Product Description


Baule Kpan Mask – RCI
This present mask, called ‘Kpan’, is one of four mask types used on the occasion of the ‘Goli mask dances’ of the Baule people of Ivory Coast. ‘Goli dances’ take place in times of danger, illness and at funerals. They are believed to ward off evil and exert a positive influence on supernatural forces.
The ‘Kpan mask’ is carved in blue-coloured wood and displays a high and finely crafted towering hairstyle with braid buttons on both sides. Both the hairstyle and the face, with the customary tribal scarification marks, are dyed black. The wide edge of the mask is not blackened and was used for attaching the costume. A ‘bite bar’ for the masked dancer is inserted on the back of the mask.
Made of 100% wood, pigment.
Model is W 20 – H 40 and weight 0.4 kg.
Additional information
Weight | 0.4 kg |
---|---|
Dimensions | 20 × 40 cm |
Color | |
Material |
Leave a reply Cancel reply
Returns and Exchanges
There are a few important things to keep in mind when returning a product you purchased.You can return unwanted items by post within 7 working days of receipt of your goods.
- You have 14 calendar days to return an item from the date you received it.
- Only items that have been purchased directly from Us.
- Please ensure that the item you are returning is repackaged with all elements.
Ship your item back to Us
Firstly Print and return this Returns Form to:
30 South Park Avenue, San Francisco, CA 94108, USA
Please remember to ensure that the item you are returning is repackaged with all elements.
For more information, view our full Returns and Exchanges information.
Related Products
This Bozo Fish puppet is used for performances in the region around the Bamana city of Segou or the Bozo area of Mopti, by Sogo ba masquerade. Dance troops of young men, members of local youth groups. The sing, dance, drum, manipulate puppets or dance masks in creating performances called Sogo Ba.
Made of 100% Wood, paint, nails, tape
Model is W 64 - H 25 and weight 4.2 kg.
Beautiful, rare antique cast bronze sitting female figure, made by the Dogon, but possibly an even older Djenne piece from Mali. Sculpture has a wonderful, very old encrusted patina on it and date at least from the late 19th century but maybe before.
Made of 100% Brass / Bronze
Model is W 17 – H 8 and weight 1.8 kg.
This ‘Gomintogo Mask’ originates from the Dogon people of Eastern Mali, and represent one of the 80 masks types of the tribe. The first mask was said to be originally carved by a farmer who killed the deer because it had devastated his fields. The farmer built an altar to shelter the spirit of the deer and prevent it to wanders and take revenge on the living people.
Made of 100% wood.
Model is W 10 – H 18 and weight 1.2 kg
This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.
Made of 100% Copper
Age late 14th-early 15th century
Model is W 41 – H 25 and weight 5 kg.
This seated Dogon couple sculpture gives eloquent expression to the shared and symmetrical responsibilities of men and women in Dogon society. The virtually identical forms of the male and female protagonists in this visual commentary accentuate the parity of their subtly distinctive roles. She is responsible for child care, he for providing sustenance. He has one hand protectively draped across her shoulders. This emphasizes their mutual roles in procreation and nurturing. Male and female are connected to one another by his gesture, but additionally are articulated as discrete units. This approach reflects Dogon attitudes toward marriage as a partnership of independent equals. This balanced duality is also a central tenet of Dogon mythology.
Made of 100% wood.
Model is W 65 - H 20 and weight 4 kg.
This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.
Made of 100% Copper
Age late 14th-early 15th century
Model is W 40 – H 26 and weight 5 kg.
This Bembe statuette originates from the Central African Democratic Republic of the Congo Bembe People. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. It is a male Fetish or Power Figure ‘Bilongo’. They mostly represent Heads of village, warriors and women.
Made of 100% wood.
Model is W 60 - H 19 and weight 4 kg.
Carved Wood small stool originating from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. This is a great piece of Dogon art that would compliment any collection or home accent. n old tribal used Dogon wood stool.
Made of 100% wood.
Model is W 15 - H 24 and weight 1 kg.
