"Elu" mask with an expressive Bird like face and hinged jaw originates from the Ogoni tribe in Nigeria, early 20th century. Wooden face mask with hinged, movable jaw. Lower jaw portion attached to upper by narrow wooden threads on each side. Semicircular disc like ears protrude from sides of face. Scarification marks with geometrically incised designs appear on both sides of the face at outer corner of eye area. The eyes are hollow almond shaped openings. The head decoration has a raised portion, with a vertical light-painted keloid or scar mark the center.

Made of 100% light hand-carved cane wood, fiber and pigments.

Model is W 30 - H 19 and weight 3 kg.

This anthropomorphic Dogon figure originates from Mali. The wooden pillars carried symbolic representations that were references to Dogon mythology, especially ancestors.

Made of 100% Wood, mineral pigments

Model is W 14 - H 61 and weight 2.4 kg.

Dan's idealized canons of female beauty. A mark of the dignity of the wunkirle — the most hospitable woman in the village— this ceremonial chief staff, formed as an abstract female figure, is a symbol of her generosity and her talents. The perfect balance of the pose emphasizes both the firmness of the curves and the elegance of the silhouette and its dynamic lines. The artist has paid particular attention to the connection points, resulting in a beautiful flow of volumes and outlines, both in the treatment of the body and in the transition of the handle and the grooves.

Made of 100% wood.

Model is W 93 - H 10 and weight 1.7kg.

This zoomorphic Dyodyomini Dogon mask made of Hardwood with a kaolin coating is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. The term Dyodyomini which designates this type of mask evokes a bird that pecks. It would be a Dobu, a sort of hornbill, white and brown, with a long curved beak. It was created on the occasion of a Dama (funeral ceremony, the feast of mourning).

Made of 100% wood.

Model is W 48 - H 192 and weight 1 kg.

This striated masks, or Kifwebe, originates from the Songye, southern part of the Democratic Republic of the Congo. These types of masks were used to mark important periods of social transition and transformation, appearing at the death of a chief or any other eminent person, or when a person assumes an important political title.

Made of 100% wood

Model is W 25 - H 10 and weight  1.2 kg.

This beautifully carved and tri-dimensional mask originates from the Baule tribe. The Janus or double mask represents the marriage of the sun and the moon or often to celebrate twins, whose birth is always a good sign. Baule art is sophisticated and stylistically diverse, the refined human face masks are usually portraits of particular known individuals belonging to the clan. The Mblo masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms.

Made of 100% wood, pigments

Model is W 20 – H 52 and weight 0.6 kg.

Beautifully carved Baule ancestral portrait originating from Ivory Coast. These refined human face masks are usually portraits of particular known individuals or dignitary celebrated during a ceremonial dance called Mbloâ. Masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. Baule art is sophisticated and stylistically diverse.

Made of 100% wood, pigment

Model is W 20 - H 35 and weight 1.9 kg."

This zoomorphic Dogon mask made of hardwood with a kaolin coating is an exceptional piece for your collection. It originates from Mali and was created to represent spirits of the wilderness. 

Made of 100% Wood, mineral pigments

Model is W 16 - H 26 and weight 3 kg.

This Lega (also known as Warega) mask originates from the Bwami tribe in Congo. A well-carved example of Lega wooden face mask. This face is enhanced by the eyebrows exceptionally carved in relief. The long and fine nose, as well as the open eyes and mouth, are carved according to the Lega style.

Made of 100% light hand-carved cane wood, fiber, and pigments.

Model is W 31 - H 20 and weight 0.8 kg.

Beautifully carved Baule ancestral portrait originating from Ivory Coast. These refined human face masks are usually portraits of particular known individuals or dignitary celebrated during a ceremonial dance called Mbloâ. Masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. Baule art is sophisticated and stylistically diverse. "

Made of 100% wood, pigment "

Model is W 20 - H 30 and weight 2 kg."

This beautiful Punu mask from Gabon is called ‘Okuyi’ or ‘Mukudji. It was worn during acrobatic dances by men on stilts.

Made of 100% wood, kaolin, pigments.

Model is W 33 - H 25 and weight 1.6 kg.

A classic’ mask developed among the Bete, a continuous forehead, coffee bean eyes, and hemispheric protruding mouth. The present Bete mask consists of medium-weight wood. The deep-set face is white (by means of kaolin), the remaining areas dyed a dark brown colour. Mask such as this were the emissary of the occult powers and establishes a link between the material and the invisible. Each mask has an individual name, usually kept secret. Its function is to evoke a mythical past. The masks are made available to the chief to guarantee the prerogatives of the political power.

Made of 100% wood, pigment.

Model is W 20 - H 30 and weight 1.6 kg.

Beautifully carved Baule ancestral portrait originating from Ivory Coast. These refined human face masks are usually portraits of particular known individuals or dignitary celebrated during a ceremonial dance called “Mblo”. Masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. Baule art is sophisticated and stylistically diverse.

