Product Description
Fang Mask – Gabon
This pigmented mask made of wood and kaolin represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.
Made of 100% Native fiber, wood and paint.
Model is W 20 – H 46 and weight 0.4 kg.
Additional information
| Weight | 0.4 kg |
|---|---|
| Dimensions | 20 × 40 cm |
| Color | |
| Material |
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This mask carving originates from the Fang tribe. They were meant to protect. They are often of great aesthetic quality, which suggests that they are the culmination of a long sculptural tradition. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.
Made of 100% wood.
Model is W 38 - H 14 and weight 0.6kg.
This pigmented mask made of wood and kaolin represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.
Made of 100% Native fiber, wood and paint.
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This beautiful ‘Gomintogo’ or ‘Hare mask’ of the Dogon, from the Bandiagara Escarpment in eastern Malimask’, represents one of the approximately 80 mask types of the Dogon. The Dogon people have created more than eighty mask types to represent characters in their cosmic myths.
Made of 100% wood.
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This Lega (also known as Warega) mask originates from the Bwami tribe in Congo. A well-carved example of Lega wooden face mask. This face is enhanced by the eyebrows exceptionally carved in relief. The long and fine nose, as well as the open eyes and mouth, are carved according to the Lega style.
Made of 100% light hand-carved cane wood, fiber, and pigments.
Model is W 31 - H 20 and weight 0.8 kg.
This authentic carved wood mask, depicting an abstracted animal originates from Mali. Dogon masks, such as this one called kanaga, are worn primarily at dama, a collective funerary rite for Dogon men. The ritual’s goal is to ensure the safe passage of the spirits of the deceased to the world of the ancestors.
Made of 100% wood.
Model is W 49 – H 28 and weight 1.5 kg.
This reliquary figure is called Ekuk means both “protective forest spirit” and “children of beete.” It displays a flat surface and often has a whitened heart-shaped face, a triangular nose, coffee-bean eyes and small or non-existent mouth. The faces is painted in white kaolin earth, a pigment associated by the Kwele with light and clarity, the two essential factors in the fight against evil.
Made of 100% carved wood, kaolin.
Model is W 21 – H 36 and weight 0.9 kg.
Vuvi mask originate from Gabon near the border with the DRC Democratic Republic of Congo. White face masks are a classic of the peoples of Gabon. This one comes from an area of mixed influences and styles located among the Vuvi and Mitsogho people. But the present mask is more related to the Vuvi than the Mitsogho because of certain features such as the elongated form of the face and details on facial features including the large arched eyebrows going from the root of the nose to the edges. It does not have a flat white surface but has eyes and eyebrows like those of Vuvi. It has a brown band enclosing the lower lip to chin and the cap treated in a manner close Vuvi. Rest of maroon and black patina, nice harmony.
Made of 100% wood.
Model is W 46 – H 23 and weight 1.6 kg.
This tribal Mask From the Chokwe is called pwo or mwana pwo mask and originates from Angola. It has an elaborate hairline made up of a braided fibre fabric, beautiful and unusual scarification patterns on the forehead and cheeks. Pwo signifies womanhood and an elder ancestral female associated with fertility. The cross form on the forehead, known as cingelyengelye, is an early Portuguese influence.
Made of 100% wood, fiber, Patina.
Model is W 28 – H 17 and weight 0.5 kg.
This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.
Made of 100% Native fiber, wood and paint.
Model is W 49 - H 18 and weight 1.5 kg.
This zoomorphic Dogon mask made of wood, with chestnut brown patina, simple but yet very harmonious, is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.
Made of 100% wood, laundry blue decorations.
Model is W 51 - H 20 and weight 3.9 kg.
Vuvi mask originate from Gabon near the border with the DRC Democratic Republic of Congo. White face masks are a classic of the peoples of Gabon. This one comes from an area of mixed influences and styles located among the Vuvi and Mitsogho people. But the present mask is more related to the Vuvi than the Mitsogho because of certain features such as the elongated form of the face and details on facial features including the large arched eyebrows going from the root of the nose to the edges. It does not have a flat white surface but has eyes and eyebrows like those of Vuvi. It has a brown band enclosing the lower lip to chin and the cap treated in a manner close Vuvi. Rest of maroon and black patina, nice harmony.
