Product Description
Standing Female Maternity Figure, Dogon
This beautiful standing sculpture of a woman holding a child and staff is hermaphrodite and originates from the Dogon. The maternity figure evokes stature, with its long neck, great dignity, hierarchy. The style, known as Bombou-Toro is believed to represent the ideals of beauty, fertility, commonly used as shrine figures. They were often objects of petitions or prayers for fertility and successful births.
Made of 100% wood.
Model is W 68 – H 16 and weight 3.2 kg.
Description
This beautiful standing sculpture of a woman holding a child and staff is hermaphrodite and originates from the Dogon. The maternity figure evokes stature, with its long neck, great dignity, hierarchy. The style, known as Bombou-Toro is believed to represent episodes from the Dogon mythology, one of the ‘mother’ or original founding primordial beings who gave the Dogon birth, also referred to as Nommo. For them Maternity figures depict the ideals of beauty, fertility, commonly used as shrine figures. Often Dogon figures recreate the hermaphroditic mythology of their beliefs, which are dedicated to ancestors, either real or mythical. They were often objects of petitions or prayers for fertility and successful births.
The Dogon an ethnic group are mainly located in the administrative districts of Bandiagara and Douentza in Mali, West Africa. The precise origins of the Dogon people, like those of many other ancient cultures, are not yet determined. Their civilization emerged, in much the same way as ancient Egypt. Around 1490 AD the Dogon people migrated to the Bandiagara cliffs of central Mali. There are approximately 700 Dogon villages, with an average of 400 inhabitants. The tribe’s folk call themselves ‘Dogon’ or ‘Dogom’, but in the older literature they are most often called ‘Habe’, a Fulbe meaning ‘stranger’. The Dogon have been described as the most studied and least understood tribal group in Africa. Their history, technology, cultural wealth, art and even oral legends are among the most involved in Africa, not least because the polity is in fact essentially artificial, comprising various sub-units that were grouped together on the basis of propinquity under the colonial administration. They are excessively prolific in terms of artistic production, not least because they have mastered all the main materials that are used in traditional African art; figures in stone, iron, bronze/copper and of course wood are all known, in addition to cave/rock painting and adaptation of more modern materials.
Additional information
Weight | 3.2 kg |
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Dimensions | 68 × 16 cm |
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