This hand-carved zoomorphic figure comes from the Senufo tribe of Ivory Coast/Mali. It has preserved its authenticity, surface and aged patina. The wood carving is exquisite and have all of the hallmarks of the Senufo people. 

Made of 100% wood

Model is W 32 – H 17 and weight 2 kg.

This rare and beautiful mother-and-child figure is called Osé Shango, a maternity figure carved by the Yoruba tribe of the northeastern Igboland, Nigeria.

Made of 100% wood, glossy honey brown patina.

Model is W 50 - H 20 and weight 2.4 kg.

This beautiful hand-carved figure originates from the Senufo people of Ivory Coast, Mali, and Burkina Faso. The figure is called Senufo Rhythm Pounder.  It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people.

Made of 100% wood

Model is W 6 – H 68 and weight 1 kg.

This cast iron horseman/horse & rider is a statement of nobility and originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. The nobility of the Malian aristocracy is portrayed in this light iron Dogon horse & rider which shows a fine patina. 

Made of 100% Brass, Iron Alloy

Model is W 25 – H 15 and weight 0.2 kg.

This young Fang "Eyema Byeri" figure of a male ancestor is characteristic of the style of the Fang Ntumu subgroup of northern Gabon near the Cameroon border. The appearance of Fang reliquary figures varies greatly from region to region. The Fang characteristics are recognized by the accentuated muscular reliefs of the arms and calves, as well as the curved shoulders and thighs. A good illustration of the “classical” style of the Southern Fang with a concave-convex face.

Made of 100% wood

Model is W 10 – H 43 and weight 1 kg.

This ancestral Mangbetu statue is an exceptional piece from the Mangbetu also spelled Monbuttu, peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). The Anthropomorphic figure dates from 1950 - 1960.

Made of 100% light wood, fiber Patin.

Model is W 72 - H 231 and weight 5.5 kg.

This beautiful Bombou-Toro statue of a woman standing holding a child is hermaphrodite and originates from the Dogon tribe of Mali. It evokes stature and represents a maternity figure, ‘mother and child’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo. They were often objects of petitions or prayers for fertility and successful births.

Made of 100% wood.

Model is W 17 - H 71 and weight 4.1 kg.

This old Dogon 'Nommo sculpture' is female. Carved from hardwood in the strict, clear, angular and angular abstracted 'bombou-toro-style' and originally probably black-brown.This kind of wooden statue was commonly used as shrine figures, in order to ensure births and prosperity to the village.

Made of 100% wood.

Model is W 37 - H 9 and weight 0.8 kg.

This rare and beautiful 19th–early-20th century Yombe Phemba (Maternity) Figure, originates from the Kongo peoples, Yombe group - Democratic Republic of the Congo, and is called Nkisi (means holy). The figures were used to ward off danger to mothers during delivery and to protect the health of the child.

Made of 100% Wood, kaolin.

Model is W 16 - H 75 and weight 5.2 kg.

This fantastic Chamba statue, is not very common and has an exceptional aesthetic presence and compelling abstract design. It was thought to have either a protective or healing function for the Wurkun or Bikwin peoples of the Benue River Valley.

Made of 100% carved wood and camwood powder.

Model is W 60 – H 14 and weight 3 kg.

This authentic, well preserved Bronze of the Benin Kingdom is usually seen as a court official whose job it was to herald the arrival of the Oba's royal entourage with the blow of his horn during public processions. The hornblower wears luxurious clothing and is therefore more likely dressed for a specific festival or celebration than for a war.

Made of 100% Bronze

Age Mid 15th Century

Model is W 60 – H 13 and weight 7.5 kg.

This Bembe statuette originates from the People's Republic of the Congo. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. The most known are called Biteki, and portray generally impressive corporal scarification. They mostly represent Heads of village, warriors and women.

Made of 100% wood.

Model is W 74 - H 17 and weight 5 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 41 – H 25 and weight 5 kg.

This Dogon carved wood sculpture is a hunter holding two wands. The sculpture reflects the artistry, power, and authority of the Dogon artistry. Wooden sculptures have a special meaning for the Dogon for they blend symbol and a powerful aesthetic in a very abstract image.