Made of 100% wood.

Model is W 20 – H 39 and weight 0.7 kg.

This larger than life figure with the head of a monkey represent one of the humbler gods of the Baulte tribe. It is called Gbekre or Mbotumbo, a god with several tasks, for he is both judge of hell and helper of those in need, protector of the living against their enemies. Statues of standing monkeys were used in many different Baule cults, the most prominent of which was Mbra and they are very different in style of other Baule sculptures. If the ancestor-cult statues are often characterized by refined and detailed carving, the wood stained and often polished, the Gbekre are very different. They are roughly carved in unstained wood. They combine human and animal traits in such a way that it is nearly impossible to separate them. Besides, they are used for many different cults, for a trance divination cult among them. Women are forbidden to see some of them, others are openly shown.

Made of 100% wood.

Model is W 87 - H 23 and weight 11 kg

Beautifully carved Baule ancestral portrait originating from Ivory Coast. These refined human face masks are usually portraits of particular known individuals or dignitary celebrated during a ceremonial dance called Mbloâ. Masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. Baule art is sophisticated and stylistically diverse.

Made of 100% wood, pigment

Model is W 33 - H 50 and weight 1.9 kg.

Beautifully red pigment Baule ancestral portrait originating from Ivory Coast. These refined human face masks are usually portraits of particular known individuals or dignitary celebrated during a ceremonial dance called Mbloâ. Masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. Baule art is sophisticated and stylistically diverse.

Made of 100% wood, pigment

Model is W 22 - H 36 and weight 0.8 kg.

This ‘Gomintogo’ or ‘Hare mask’ or ‘Deer Mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon.

Made of 100% wood.

Model is W 53 – H 21 and weight 3.5 kg.

This beautifully carved animal mask originates from the Baule tribe. Baule art is sophisticated and stylistically diverse. The Baule hold objects in high esteem for the spiritual presence that is related to the object. According to the Baule mythology, the animal of the bush are heavenly spirit of agriculture. These masks are used on the occasion of the new harvest, at the visit of dignitaries, or at the funerals of notables.

Made of 100% wood, pigments

Model is W 21 - H 43 and weight 1.4 kg.

The double portrait mask (ndoma), with two faces side by side, worn by a single dancer and portraying twins (nda) originates from The Baule people of central Côte d’Ivoire. The portrait mask, an image of simultaneous birth, symbolises the unity of a balanced duality and the power of beneficial duplication. Although this effigy is familiar to Baule artists, it only rarely appears in ceremonies.

Made of 100% wood.

Model is W 70 – H 26 and weight 4 kg

This example of  Baule art is over 25 years old. Baule art is sophisticated and stylistically diverse. The Mblo masks such as this one were used in entertainment dances, one of the oldest of Baule art forms. These refined human face masks are usually portraits of particular known individuals.

Made of 100% wood, pigments

Model is W 22 – H 18 and weight 2 kg.

This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.

Made of 100% Native fiber, wood and paint.

Model is W 48 - H 21 and weight 1.6 kg.

Beautifully carved Baule ancestral portrait originating from Ivory Coast. These refined human face masks are usually portraits of particular known individuals or dignitary celebrated during a ceremonial dance called Mbloâ. Masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. Baule art is sophisticated and stylistically diverse.

Made of 100% wood, pigment

Model is W 14 - H 34 and weight 0.8 kg.

Beautifully carved Baule ancestral portrait originating from Ivory Coast. These refined human face masks are usually portraits of particular known individuals or dignitary celebrated during a ceremonial dance called Mbloâ. Masks such as this one were used in entertainment dances and are one of the oldest of Baule art forms. Baule art is sophisticated and stylistically diverse.

Made of 100% wood, pigment

Model is W 20 - H 30 and weight 0.2 kg.

This beautiful Baule Warrior figure depict a Janus human figure, with two-headed shield and spear and visually conveys the ideal of beauty belonging to this ethnic group. It originates from one of the three groups of statues created by Baule people in central Ivory Coast, called Asie Usu (Spirit of Nature). They often represents a male spirit who possesses unpredictable persona and power. The purpose of creating these finely carved sculptures is to reduce the danger or the potential harm of the spirit. the piece is enhanced by the shiny patina.

Made of 100% wood

Model is W 56 - H 3 and weight 0.6 kg.

This authentic carved wood mask, depicting an abstracted animal originates from Mali. Dogon masks, such as this one called kanaga, are worn primarily at dama, a collective funerary rite for Dogon men. The ritual’s goal is to ensure the safe passage of the spirits of the deceased to the world of the ancestors.

Made of 100% wood.

Model is W 49 – H 28 and weight 1.5 kg.

This unusual and particularly imaginative helmet like mask is from the Nsukka area, the northern part of the northcentral Igbo region in Nigeria. This region has one of the most complex and diverse mask making traditions in Nigeria.

Made of 100% wood

Model is W 33 – H 25 and weight 1.2 kg.