This finely carved bronze figure represents a dwarf at the court of Benin. Wearing courtly dress in continuation of the traditional bronze art of Benin in form of a bearded person with o-shaped legs and neck adornment. In Edo culture dwarfs were known as the jugglers and acrobats in the Oba court.

Made of 100% Bronze

Model is W 46 – H 22 and weight 5 k

This Dogon statue of a woman standing carrying a child on her back and a calebasse is hermaphrodite and originates from the Dogon. The maternity figure represents one of the ‘mother’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo. The style is known as Bombou-Toro, which is characterized by slender proportions, with detailed and delicate features, and are believed to represent episodes from Dogon mythology.

Made of 100% wood.

Model is W 92 - H 20 and weight 6 kg.

This beautiful standing sculpture of a woman holding a child and staff is hermaphrodite and originates from the Dogon. The maternity figure evokes stature, with its long neck, great dignity, hierarchy.  The style, known as Bombou-Toro is believed to represent the ideals of beauty, fertility, commonly used as shrine figures.  They were often objects of petitions or prayers for fertility and successful births. 

Made of 100% wood.

Model is W 68 - H 16 and weight 3.2 kg.

This young Fang "Eyema Byeri" figure of a male ancestor is characteristic of the style of the Fang Ntumu subgroup of northern Gabon near the Cameroon border. The appearance of Fang reliquary figures varies greatly from region to region. The Fang characteristics are recognized by the accentuated muscular reliefs of the arms and calves, as well as the curved shoulders and thighs. A good illustration of the “classical” style of the Southern Fang with a concave-convex face.

Made of 100% wood

Model is W 10 – H 43 and weight 1 kg.

This superb statue called "guardian byer", with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, with its hand on hips.

Made of 100% wood

Model is W 50 – H 11 and weight 2 kg.

This hand-carved anthropomorphic figure comes from the Ivory Coast/Mali and is called Tugubele. It has preserved its authenticity, surface, and aged patina. The wood carving is exquisite and exaggerated features, have all of the hallmarks of the Senufo people. 

Made of 100% wood

Model is W 72 – H 23 and weight 0.5 kg.

This Bembe statuette originates from the Central African Democratic Republic of the Congo Bembe People. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. It is a male Fetish or Power Figure ‘Bilongo’. They mostly represent Heads of village, warriors and women. 

Made of 100% wood.

Model is W 60 - H 19 and weight 4 kg.

This unique clay small sculptures of a couple was sculpted by creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.

Made of 100% Terracotta

Model is W 38 – H 7 and weight 0.8 kg.

The present Anthropomorphic figure, known as Bamana (Jonyeleni), female seated figure on a stylized stool, originates from the artistic tradition of the Bamana. A tradition rich, filled with pottery, sculptures, beautiful bokolanfini cloth, and wrought iron figures fashioned by blacksmiths.

Made of 100% wood, dark patina.

Model is W 69 - H 1 and weight 4.5 kg.

This Small-scale female figure known as Jonyeleni or nyeleni originates from the artistic tradition of the Bamana people of Baniko region in Mali. The figures are an idealization of youthful feminine beauty. 

Made of 100% wood, dark brown patina.

Model is W 6 - H 61 and weight 1.5 kg.

This figure represents a female kneeling figure holding a bowl, known as Olumeye. Her facial features are very expressive and are carved with naturalistic detailing such as large scarification on cheeks and forehead. The finial hairstyle called known as irun agogo, adds to the figure's beauty. The patina is shiny and smooth. This figure, a recent bride or a priestess, depicts an homage to maternity or motherhood and was used as a shrine to deities Shango or Eshu in the Yoruba religion. The piece has a shine and rich patina. The Olumeye are carved most often in the shape of a rooster and placed in front of a female figure who is shown kneeling in a position of submission and offering. The bowl was used to serve cola nuts to elite guests.

Made of 100% wood.

Model is W 66 – H 14 and weight 3.8 kg.

This Kunin statuette originates from Middle Benue River Valley, Nigeria, and is distinguished by its overall elegant proportions. It is stylistically compared to their Mumuye and Jukun neighbors. This figure is not very common and their role is little known but it has been reported that figures such as this are used in a cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood, patina.

Model is W 13 - H 69 and weight 4 kg.

