This wooden reliquary figure from the Fang tribe are abstract anthropomorphic carvings. They were meant to protect. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.

Made of 100% wood.

Model is W 70 - H 21 and weight 3 kg.

This Mid 20th century Chamba statue is not very common and their role is little known but it has been reported that  figures such as this are used in cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood and camwood powder.

Model is W 50 - H 167 and weight 4.7 kg.

This  Ancestral Male Figure originates from the Dogon. A man sitting on a stool, with a very erect and dignified posture, holds in his hands some kind of tool. He wears a pectoral necklace. He seems to a village leader.

Made of 100% wood, pigments.

Model is W 73 - H 18 and weight 7.3 kg.

This iron fetish bird figure of early to mid 20th Century, is made by the Dogon tribe from Mali using the old lost-wax method and is in excellent condition. The fetish figure of a bird is believed to symbolize the 'hogon' or spiritual leader. 

Made of 100% Bronze

Model is W 45 – H 30 and weight 3.5 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 40 – H 26 and weight 5 kg.

This authentic, free-standing brass head cast in the lost wax technique of the Benin Kingdom, in what is now Nigeria, exhibits a virtuosity and sophistication of style that has astonished the Western world since they were visited in the 15th century. The face's shape and unique expression, a tranquil and dignified presence with the transcendent gaze clearly indicate qualities of genuine nobility: endurance, far-sightedness, determination, and wisdom.

Made of 100% Copper

Age late 14th-early 15th century

Model is W 41 – H 25 and weight 5 kg.

This rare and beautiful 19th–mid-20th century mother-and-child maternity figure carved for the Royal Court originates from northeastern Igboland, Nigeria. The Shango crest sits on atop the head, with ethnic adornments and scarification and exceptional detail in the facial expression. Shango is the god of thunder and lightning. Shango is both feared in the context of justice and magic and venerated as his manifestations bring beneficial rain for crops.

Made of 100% wood.

Model is W 75 - H 16 and weight 5.2 kg.

This Magnificient Bamana ChiWara carving originates from the Bambara tribe in Mali.  The patina is rich and the surface shows significant signs of age.  The mythology of the Bamana people of Mali tells the story of an antelope named Chi Wara who first taught farming skills to humanity.

Made of 100% wood.

Model is W 22 - H 68 and weight 8 kg.

This Dogon fetish rooster is a handsome example of Dogon art; and as such, presents a style that greatly influenced the art of the West. It was used as an altar piece. In the Dogon religion, the rooster is an important symbol and associated with the Jackal and the failed experiment.

Made of 100% Lost wax casting.

Model is W 1 – H 14 and weight 0.2 kg.

This female figure holding a child is a Dogon hermaphrodite originating from the Dogon Tribe of Mali. With its long neck and great dignity, it evokes a hierarchical status. The style is known as Bombou-Toro. Maternity figures depict the ideals of beauty, fertility, commonly used as shrine figures. They were often objects of petitions or prayers for fertility and successful births.

Made of 100% wood.

Model is W 12 - H 80 and weight 4 kg.

This ceramic depiction of an ancestral elder was made by the Nok people of Nigeria, at the very start of the first millennium AD. This piece is a classic of the Nok culture. Little is known of the original function of the pieces, but theories include ancestor portrayal, grave markers, and charms to prevent crop failure, infertility, and illness. Also, based on the dome-shaped bases found on several figures, they could have been used as finials for the roofs of ancient structures.

Made of 100% terracotta.

Model is W 48 – H 15 and weight 1.2 kg.

This Small-scale female figure known as Jonyeleni or nyeleni originates from the artistic tradition of the Bamana people of Baniko region in Mali. The figures are an idealization of youthful feminine beauty. 

Made of 100% wood, dark brown patina.

Model is W 6 - H 61 and weight 1.5 kg.

The present figure, known as Janus Merekun, is a puppet masquerade drama of the Bamana. The Sogo bò puppet theater is still widely used in the Bamana tribe and goes back to the old tradition of neighboring Bozo. This piece shows distinct stylistic traits of the Bozo and therefore can not be precisely delineated.

Made of 100% wood, dark patina.

Model is W 50 – H 11 and weight 1 kg.

