Product Description
Satimbe Ceremony Mask Dogon- Mali
This old-carved mask of light-coloured wood, originates from the Dogon people of Mali. Satimbe masks are surmounted by a female figure which represents the elder sister of the mask. It’s a ceremony mask used during the annual harvest festival (called Bulu), celebrated in all the villages before the rainy season.
Made of 100% wood.
Model is W 28 – H 19 and weight 3 kg.
Description
This old-carved mask of light-coloured wood originates from the Dogon people of Mali. Satimbe masks are surmounted by a female figure which represents the elder sister of the mask. It’s a ceremony mask used during the annual harvest festival (called Bulu), celebrated in all the villages before the rainy season.
The mask is composed of two parts. The first element is the heavily stylized helmet, looking zoomorphic. Perhaps representing an antelope, the mask is classically carved with long cubistic facial planes and powerful jutting horns and ears. A fine patina of age and use. The second element is a voluptuous female figure standing on top of the mask, with copper inserts and textile elements, protruding breasts, articulated arms and embellished hairstyle. An unusually old piece with very good usage patina on its surface, on the edges and especially on the inside at the back.
The Dogon, an ethnic group are mainly located in the administrative districts of Bandiagara and Douentza in Mali, West Africa. The precise origins of the Dogon people, like those of many other ancient cultures, are not yet determined. Their civilization emerged, in much the same way as ancient Egypt. Around 1490 AD the Dogon people migrated to the Bandiagara cliffs of central Mali. There are approximately 700 Dogon villages, with an average of 400 inhabitants. The tribe’s folk call themselves ‘Dogon’ or ‘Dogom’, but in the older literature they are most often called ‘Habe’, a Fulbe meaning ‘stranger’. The Dogon have been described as the most studied and least understood tribal group in Africa. Their history, technology, cultural wealth, art and even oral legends are among the most involved in Africa, not least because the policy is in fact essentially artificial, comprising various sub-units that were grouped together on the basis of propinquity under the colonial administration. They are excessively prolific in terms of artistic production, not least because they have mastered all the main materials that are used in traditional African art; figures in stone, iron, bronze/copper and of course wood are all known, in addition to cave/rock painting and adaptation of more modern materials.
Additional information
Weight | 3 kg |
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Dimensions | 28 × 19 cm |
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