Made of 100% wood.
Model is W 39 â H 23 and weight 1 kg.
This tri-pigmented wooden mask is typical of the Vuvi: of classical form, finely carved with remains of black pigment on the hairline, brow, and chin, remaining red and white pigment throughout.Masks of this particular type have often been attributed to the Vuvi or Pove people in Gabon; Each mask represents a supernatural being, an expression of the imaginary in which the ancestors are confused.This mask is pleasing and well proportioned in its simplicity.
Made of 100% wood.
Model is W 20 â H 52 and weight 1.1 kg.
This zoomorphic Dogon Dege mask made of wood, with chestnut brown patina, simple but yet very harmonious, is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.
Made of 100% wood.
Model is W 70 - H 26 and weight 4 kg.
This reliquary figure is called Ekuk means both “protective forest spirit” and “children of beete.” It displays a flat surface and often has a whitened heart-shaped face, a triangular nose, coffee-bean eyes and small or non-existent mouth. The faces is painted in white kaolin earth, a pigment associated by the Kwele with light and clarity, the two essential factors in the fight against evil.
Made of 100% wood.
Model is W 36 – H 12 and weight 1.1 kg.
This superb statue called "guardian byer", with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular the Meke-Betsi of the North and the North - West Gabon. The character, in a sitting position, Holds in his hands an offering.
Made of 100% wood
Model is W 62 – H 24 and weight 4 kg.
This mini figure is characteristic of the Senufo tribe, in particular, the Meke-Betsi of the North and the North - West Gabon. It is called "Eyema Byeri or "Guardian Byer". Although the couple is an essential dynamic of Senufo thought - the sculpted figure is an emblematic expression of the ideas that govern Senufo society- very few statues of couples have remained together in Western collections, as is the case here.
Made of 100% wood.
Model is W 4.5 – H 23 and weight 0.2 kg.
This beautiful old carving originates from the Fang people of Gabon. Among the Fang, these type of masks identify to the Ngil Society and are known for their elegant abstractions of the human face. They were meant to protect. They are often of great aesthetic quality, which suggests that they are the culmination of a long sculptural tradition.
Made of 100% wood.
Model is W 69 - H 20 and weight 1.4 kg.
This “guardian byer” figure with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North – West Gabon. This beautiful piece, with its elegant lines and its intense stare, offers a round trip through the art world of the twentieth century,
Made of 100% wood
Model is W 22 – H 40 and weight 1.4 kg.
Vuvi mask originate from Gabon near the border with the DRC Democratic Republic of Congo. White face masks are a classic of the peoples of Gabon. This one comes from an area of mixed influences and styles located among the Vuvi and Mitsogho people. But the present mask is more related to the Vuvi than the Mitsogho because of certain features such as the elongated form of the face and details on facial features including the large arched eyebrows going from the root of the nose to the edges. It does not have a flat white surface but has eyes and eyebrows like those of Vuvi. It has a brown band enclosing the lower lip to chin and the cap treated in a manner close Vuvi. Rest of maroon and black patina, nice harmony.
Made of 100% wood.
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Kwele masks with two large horns represent the antelope whose flesh was eaten at the end of the 'beete' ritual. The beete ritual, which lasted for a week, would open with the departure of men into the forest to hunt antelope, whose flesh, seasoned with medicines, had to be eaten at a meal at the closing ceremony. Kwele faces are usually painted in white kaolin earth, a pigment associated by the Kwele with light and clarity, the two essential factors in the fight against evil. The Kwele masks originate from the rain forests of Gabon on the western coast of Africa and are hand carved by the Bwete association.
Made of 100% wood, kaolin.
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Made of 100% wood, pigments, kaolin.
