Made of 100% Terracotta

Model is W 12 - H 20 - D 11 and weight 1 kg

This small urn originates from the Djenne-Djenno also known as Jenne-Jeno or Djenne. It is made of ancient terracotta and sculpted by hand. They do not stand on their own on a perfectly flat surface, and were made to stand on uneven earth / ground. Unique in their simplicity, these vessels come in various sizes, and may have been receptacles for offerings or simply used as a household item.This particular one might have been intended for ceremonial rituals and for use in the shrine, and held by the chief of the village as a sign of status.<

The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail, but declined and was abandoned by 1400. Items of cast brass and forged iron, clay vessels, and figures like this one survived. They testify to what scholars contend was a richly varied and highly sophisticated urban society.

This Djenne bracelet made of bronze and terracotta dates as early as the 11th or 12th century. This type of bracelets such as this were highly prized in Western Africa from 1600-1900, and utilized not only as jewelry and Currency Trade Money, but also as portable wealth.

Made of 100% Brass / Bronze

Model is W 12– H 9 and weight 0.2 kg.

This hand-cast crafted ceremonial Djenne Three Clover Leaf Ring is made of bronze and dates as early as the 11th or 12th century. Dugged from the ground, it has retained its archeological patina. A superb heavy oxidized vert-de-gris patina of greens and browns as well as encrusted deposits cover this imposing ring.

Made of 100% Brass / Bronze

Model is W 5 – H 3 and weight 0.02 kg.

This rare, museum quality, authentic Amulet Bronze Equestrian ring with Horse Riding warrior (circa mid- late 1800s) originates from the Dogon tribe, a symbol of a material power, but also the instrument of warlike adventures. In a more metaphysical way, he dominates the mortal and spiritual world by displaying his physical and moral strength.

Made of 100% Brass / Bronze

Model is W 5 – H 3 and weight 0.02 kg.

This is a very unique hand carved wood double door cabinet originates from the Dogon tribe. It Stands on Three legs with a Latch. It is a anthropomorphic with double headed figure and relief carved women on the door and a lizard on the back.

Made of 100% wood

Model is W 69 - H 15 and weight 1.4 kg.

This hand-cast crafted Djenne hairpin is a handsome example of Dogon art; and as such, presents a style that greatly influenced the art of the West. It was used as an hair ornament and jewelry. The figure is a mother and child in a seated position. 

Made of 100% Brass / Bronze

Model is W 1 – H 14 and weight 0.2 kg.

This unique clay maternity figure was sculpted by the creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.

Made of 100% Terracotta

Model is W 38 – H 7 and weight 0.8 kg.

Made of 100% Terracotta

Model is W 14 - H 30 - D 16 and weight 4 kg

This Djenne figure sculpted by hand into a sitting genuflecting posture, is made of terracotta, with elements from traditional livelihood material such as red clay mixed with grog. They usually depict suffering from ailments such as elephantiasis, facial paralysis, and leprosy. These sign of diseases on the sculpture may have been intended to protect against illnesses or for protection but beyond conjecture, their meaning and significance are still unknown, but they may have been venerated in special sanctuaries and private homes.

The history of Djenné is also closely linked with that of Timbuktu. Between the 18th and 19th centuries, much of the trans-Saharan trade in goods such as salt, gold, and slaves that moved in and out of Timbuktu passed through Djenné. Both towns became centers of Islamic scholarship. However, It was founded by the Bozo (allied with the Bamana) people in about 800 AD and was relocated upstream to take advantage of the Trans-Saharan trade networks.

Dogon art remains today some of the best known and most collected African art. They create an impressive world of traditional, abstract, beautiful, functional objects of wood and metal, as is often the case with these functional bowls. The milk bowl has a fine patina from use and age. Such a milk bowl was highly prized and passed down from one generation to the next, repaired again and again.

Made of 100% wood.

Model is W 18 – H 36 and weight 1 kg.

This beautiful piece is a granary door made by the Dogon people of Mali. It was designed to seal off a ceramic and stone granary, which contained agricultural produce which would have sustained a large social group between harvests. Granaries were therefore of primary importance to the Dogon, as the family would have starved if rats or other animals had been able to enter the granary. It displays well and is a striking and attractive piece of secular African design.

Made of 100% wood.

Model is W 30 – H 38 and weight 0.9 kg.

This Antique Black and White Beaded with Cowrie Shell Fly Whisk or Swatter originates from the Dogon People of Mali. A Dogon Noble's fly whisk was considered a prestige object. The fly whisk is a particularly pervasive emblem of leadership in Africa.

Made of 100% wood.

Model is W 3 – H 38 and weight 0.3 kg.

These finely carved iron objects could have been carried by a ‘ritual thief’ for the complex funerary rituals so well known among the Dogon. It may have also been used by the blacksmith as an indication of his status among the Dogon. It originates from the Dogon who live at the base of the Bandiagara escarpment near the Niger River in Mali. 

Made of 100% Brass, Iron Alloy

Model is W 33 – H 5 and weight 0.1 kg.

This beautiful comb originates from the Songye peoples - the Democratic Republic of the Congo. Antique combs were used for styling the hair and were sometimes worn as decorative items when inserted and worn in both men’s and women’s hair. Elaborate and distinctive coiffures reveal social status, and hair combs were considered a luxury and many become treasured items that are passed down through the generations.

Made of 100% Wood.