Made of 100% wood.

Model is W 23 – H 72 and weight 2 kg.

This authentic, well preserved Bronze of the Benin Kingdom in what is now Nigeria exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The figure and pose are classic from the high period of Benin art in the 15th century and honor the King or Oba.

Made of 100% Bronze

Age Mid 15th Century

Model is W 53 – H 15 and weight 5.3 kg.

This unique clay maternity figure was sculpted by the creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.

Made of 100% Terracotta

Model is W 38 – H 7 and weight 0.8 kg.

This Dogon fetish rooster is a handsome example of Dogon art; and as such, presents a style that greatly influenced the art of the West. It was used as an altar piece. In the Dogon religion, the rooster is an important symbol and associated with the Jackal and the failed experiment.

Made of 100% Lost wax casting.

Model is W 1 – H 14 and weight 0.2 kg.

This Kunin statuette originates from Middle Benue River Valley, Nigeria, and is distinguished by its overall elegant proportions. It is stylistically compared to their Mumuye and Jukun neighbors. This figure is not very common and their role is little known but it has been reported that figures such as this are used in a cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood, patina.

Model is W 13 - H 69 and weight 4 kg.

The present figure, known as Janus Merekun, is a puppet masquerade drama of the Bamana. The Sogo bò puppet theater is still widely used in the Bamana tribe and goes back to the old tradition of neighboring Bozo. This piece shows distinct stylistic traits of the Bozo and therefore can not be precisely delineated.

Made of 100% wood, dark patina.

Model is W 50 – H 11 and weight 1 kg.

This superb statue called "guardian byer", with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, Holds in his hands an offering.

Made of 100% wood

Model is W 50 – H 20 and weight 2.4 kg.

Hermaphrodite figure originating from the Dogon people of Mali. Often Dogon figures recreate the hermaphroditic mythology of their beliefs. The maternity figure represents one of the ‘mother’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo.

Made of 100% wood

Model is W 16 – H 56 and weight 3.4 kg.

This rare and beautiful 19th–mid-20th century mother-and-child maternity figure carved for the Royal Court originates from northeastern Igboland, Nigeria. The Shango crest sits on atop the head, with ethnic adornments and scarification and exceptional detail in the facial expression. Shango is the god of thunder and lightning. Shango is both feared in the context of justice and magic and venerated as his manifestations bring beneficial rain for crops.

Made of 100% wood.

Model is W 75 - H 16 and weight 5.2 kg.

This miniature Cast Handmade Dogon iron sculpture is a farmer or shepherd holding a wand. The sculpture reflects the artistry, power, and authority of the Dogon blacksmith. Iron sculpture has a special meaning for the Dogon for they blend symbol and a powerful aesthetic in a very abstract image.

Made of 100% Brass, Iron Alloy

Model is W 27 – H 8 and weight 0.07 kg.

This great Mumuye figure, carved with crescentic coiffure, an helmet like shaped head, large circular eyes and disc-like ears has a characteristical toroidal shape and the unmistakable stylistic sign of this Mumuye ethnic group.

Made of 100% Wood.

Model is W 70 - H 11 and weight 2 kg.

This small zoomorphic figure made of old bronze, black iron reveals some of the most accomplished sculptures made by a Nigerian tribe called Mumuye. Mumuye figure demonstrates an astonishing range of variations, testifying to their makers’ unbridled creativity and limitless inventiveness. These small sculptures reinforce the status and prestige of their owner, as they hold them in their hands, they have a dialogue with them and thus ensures them personal protection.

Made of 100% old bronze.

Model is W 58 - H 17 and weight 2.2 kg.

This Dogon statue is hermaphrodite and originates from the Dogon and is called ‘Nommo sculpture’. Carved from hardwood in the strict, clear, angular and angular abstracted ‘bombou-toro-style’ and originally probably black-brown. She is identified as being a "Jonyeleni", a member of the Jo society, a woman's and men's initiation society among the Bamana.

Made of 100% wood.

Model is W 45 - H 48 and weight 1 kg.