. They were often objects of petitions or prayers for fertility and successful births.

Made of 100% wood.

Model is W 12 - H 80 and weight 4 kg.

This large Dogon statue of a woman standing carrying a child on her back and holding a calebasse is hermaphrodite and originates from the Dogon. The maternity figure represents one of the ‘mother’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo.

Made of 100% wood, crusted Patina, Kaolin..

Model is W 91 - H 20 and weight 13 kg.

This rare articulated Anthropomorphic Iginga doll made of wood originates from the Lega/Bwami peoples of the Democratic Republic of the Congo. Figures such as this were used as a didactic device during the ritual of the Bwami Society to educate young initiates. Their metaphoric form help instructors to pass the message as do the proverbs, legends, myths and slogans.

Made of 100% wood, vegetable fibers.

Model is W 60 - H 24 and weight 5.5 kg.

This Dege ancestral male figure originates from the Dogon people of Mali. A man in a sitting position, with a very erect and dignified posture. He seems to a village leader. This type of art object with such a quality of achievement is rare, and perhaps the most interesting types of Dogon art, varied in form and rich imagery, they are also among the least well documented. 

Made of 100% wood

Model is W 12 H 55 and weight 2.1 kg.

This Dogon carved wood sculpture is a hunter holding two wands. The sculpture reflects the artistry, power, and authority of the Dogon artistry. Wooden sculptures have a special meaning for the Dogon for they blend symbol and a powerful aesthetic in a very abstract image.

Made of 100% wood.

Model is W 23 – H 72 and weight 2 kg.