Product Description
Mangbetu Water Jar, RDC
Made of 100% Wood
Model is W 24 – H 39 – D 24 and weight 3 kg
This figurative jar originates from the Mangbetu tribe of the Democratic Republic of Congo. This particular jar might have been used to give water or milk to an infant, and a sign of maternity. The jars were used during ceremonial rituals, and for entertainment purpose during the festivities. The women held it while dancing and in supplication, and to invite the viewers for a drink, therefore it was probably used for beverages other than water. However, in 1963, their role or use switched and they put aside for a reason we do not know. However, the Mangbetu were suspected to be practicing cannibalism so we believe the content of the jar might have been used to carry other types of beverages.
Description
This figurative jar originates from the Mangbetu tribe of the Democratic Republic of Congo. The sculpture is made of terracotta and pigmented, subtly decorated, with a round and graceful base. Depicting a woman with the typical Mangbetu coif, small protruding breasts, a round face with open grinding teeth, wide nose, round slit eyes. We can also find a handle at the back of the jar.
This particular jar might have been used to give water or milk to an infant, and a sign of maternity. The jars were used during ceremonial rituals, and for entertainment purposes during festivities. The women held it while dancing in supplication, and to invite the viewers for a drink, therefore it was probably used for beverages other than water. However, in 1963, their role or use switched and they were put aside for reasons we do not know. However, the Mangbetu were suspected to be practicing cannibalism so we believe the jar might have been used to carry other types of beverage.
The Mangbetu occupy the Uele River area in the Northeastern part of the Democratic Republic of Congo. Around 1800 a number of small chiefdoms were consolidated into the first Mangbetu kingdom. Although this kingdom only lasted three generations, a tradition of courtly prestige continued in the region. The name Mangbetu refers to the whole amalgam of people they ruled. In the last quarter of the 19th century, they impressed early travelers with their political institutions and their highly developed art and music; especially their remarkable skills as builders, potters, and sculptors.
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