The present Fali doll in a typical, round rod shape displays a head, neck, and body richly decorated with geometric lines. The wooden doll is heavily embellished with many chains of red, yellow, white and blue glass pearls, as well as decorated with pierced cowrie shells on old leather bands. It originates from North Cameroon. In Cameroon, when a young Fali man becomes betrothed, he makes a doll(ham pilu) from wood and decorates it with hair, beads, and other small objects. He then gives it to his fiance, who wears it in a baby carrier on her back. The doll is a symbol of their marriage commitment and represents their future child. The man gives the doll the gender that he desires for his first-born. The young woman cares for the figure until the promised child is born; at this point, the couple carefully stores the doll away. It is a Fali custom that a young man should manufacture a doll for his beloved. The woman carries this doll like a baby on her back, thus symbolising her agreement to get married and her wish to have a child. All wood and leather parts of the doll display a good, old usage patina.
Made of 100% wood.
Model is W 37 - H 25 and weight 1.5 kg.
This example of Dogon art is over 35 years old. Dogon art is extremely versatile, although common stylistic characteristics – such as a tendency towards stylization – are apparent on the statues. Their art deals with the myths whose complex ensemble regulates the life of the individual. Their masks are preserved in innumerable sites of worship, personal or family altars, altars for rain, altars to protect hunters, in market.
Made of 100% wood
Model is W 28 - H 18 and weight 3 kg.
This ceramic depiction of an ancestral elder was made by the Nok people of Nigeria, at the very start of the first millennium AD. This piece is a classic of the Nok culture. Little is known of the original function of the pieces, but theories include ancestor portrayal, grave markers, and charms to prevent crop failure, infertility, and illness. Also, based on the dome-shaped bases found on several figures, they could have been used as finials for the roofs of ancient structures.
Made of 100% terracotta.
Model is W 48 – H 15 and weight 1.2 kg.
This unique clay small sculptures of a couple was sculpted by creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.
Made of 100% Terracotta
Model is W 38 – H 7 and weight 0.8 kg.
This fine Dogon tobacco pot or tabatière made of wood comes from the region of toro, at the extreme east of the Bandiagara cliff, near ireli. in Mali. The vessels were used in secondary burial rituals by the Dogon. Of great antiquity, this pot is particularly high and refined, the figures are there in the number of four, which is a sacred figure for the Dogons.
Made of 100% Wood
Model is W 11 – H 21 and weight 1.8 kg.
This Old Makonde "Lipiko" Helmet Mask originates from Southern Tanzania and Northeast Mozambique. The Lipico helmet masks are worn on the top of the head and cover only part of the face. The helmet is worn tipped upward on the head so the dancer can see. The masks sometimes represent ancestral spirits, sometimes animals. The lipiko masks, which in the language of the Makonde people means “helmet mask.
Made of 100% wood, pigment.
Model is W 24 – H 26 and weight 0.6 kg.
This hand-carved Nommo figurative latch Dogon box originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. It is anthropomorphic with a lid. This is a great display piece on a desk or dresser.
Made of 100% wood.
Model is W 14 – H 15 and weight 1.7 kg.
This rare articulated Anthropomorphic Iginga doll made of wood originates from the Lega/Bwami peoples of the Democratic Republic of the Congo. Figures such as this were used as a didactic device during the ritual of the Bwami Society to educate young initiates. Their metaphoric form help instructors to pass the message as do the proverbs, legends, myths and slogans.
Made of 100% wood, vegetable fibers.
Model is W 60 - H 24 and weight 5.5 kg.
This Dege ancestral male figure originates from the Dogon people of Mali. A man in a sitting position, with a very erect and dignified posture. He seems to a village leader. This type of art object with such a quality of achievement is rare, and perhaps the most interesting types of Dogon art, varied in form and rich imagery, they are also among the least well documented.
Made of 100% wood
Model is W 12 H 55 and weight 2.1 kg.
The present Anthropomorphic figure, known as Bamana (Jonyeleni), female seated figure on a stylized stool, originates from the artistic tradition of the Bamana. A tradition rich, filled with pottery, sculptures, beautiful bokolanfini cloth, and wrought iron figures fashioned by blacksmiths.
Made of 100% wood, dark patina.
Model is W 69 - H 1 and weight 4.5 kg.