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This guardian Byeri figure with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North -West Gabon. This beautiful piece, with its elegant lines and its intense stare, offers a round trip through the art world of the twentieth century,
Made of 100% wood
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This guardian byeri figure with its voluminous head and stocky appearance is characteristic of the Southern Fang style, in particular, the Meke-Betsi of the North and the North-West Gabon. This beautiful piece, with its elegant lines and its intense stare, offers a round trip through the art world of the twentieth century,
Made of 100% wood
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This abstract anthropomorphic carving originates mask from the Fang tribe. They were meant to protect. They are often of great aesthetic quality, which suggests that they are the culmination of a long sculptural tradition. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.
Made of 100% wood.
Model is W 34 – H 65 and weight 2kg.
This Suruku Hyena mask, belong to the 6th class of the society of the Bambara Korah; with Dark brown patina, it is simple but yet very harmonious, and an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. Lots of power.
Made of 100% wood.
Model is W 46 - H 23 and weight 3 kg.
This type of circular pendant representing a sun refers to an ancient and complex passage of the Dogon cosmogony, at a time when light was given to men through 10 suns. It is is relatively rare in western collections. The sun symbol identification that is sometimes made seems to be foreign rather than a Dogon interpretation.
Made of 100% Brass / Bronze
Model is W 7 – H 2 and weight 0.12 kg.
This statue is called “guardian byer”, with its voluminous head and stocky appearance, is characteristic of the Southern Fang style, in particular the Meke-Betsi of the North and the North – West Gabon. The character, in a sitting position, Holds in his hands an offering.
Made of 100% wood
Model is W 10 – H 50 and weight 1.3 kg.
This mask with unusual abstract form and 6 carved eyes belong to the Kwele peoples of Gabon. The mask is made of wood and painted with kaolin in brown and white. This example of Kwele art is an antique and is believed to be over 60 years old.
Made of 100% wood, kaolin.
Model is W 36 - H 21 and weight 0.9 kg.
This authentic mask, depicting an abstracted human face showing traces of exposure to the Elem bird mask is made of wood, with a crusted old wooden patina, originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.
Made of 100% wood, fiber Patin.
Model is W 29 – H 20 and weight 2 kg.
This zoomorphic Dyodyomini Dogon mask made of Hardwood with a kaolin coating is an exceptional piece for your collection. It originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. The term Dyodyomini which designates this type of mask evokes a bird that pecks. It would be a Dobu, a sort of hornbill, white and brown, with a long curved beak. It was created on the occasion of a Dama (funeral ceremony, the feast of mourning).
Made of 100% wood.
Model is W 48 - H 192 and weight 1 kg.
This light mask (late 1800s) represents the spirit of an ancestor and was used for social control by Ngil, the judiciary association. The facial markings, abstract features and strong. Elegant lines are typical of Fang masks, which were among the most influential.
Made of 100% Native fiber, wood and paint.
Model is W 48 - H 21 and weight 1.6 kg.
This superbly sculpted Marka Mask is made of wood, covered with brass sheets, comes from Mali. This is one of the finest examples of Marka masks. This is a beautiful well-carved mask. The works on the brass sheet are final and superb. This mask would have a place in any good collection for its artistic and intrinsic values.
Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.
Model is W 49 - H 17 and weight 2.2 kg.
This abstract anthropomorphic carving originates mask from the Fang tribe. They were meant to protect. They are often of great aesthetic quality, which suggests that they are the culmination of a long sculptural tradition. Symbolic representations of ancestors, these comparatively rare heads hold a special place in the corpus of Fang statuary.
Made of 100% wood.
Model is W 25 - H 20 and weight 1kg.
This young Fang "Eyema Byeri" figure of a male ancestor is characteristic of the style of the Fang Ntumu subgroup of northern Gabon near the Cameroon border. The appearance of Fang reliquary figures varies greatly from region to region. The Fang characteristics are recognized by the accentuated muscular reliefs of the arms and calves, as well as the curved shoulders and thighs. A good illustration of the “classical” style of the Southern Fang with a concave-convex face.