This Dogon fetish rooster is a handsome example of Dogon art; and as such, presents a style that greatly influenced the art of the West. It was used as an altar piece. In the Dogon religion, the rooster is an important symbol and associated with the Jackal and the failed experiment.

Made of 100% Lost wax casting.

Model is W 1 – H 14 and weight 0.2 kg.

This Bembe statuette originates from the People's Republic of the Congo. Bembe ancestor statues are rare and they can only be found in the south western part of their territory. The most known are called Biteki, and portray generally impressive corporal scarification. They mostly represent Heads of village, warriors and women.

Made of 100% wood.

Model is W 74 - H 17 and weight 5 kg.

These two 'Nommo sculpture' are a lovely example of an old Dogon primordial couple which was found in a village in the Mopti region of Mali.

Made of 100% wood.

Model is W 41 - H 20 and weight 4.7 kg.

This small, late 19th–early 20th century, Maginga statue made of wood originates from the Lega peoples of the Democratic Republic of the Congo. The figure portrays angular legs tapering to the torso with protruding navel framed by truncated arms, the sloping shoulders supporting the head with scooped, heart-shaped facial plane, notched mouth and coffee-bean eyes; covered in kaolin.

Made of 100% wood, kaolin, vegetable fibers.

Model is W 51 - H 16 and weight 1.9 kg.

Hermaphrodite figure originating from the Dogon people of Mali. Often Dogon figures recreate the hermaphroditic mythology of their beliefs. The maternity figure represents one of the ‘mother’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo.

Made of 100% wood

Model is W 16 – H 56 and weight 3.4 kg.

This Mid 20th century Chamba statue is not very common and their role is little known but it has been reported that  figures such as this are used in cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood and camwood powder.

Model is W 50 - H 167 and weight 4.7 kg.

The present figure, known as Janus Merekun, is a puppet masquerade drama of the Bamana. The Sogo bò puppet theater is still widely used in the Bamana tribe and goes back to the old tradition of neighboring Bozo. This piece shows distinct stylistic traits of the Bozo and therefore can not be precisely delineated.

Made of 100% wood, dark patina.

Model is W 50 – H 11 and weight 1 kg.

This large Dogon statue of a woman standing carrying a child on her back and holding a calebasse is hermaphrodite and originates from the Dogon. The maternity figure represents one of the ‘mother’ or original founding primordial beings who gave the Dogon birth, also referred to as Nummo.

Made of 100% wood, crusted Patina, Kaolin..

Model is W 91 - H 20 and weight 13 kg.

This old Dogon 'Nommo sculpture' is female. Carved from hardwood in the strict, clear, angular and angular abstracted 'bombou-toro-style' and originally probably black-brown.This kind of wooden statue was commonly used as shrine figures, in order to ensure births and prosperity to the village.

Made of 100% wood.

Model is W 37 - H 9 and weight 0.8 kg.

This unique figure is the prime example art Mambila, easily identifiable with their heart-shaped faces. The Tadep statues in the Mambila were used for therapeutic purposes. 

Made of 100%  wood, pigments

Model is W 34 - H 18 and weight 0.5 kg.

This unique clay maternity figure was sculpted by the creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.

Made of 100% Terracotta

Model is W 38 – H 7 and weight 0.8 kg.

This miniature Cast Handmade Dogon iron sculpture is a farmer or shepherd holding a wand. The sculpture reflects the artistry, power, and authority of the Dogon blacksmith. Iron sculpture has a special meaning for the Dogon for they blend symbol and a powerful aesthetic in a very abstract image.

Made of 100% Brass, Iron Alloy

Model is W 27 – H 8 and weight 0.07 kg.

This great Mumuye figure, carved with crescentic coiffure, an helmet like shaped head, large circular eyes and disc-like ears has a characteristical toroidal shape and the unmistakable stylistic sign of this Mumuye ethnic group.

Made of 100% Wood.

Model is W 70 - H 11 and weight 2 kg.

Ancestor' Mangbetu figure box, originating from the Mangbetu peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). They are believed to be ancestral portraits of Mangbetu royalties, and were used to decorate thrones, and likely placed in a shrine to honor them.

Made of 100% light wood, fiber Patin.

Model is W 40 - H 19 and weight 3 kg.