This kneeling maternity figure originates from the Yoruba tribe in Nigeria. This figure depict represents a queen mother as she would sit in state on formal occasions. The kneeling position is a gesture of respect, devotion, and submission. Thus the figure represented in the carving is probably a petitioner rather than a deity. The sculpture may have been a votive offering from a woman who had successfully petitioned for a child. Such royal maternity figures were kept with the venerated seats of ancestral chiefs in special rooms, or they were housed in the shrines of powerful deities that were particularly concerned with the well-being of a royal person, perhaps a queen mother.
Made of 100% wood.
Model is W 66 - H 14 and weight 3.8 kg.
This old-carved mask of light-coloured wood, originates from the Dogon people of Mali. Satimbe masks are surmounted by a female figure which represents the elder sister of the mask. It's a ceremony mask used during the annual harvest festival (called Bulu), celebrated in all the villages before the rainy season.
Made of 100% wood.
Model is W 28 – H 19 and weight 3 kg.
This fantastic Chamba statue, is not very common and has an exceptional aesthetic presence and compelling abstract design. It was thought to have either a protective or healing function for the Wurkun or Bikwin peoples of the Benue River Valley.
Made of 100% carved wood and camwood powder.
Model is W 60 – H 14 and weight 3 kg.
This beautiful hand-carved figure originates from the Senufo people of Ivory Coast, Mali, and Burkina Faso. The figure is called Senufo Rhythm Pounder. It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people.
Made of 100% wood
Model is W 6 – H 68 and weight 1 kg.
This unique clay maternity figure was sculpted by the creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.
Made of 100% Terracotta
Model is W 38 – H 7 and weight 0.8 kg.
This Bembe statuette originates from the People's Republic of the Congo. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. The most known are called Biteki, and portray generally impressive corporal scarification. They mostly represent Heads of village, warriors and women.
Made of 100% wood.
Model is W 74 - H 17 and weight 5 kg.
This zoomorphic Senufo reliquary figure, with its elongated cylindrical trunk is characteristic of the style of the Fang Ntumu subgroup of northern Gabon near the Cameroon border. The appearance of Fang reliquary figures varies greatly from region to region. In general, the artists who created these figures apparently were interested in depicting the ancestors through individualized features, such as hairstyle and adornment.
Made of 100% wood.
Model is W 42 - H 6 and weight 0.4 kg.
This mask carving originates from the Fang tribe. They were meant to protect. They are often of great aesthetic quality, which suggests that they are the culmination of a long sculptural tradition. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.
Made of 100% wood.
Model is W 38 - H 14 and weight 0.6kg.
The male fetish figure originates from the Songye, in the southern part of the Democratic Republic of the Congo. They were believed to ward off evil, to preserve the tribe or the family from hostile powers, sorcerers or evil spirits, and to aid fertility. Large ones were owned by and served the community; small ones were for individual families. Adorned with additional objects, Bajimba, with magical properties (horns, skins, teeth, hair, feathers, beads, tacks, cloth, etc.), they gained their power not from the carver but from the Nganga, or spiritual leader. Their carving was considered secondary to their power. Often too powerful to touch, they were moved with long sticks. Although protective, these are confrontational objects, with a warrior's attitude.
Made of 100% wood.
Model is W 55 - H 15 and weight 1.2 kg.
This type of circular pendant representing a sun refers to an ancient and complex passage of the Dogon cosmogony, at a time when light was given to men through 10 suns. It is is relatively rare in western collections. The sun symbol identification that is sometimes made seems to be foreign rather than a Dogon interpretation.
Made of 100% Brass / Bronze
Model is W 7 – H 2 and weight 0.12 kg.
This superb Marka Mask made with wood, covered with brass sheets, comes from Mali. This is one of the finest examples of Marka masks. This is a beautiful well-carved mask. The works on the brass sheet are final and superb. This mask would have a place in any good collection for its artistic and intrinsic values.
Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.
Model is W 46 - H 19 and weight 2 kg.
This rare and beautiful 19th–early-20th century Yombe Phemba (Maternity) Figure, originates from the Kongo peoples, Yombe group - Democratic Republic of the Congo, and is called Nkisi (means holy). The figures were used to ward off danger to mothers during delivery and to protect the health of the child.
Made of 100% Wood, kaolin.
Model is W 16 - H 75 and weight 5.2 kg.