This beautiful Bombou-Toro statue of a woman standing holding a child is hermaphrodite and originates from the Dogon tribe of Mali. It evokes stature and represents a maternity figure, ‘mother and child’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo. They were often objects of petitions or prayers for fertility and successful births.

Made of 100% wood.

Model is W 17 - H 71 and weight 4.1 kg.

This beautiful Dogon seated woman holding a child is hermaphrodite and originates from the Dogon. It has evokes stature, with its long neck and great dignity, hieratic. Very nice patina, old wood. The style is known as Bombou-Toro, which is characterized by slender proportions, with detailed and delicate features, and are believed to represent episodes from Dogon mythology.

Made of 100% wood.

Model is W 51 - H 17 and weight 4.8 kg.

This  Ancestral Figure originates from Dogon. Carved for personal or family use, they commemorate the foundation of a community and are worshiped by the village. This type of art object with such a quality of achievement and a wood so old is rare. The figure is normally placed on an altar and most of which are dedicated to ancestors, either real or mythical. 

Made of 100% wood, Kaolin pigments.

Model is W 14 - H 26 and weight 2 kg.

This beautiful Mama Bush Cow in full figure is classic example of a traditional African figure created by the Mama people who live in the interior of Nigeria in the Benue River Valley north of the Jos plateau. It is extremely rare to get hold of a Mama Bush Cow.

Made of 100% wood, cam wood, pigment.

Model is W 50 - H 16 and weight 2 kg.

This Dogon statue is hermaphrodite and originates from the Dogon and is called ‘Nommo sculpture’. Carved from hardwood in the strict, clear, angular and angular abstracted ‘bombou-toro-style’ and originally probably black-brown. She is identified as being a "Jonyeleni", a member of the Jo society, a woman's and men's initiation society among the Bamana.

Made of 100% wood.

Model is W 45 - H 48 and weight 1 kg.

This rare articulated Anthropomorphic Iginga doll made of wood originates from the Lega/Bwami peoples of the Democratic Republic of the Congo. Figures such as this were used as a didactic device during the ritual of the Bwami Society to educate young initiates. Their metaphoric form help instructors to pass the message as do the proverbs, legends, myths and slogans.

Made of 100% wood, vegetable fibers.

Model is W 60 - H 24 and weight 5.5 kg.

This Kunin statuette originates from Middle Benue River Valley, Nigeria, and is distinguished by its overall elegant proportions. It is stylistically compared to their Mumuye and Jukun neighbors. This figure is not very common and their role is little known but it has been reported that figures such as this are used in a cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood, patina.

Model is W 13 - H 69 and weight 4 kg.

This great Mumuye figure, carved with crescentic coiffure, an helmet like shaped head, large circular eyes and disc-like ears has a characteristical toroidal shape and the unmistakable stylistic sign of this Mumuye ethnic group.

Made of 100% Wood.

Model is W 70 - H 11 and weight 2 kg.

This extremely rare Mama Bush Cow in full figure is a classic example of a traditional African figure created by the Mama people who live in the interior of Nigeria in the Benue River Valley north of the Jos plateau.

Made of 100% wood, camwood, pigment.

Model is W 51 - H 15 and weight 3 kg.

This mini figure is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North - West Gabon. It is called "Eyema Byeri " or Guardian Byer". It has a voluminous head and a stocky appearance, in a sitting position, and holds with both hands the ceremonial flute So initiates, boys rite of passage among the Beti-Fang. These types of figures are recognized by the accentuated muscular reliefs of the arms and calves, as well as the rounded-shoulders and thighs (the fixation rostrum on the nsekh-byeri reliquary has disappeared).

Made of 100% wood

Model is W 20 – H 7 and weight 0.8 kg.

This Dogon carved wood sculpture is a hunter holding two wands. The sculpture reflects the artistry, power, and authority of the Dogon artistry. Wooden sculptures have a special meaning for the Dogon for they blend symbol and a powerful aesthetic in a very abstract image.

Made of 100% wood.

Model is W 23 – H 72 and weight 2 kg.

This hand-carved anthropomorphic figure comes from the Ivory Coast/Mali and is called Tugubele. It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people. 

Made of 100% wood

Model is W 72 – H 23 and weight 0.5 kg.