Made of 100% wood
Model is W 10 – H 43 and weight 1 kg.
A Tsogo mask is a tribal mask native to the Ogooué River basin in Gabon, especially in the south in Ngounié Province. Tsogo masks are controlled by the Bwiti men's initiation society. The masks represent supernatural beings, each type has its own name and symbolism. They are used in initiation ceremonies and share the kaolin white surface with their Gabon neighbors, the Fang, Punu and Kwele.The masks are extremely valuable to collectors of African art.
Made of 100% wood, kaolin, pigments.
Model is W 19 â H 28 and weight 0.3 kg.
"Elu" mask with an expressive Bird like face and hinged jaw originates from the Ogoni tribe in Nigeria, early 20th century. Wooden face mask with hinged, movable jaw. Lower jaw portion attached to upper by narrow wooden threads on each side. Semicircular disc like ears protrude from sides of face. Scarification marks with geometrically incised designs appear on both sides of the face at outer corner of eye area. The eyes are hollow almond shaped openings. The head decoration has a raised portion, with a vertical light-painted keloid or scar mark the center.
Made of 100% light hand-carved cane wood, fiber and pigments.
Model is W 30 - H 19 and weight 3 kg.
Vuvi mask originate from Gabon near the border with the DRC Democratic Republic of Congo. White face masks are a classic of the peoples of Gabon. This one comes from an area of mixed influences and styles located among the Vuvi and Mitsogho people. But the present mask is more related to the Vuvi than the Mitsogho because of certain features such as the elongated form of the face and details on facial features including the large arched eyebrows going from the root of the nose to the edges. It does not have a flat white surface but has eyes and eyebrows like those of Vuvi. It has a brown band enclosing the lower lip to chin and the cap treated in a manner close Vuvi. Rest of maroon and black patina, nice harmony.
Made of 100% wood.
Model is W 36 â H 22 and weight 0.9 kg.
Vuvi mask originate from Gabon near the border with the DRC Democratic Republic of Congo. White face masks are a classic of the peoples of Gabon. This one comes from an area of mixed influences and styles located among the Vuvi and Mitsogho people. But the present mask is more related to the Vuvi than the Mitsogho because of certain features such as the elongated form of the face and details on facial features including the large arched eyebrows going from the root of the nose to the edges. It does not have a flat white surface but has eyes and eyebrows like those of Vuvi. It has a brown band enclosing the lower lip to chin and the cap treated in a manner close Vuvi. Rest of maroon and black patina, nice harmony.
Made of 100% wood.
Model is W 46 â H 23 and weight 0.9 kg.
mask are very rare. The faces of most Ambete strongly resemble those found on the masks of the Vuvi and the Mitsogho, even though Ambete masks are virtually unknown. The Ambete mask feature a volumetric head, a prominent raised sagittal crest flanked by lateral tresses carved as a series of deeply incised parallel lines. The smooth crescent of the forehead projects slightly above the lower half of the face that is enlivened by additions of copper/brass plates he Ambete (Mbete, Mbede, Mbete and Mbeti) , descendent of the Kota, live in the Republic of Congo near the northern frontier of Gabon and also in northern Gabon.
Made of 100% Wood, metal.
Model is W 20 H 30 and weight 1.2 kg.
This ancestral Mangbetu mother-child figure made of light wood, fiber Patin, is an exceptional piece for your collection. It originates from the Mangbetu also spelled Monbuttu, peoples of Central Africa living to the south of the Zande in northeastern Congo (Kinshasa). The Anthropomorphic figure dates from 1950 - 1960.
Made of 100% light wood, fiber Patin.
Model is W 76 - H 21 and weight 4.5 kg.
This superb Marka Mask made with wood, covered with brass sheets, comes from Mali. This is one of the finest examples of Marka masks. This is a beautiful well-carved mask. The works on the brass sheet are final and superb. This mask would have a place in any good collection for its artistic and intrinsic values.
Made of 100% wood, dark brown patina, sheet metal and red dyed fiber.
Model is W 46 - H 19 and weight 2 kg.
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