This rare Wurkun (or Bikwin) small figure, in a post or staff-like form, is known as iagalagana and incarnates tutelary spirits. The stylized figure is stuck on iron rods, with a beautiful crusty red ocher patina. These statues were frequently washed with liquid clay, "fed" with millet beer offerings, rubbed with oil, explaining the thickness of the clay.
Made of 100% Iron, Paint.
Model is W 41 - H 14 and weight 3.5 kg.
This Antique Black and White Beaded with Cowrie Shell Fly Whisk or Swatter originates from the Dogon People of Mali. A Dogon Noble's fly whisk was considered a prestige object. The fly whisk is a particularly pervasive emblem of leadership in Africa.
Made of 100% wood.
Model is W 3 – H 38 and weight 0.3 kg.
This handmade comb originates from the Songye of the Democratic Republic of the Congo. The combs were used by both men and women in elaborate and distinctive coiffures and a source of social status. Hair combs were considered a luxury and many become treasured items that were passed down through the generations.
Made of 100% Wood.
Model is W 21 - H 8 and weight 0.2 kg
This Magnificient Bamana ChiWara carving originates from the Bambara tribe in Mali. The patina is rich and the surface shows significant signs of age. The mythology of the Bamana people of Mali tells the story of an antelope named Chi Wara who first taught farming skills to humanity.
Made of 100% wood.
Model is W 22 - H 68 and weight 8 kg.
This ancestral Mangbetu mother-child figure made of light wood, fiber Patin, is an exceptional piece for your collection. It originates from the Mangbetu also spelled Monbuttu, peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). The Anthropomorphic figure dates from 1950 - 1960.
Made of 100% light wood, fiber Patin.
Model is W 76 - H 21 and weight 4.5 kg.
This authentic, well preserved Bronze of the Benin Kingdom is usually seen as a court official whose job it was to herald the arrival of the Oba's royal entourage with the blow of his horn during public processions. The hornblower wears luxurious clothing and is therefore more likely dressed for a specific festival or celebration than for a war.
Made of 100% Bronze
Age Mid 15th Century
Model is W 60 – H 13 and weight 7.5 kg.
This hand-cast crafted Djenne bracelet is made of bronze and terracotta dates as early as the 11th or 12th century. This type of bracelets were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth.
Made of 100% Brass / Bronze
Model is W 11 – H 3 and weight 0.15 kg.
This beautiful mask called ‘Okuyi’ or ‘Mukudji, is a superb classicism originating from the Punu tribe, south of Gabon. It was worn during acrobatic dances by men on stilts. It was worn during acrobatic dances by men on stilts. They may also have had a judicial function or worn on the occasion of collective misfortune such as (epidemic, crime, witchcraft).
Made of 100% wood, kaolin, pigments.
Model is W 30 - H 20 and weight 0.75 kg.
This beautiful ‘Gomintogo’ or ‘Hare mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon. The Dogon people have created more than eighty mask types to represent characters in their cosmic myths.
Made of 100% wood.
Model is W 50 – H 21 and weight 2 kg.
Ancestor' Mangbetu figure box, originating from the Mangbetu peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). They are believed to be ancestral portraits of Mangbetu royalties, and were used to decorate thrones, and likely placed in a shrine to honor them.
Made of 100% light wood, fiber Patin.
Model is W 40 - H 19 and weight 3 kg.
This authentic, well preserved Bronze of the Benin Kingdom in what is now Nigeria exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The figure and pose are classic from the high period of Benin art in the 15th century and honor the King or Oba.
Made of 100% Bronze
Age Mid 15th Century
Model is W 53 – H 15 and weight 5.3 kg.
This iron fetish bird figure of early to mid 20th Century, is made by the Dogon tribe from Mali using the old lost-wax method and is in excellent condition. The fetish figure of a bird is believed to symbolize the 'hogon' or spiritual leader.
Made of 100% Bronze
Model is W 45 – H 30 and weight 3.5 kg.
Beautifully carved antique pair of fertility figurines originating from the Luba tribe from D.R. Congo. Most Luba art relates to kings and important chiefs, who defined their power by the display of prestige objects during important ceremonies.
Made of 100% wood.
Model is W 30 H 12 and weight 3.6 kg.
Reviews
There are no reviews yet.