This superb statue called "Eyema Byeri, guardian byer, with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, holds with both hands the ceremonial flute for initiated So, young boys rite of passage among the Beti-Fang.

Made of 100% wood Model is W 62 – H 24 and weight 4 kg.

This superb statue called "guardian byer", with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, Holds in his hands an offering.

Made of 100% wood

Model is W 62 – H 24 and weight 4 kg.

This great Mumuye figure, carved with crescentic coiffure, an helmet like shaped head, large circular eyes and disc-like ears has a characteristical toroidal shape and the unmistakable stylistic sign of this Mumuye ethnic group.

Made of 100% Wood.

Model is W 70 - H 11 and weight 2 kg.

This iron fetish bird figure of early to mid 20th Century, is made by the Dogon tribe from Mali using the old lost-wax method and is in excellent condition. The fetish figure of a bird is believed to symbolize the 'hogon' or spiritual leader. 

Made of 100% Bronze

Model is W 45 – H 30 and weight 3.5 kg.

This cast iron horseman/horse & rider is a statement of nobility and originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. The nobility of the Malian aristocracy is portrayed in this light iron Dogon horse & rider which shows a fine patina. 

Made of 100% Brass, Iron Alloy

Model is W 25 – H 15 and weight 0.2 kg.

This figure represents a female kneeling figure holding a bowl, known as Olumeye. Her facial features are very expressive and are carved with naturalistic detailing such as large scarification on cheeks and forehead. The finial hairstyle called known as irun agogo, adds to the figure's beauty. The patina is shiny and smooth. This figure, a recent bride or a priestess, depicts an homage to maternity or motherhood and was used as a shrine to deities Shango or Eshu in the Yoruba religion. The piece has a shine and rich patina. The Olumeye are carved most often in the shape of a rooster and placed in front of a female figure who is shown kneeling in a position of submission and offering. The bowl was used to serve cola nuts to elite guests.

Made of 100% wood.

Model is W 66 – H 14 and weight 3.8 kg.

This rare Wurkun (or Bikwin) small figure, in a post or staff-like form, is known as iagalagana and incarnates tutelary spirits. The stylized figure is stuck on iron rods, with a beautiful crusty red ocher patina. These statues were frequently washed with liquid clay, "fed" with millet beer offerings, rubbed with oil, explaining the thickness of the clay.

Made of 100% Iron, Paint.

Model is W 41 - H 14 and weight 3.5 kg.

This ceramic depiction of an ancestral elder was made by the Nok people of Nigeria, at the very start of the first millennium AD. This piece is a classic of the Nok culture. Little is known of the original function of the pieces, but theories include ancestor portrayal, grave markers, and charms to prevent crop failure, infertility, and illness. Also, based on the dome-shaped bases found on several figures, they could have been used as finials for the roofs of ancient structures.

Made of 100% terracotta.

Model is W 48 – H 15 and weight 1.2 kg.

This authentic, well preserved Bronze of the Benin Kingdom in what is now Nigeria exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The figure and pose are classic from the high period of Benin art in the 15th century and honor the King or Oba.

Made of 100% Bronze

Age Mid 15th Century

Model is W 53 – H 15 and weight 5.3 kg.

This beautiful standing sculpture of a woman holding a child and staff is hermaphrodite and originates from the Dogon. The maternity figure evokes stature, with its long neck, great dignity, hierarchy.  The style, known as Bombou-Toro is believed to represent the ideals of beauty, fertility, commonly used as shrine figures.  They were often objects of petitions or prayers for fertility and successful births. 

Made of 100% wood.

Model is W 68 - H 16 and weight 3.2 kg.

This rare and beautiful mother-and-child figure is called Osé Shango, a maternity figure carved by the Yoruba tribe of the northeastern Igboland, Nigeria.

Made of 100% wood, glossy honey brown patina.

Model is W 50 - H 20 and weight 2.4 kg.

This Bembe statuette originates from the People's Republic of the Congo. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. The most known are called Biteki, and portray generally impressive corporal scarification. They mostly represent Heads of village, warriors and women.

Made of 100% wood.

Model is W 74 - H 17 and weight 5 kg.

This Early-mid 20th century mother-and-child figures are placed in shrines and used by diviners in northeastern Igboland, Nigeria. The Igbo figures of mother and child are very rare.

Made of 100% wood, kaolin.

Model is W 55 - H 19 and weight 3.5 kg.

This hand-carved zoomorphic figure comes from the Senufo tribe of Ivory Coast/Mali. It has preserved its authenticity, surface and aged patina. The wood carving is exquisite and have all of the hallmarks of the Senufo people. 

Made of 100% wood

Model is W 32 – H 17 and weight 2 kg.

This rare articulated Anthropomorphic Iginga doll made of wood originates from the Lega/Bwami peoples of the Democratic Republic of the Congo. Figures such as this were used as a didactic device during the ritual of the Bwami Society to educate young initiates. Their metaphoric form help instructors to pass the message as do the proverbs, legends, myths and slogans.

Made of 100% wood, vegetable fibers.

Model is W 60 - H 24 and weight 5.5 kg.

This beautiful hand-carved figure originates from the Senufo people of Ivory Coast, Mali, and Burkina Faso. The figure is called Senufo Rhythm Pounder.  It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people.

Made of 100% wood

Model is W 6 – H 68 and weight 1 kg.

This wooden reliquary figure from the Fang tribe are abstract anthropomorphic carvings. They were meant to protect. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.

Made of 100% wood.

Model is W 70 - H 21 and weight 3 kg.

This Bembe statuette originates from the Central African Democratic Republic of the Congo Bembe People. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. It is a male Fetish or Power Figure ‘Bilongo’. They mostly represent Heads of village, warriors and women. 

Made of 100% wood.

Model is W 60 - H 19 and weight 4 kg.

This ancestral Mangbetu mother-child figure made of light wood, fiber Patin, is an exceptional piece for your collection. It originates from the Mangbetu also spelled Monbuttu, peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). The Anthropomorphic figure dates from 1950 - 1960.

Made of 100% light wood, fiber Patin.

Model is W 76 - H 21 and weight 4.5 kg.

Ancestor' Mangbetu figure box, originating from the Mangbetu peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). They are believed to be ancestral portraits of Mangbetu royalties, and were used to decorate thrones, and likely placed in a shrine to honor them.

Made of 100% light wood, fiber Patin.

Model is W 40 - H 19 and weight 3 kg.

This small zoomorphic figure made of old bronze, black iron reveals some of the most accomplished sculptures made by a Nigerian tribe called Mumuye. Mumuye figure demonstrates an astonishing range of variations, testifying to their makers’ unbridled creativity and limitless inventiveness. These small sculptures reinforce the status and prestige of their owner, as they hold them in their hands, they have a dialogue with them and thus ensures them personal protection.

Made of 100% old bronze.

Model is W 58 - H 17 and weight 2.2 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 40 – H 26 and weight 5 kg.

This beautiful female hand-carved figure is called "Rhythm Pounder". It originates from the Senufo people of Ivory Coast, Mali, and Burkina Faso. The anthropomorphic figure was once a benevolent symbol of fertility and a conduit to the departed, but also a crucial prop in both commemorative ancestral rites and in initiations of adolescents to adult society. It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people. 

Made of 100% wood

Model is W 20 – H 112 and weight 5 kg.

This fantastic Chamba statue, is not very common and has an exceptional aesthetic presence and compelling abstract design. It was thought to have either a protective or healing function for the Wurkun or Bikwin peoples of the Benue River Valley.

Made of 100% carved wood and camwood powder.

Model is W 60 – H 14 and weight 3 kg.