Model is W 28 - H 9 and weight 0.2 kg

Djenne light brick red clay terracotta vessel originate from the Djenne-Djenno also known as Jenne-Jeno or Djenne. The terracotta vessels come in different sizes and do not stand on their own on a perfectly flat surface were made to stand on uneven earth / ground. These vessels may have been receptacles for offerings or simply used as a household item. Unique in their simplicity, these ancient specimen are in great condition with some and would be a perfect addition to any collection or a great piece of home decor. These everyday useful objects often unnoticed by most collectors, who have been slow to fully explore and appreciate this symbolic and significant part of Africa’s artistic heritage. Djenne was once a prospering city which was also once the trade center of this region and it was located at the the Inland Delta of the Niger River which was the heart of the Mali Empire between the 12th and 16th centuries. The Djenne civilization are precursors to the Dogon of Mali.

Made of 100% Terracotta.

Model is W 8 – H 15 and weight 0.35 kg.

Beautifully hand carved figural heddle pulley originating from the Dogon people of Mali. They are used in strip-weaving to produce long, narrow strips of cloth that would be sewn together later to create a large textile. The Nommo figure are seen as spirits that are supposed to protect the weaver and help him produce good quality of textiles. Heddle pulleys have become real pieces of art which are found in museums and collections around the world.

Made of 100% wood.

Model is W 38 – H 19 and weight 0.4 kg.

Made of 100% Terracotta

Model is W 18 - H 57 - D 20 and weight 5 kg

This piece depicting a kneeling or sitting chief was made by the Nok people of Nigeria. The piece is a classic of the Ala Katsina terracotta style and the technique is influenced by the traditional wood sculpting of the Tellem people of Mali. 

Little is known of the original function of the pieces, but theories include ancestor portrayal, grave markers, and charms to prevent crop failure, infertility, and illness. Also, based on the dome-shaped bases found on several figures, they could have been used as finials for the roofs of ancient structures.

The Dogon tribe is famous for their small cast figures and objects, which despite their small size, express status, prestige, and power such as this hand-carved staff. Known for their art as well as their remarkable villages along the heights of the Bandiagara escarpment in Mali, Dogon art remains today some of the best known and most collected African art.

Made of 100% wood.

Model is W 11 – H 99 and weight 1 kg.

This iron fetish bird figure of early to mid 20th Century, is made by the Dogon tribe from Mali using the old lost-wax method and is in excellent condition. The fetish figure of a bird is believed to symbolize the 'hogon' or spiritual leader. 

Made of 100% Bronze

Model is W 45 – H 30 and weight 3.5 kg.

This zoomorphic figure standing upright on all four legs, the head with sheep-like muzzle bearing a human nose seem to originate from the Tenenkou, Massina region of Mali. It is a classic of the region, with a stocky body and very thick legs, a slim neck, and a small head bearing protuberant ears, bulging eyes and a half-open mouth on a pointed snout. The identity of the animal is somewhat obscure, and could depict a mythological animal and was used as a religious or devotional piece. There is little historical information about the Tenenkou, but their culture seem absorbed from the Djenne.

Made of 100% Terracotta.

Model is W 14 – H 26 and weight 0.6 kg.

This beautiful piece is a granary door made by the Dogon people of Mali. It was designed to seal off a ceramic and stone granary, which contained agricultural produce which would have sustained a large social group between harvests. Granaries were therefore of primary importance to the Dogon, as the family would have starved if rats or other animals had been able to enter the granary. It displays well and is a striking and attractive piece of secular African design.

Made of 100% wood.

Model is W 60 – H 60 and weight 2 kg.

Dogon art remains today some of the best known and most collected African art. They create an impressive world of traditional, abstract, beautiful, functional objects of wood and metal, as is often the case with these functional bowls. The milk bowl has a fine patina from use and age. Such a milk bowl was highly prized and passed down from one generation to the next, repaired again and again.

Made of 100% wood.

Model is W 18 – H 47 and weight 1.3 kg.

A small stool carved in the rawest form, with a smooth, old usage patina on the seat, otherwise a slightly encrusted patina with some smooth glossy areas typical to the Dogon. The piece originates from the administrative districts of Bandiagara and Douentza, Mopti region, Dogon in Mali.  This is a great piece of Dogon art that would compliment any collection or home accent.

Made of 100% wood.

Model is W 19 - H 17 and weight 0.8 kg.

Made of 100% Terracotta

Model is W 19 - H 19 - D 17 and weight 1 kg

This small vessel or container originates from the Djenne-Djenno also known as Jenne-Jeno people. The small urn is made of red clay in a simplistic and more prevalent utility objects, that have largely been overlooked by collectors, and were rare, with proven age and authenticity. These vessels may have been used as a household item, or a receptacle for offerings during the ceremonial rituals. This particular one was found lying underground near a small village next to the Niger River, but not far from the Dogon.

This is a very unique hand carved wood double door cabinet originates from the Dogon tribe. It Stands on Three legs with a Latch. It is a anthropomorphic with double headed figure and relief carved women on the door and a lizard on the back.

Made of 100% wood

Model is W 63 – H 15 and weight 2.5 kg.

Beautiful, rare antique cast bronze sitting female figure, made by the Dogon, but possibly an even older Djenne piece from Mali. Sculpture has a wonderful, very old encrusted patina on it and date at least from the late 19th century but maybe before. 

Made of 100% Brass / Bronze

Model is W 17 – H 8 and weight 1.8 kg.

This hand-carved headrest reminiscent of a turtle originates from the Dogon people in Mali. The heavy honey-colored wood has a beautiful grain, the larger handle or extremity is richly patinated from having been carried around by its owner.

Made of 100% wood.

Model is W 19 – H 780 and weight 5 kg.