Made of 100% Terracotta

Model is W 50 - H 40 - D 40 and weight 12 kg

This red clay terracotta jar originates from the Djenne-Djenno also known as Jenne-Jeno or Djenne. It is made of ancient terracotta or fired clay, sculpted by hand, with striations in sets of two, they do not stand perfectly on their own on a flat surface, but on a earth ground.

Djenne was once a prospering city which,  and the trade center of this region, it was located at the the Inland Delta of the Niger River, which was the heart of the Mali Empire between the 12th and 16th centuries. The Djenne civilization are precursors to the Dogon of Mali.

This rare small vessel with figural lids originate from Dogon, and dates . Atop the lid is two seated figures that represents an (idealistic) portrait of the deceased. The vessels were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 13 – H 8 and weight 0.14 kg.

This hand-carved headrest reminiscent of a turtle originates from the Dogon people in Mali. t is heavy, carved from one piece of wood with an abstract animal's head at one end and a tail at the other. The wood has a beautiful grain, smooth and comfortable, with a rich patina from having been carried around by its owner, a shaman as he went from village to village for ritual dances or healing ceremonies.

Made of 100% wood.

Model is W 13 - H 54 and weight 2 kg.

Made of 100% Terracotta

Model is W 12 - H 20 - D 11 and weight 1 kg

This small urn originates from the Djenne-Djenno also known as Jenne-Jeno or Djenne. It is made of ancient terracotta and sculpted by hand. They do not stand on their own on a perfectly flat surface, and were made to stand on uneven earth / ground. Unique in their simplicity, these vessels come in various sizes, and may have been receptacles for offerings or simply used as a household item.This particular one might have been intended for ceremonial rituals and for use in the shrine, and held by the chief of the village as a sign of status.<

The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail, but declined and was abandoned by 1400. Items of cast brass and forged iron, clay vessels, and figures like this one survived. They testify to what scholars contend was a richly varied and highly sophisticated urban society.

Dogon art remains today some of the best known and most collected African art. They create an impressive world of traditional, abstract, beautiful, functional objects of wood and metal, as is often the case with these functional bowls. The milk bowl has a fine patina from use and age. Such a milk bowl was highly prized and passed down from one generation to the next, repaired again and again.

Made of 100% wood.

Model is W 18 – H 36 and weight 1 kg.

This handmade comb originates from the Songye of the Democratic Republic of the Congo. The combs were used by both men and women in elaborate and distinctive coiffures and a source of social status. Hair combs were considered a luxury and many become treasured items that were passed down through the generations.

Made of 100% Wood.

Model is W 21 - H 8 and weight 0.2 kg

This Chokwe shield is carved from wood, with raised head and striated surface, very similar in form to Songye Shields and Luba Shields. They are interesting because, on the outside of the shield, the Chokwe depicted copies of their masks, symbolizing the connection with the spirits of their ancestors. In connection with their living conditions, the rounded shields are built for movement and hunting since the Northern people are hunters. The shield is completely carved out of wood.

Made of 100% wood, pigment.

Model is W 40 - H 81 and weight 1.2 kg.

This hand carved headrest reminiscent of a turtle originates from the Dogon people in Mali. The heavy honey-colored wood has a beautiful grain, the larger handle or extremity is richly patinated from having been carried around by its owner. The flat and slightly curved portion of the headrest also has a warm patina from usage. Dogon headrests are rare, replicating the larger stools in style and form, retaining all of the elegance and the aesthetics of larger pieces. Headrests like stools are considered to be objects of prestige, denoting social status and hierarchy in African societies.

Made of 100% wood.

Model is W 12 - H 29 and weight 0.4 kg.

This rare, museum quality, authentic Amulet Bronze Equestrian ring with Horse Riding warrior (circa mid- late 1800s) originates from the Dogon tribe, a symbol of a material power, but also the instrument of warlike adventures. In a more metaphysical way, he dominates the mortal and spiritual world by displaying his physical and moral strength.

Made of 100% Brass / Bronze

Model is W 5 – H 3 and weight 0.02 kg.

This miniature Cast Handmade Dogon iron sculpture is a farmer or shepherd holding a wand. The sculpture reflects the artistry, power, and authority of the Dogon blacksmith. Iron sculpture has a special meaning for the Dogon for they blend symbol and a powerful aesthetic in a very abstract image.

Made of 100% Brass, Iron Alloy

Model is W 27 – H 8 and weight 0.07 kg.

This beautiful comb originates from the Songye peoples - the Democratic Republic of the Congo. Antique combs were used for styling the hair and were sometimes worn as decorative items when inserted and worn in both men’s and women’s hair. Elaborate and distinctive coiffures reveal social status, and hair combs were considered a luxury and many become treasured items that are passed down through the generations.

Made of 100% Wood.

Model is W 28 - H 9 and weight 0.2 kg

This beautiful piece is a granary door made by the Dogon people of Mali. It was designed to seal off a ceramic and stone granary, which contained agricultural produce which would have sustained a large social group between harvests. Granaries were therefore of primary importance to the Dogon, as the family would have starved if rats or other animals had been able to enter the granary. It displays well and is a striking and attractive piece of secular African design.

Made of 100% wood.

Model is W 60 – H 60 and weight 2 kg.

This hand-cast crafted Djenne ring is made of bronze and dates as early as the 11th or 12th century. Dugged from the ground, it has retained its archeological patina. A superb heavy oxidized vert-de-gris patina of greens and browns as well as encrusted deposits cover this imposing ring.

Made of 100% Brass / Bronze

Model is W 5 – H 3 and weight 0.02 kg.

This type of circular pendant representing a sun refers to an ancient and complex passage of the Dogon cosmogony, at a time when light was given to men through 10 suns. It is is relatively rare in western collections. The sun symbol identification that is sometimes made seems to be foreign rather than a Dogon interpretation. 

Made of 100% Brass / Bronze

Model is W 7 – H 2 and weight 0.12 kg.

This jewelry or ancestral box originate from the Mangbetu tribe, of the colonial history of the Democratic Republic of the Congo. The unknown artist who carved this box was not only skilled with an adze, or carving tool, but also a savvy businessman who understood his audience: while Mangbetu courtiers preferred boxes with geometric bases, Europeans preferred figurative sculptures. This piece would have been particularly attractive to European consumers, who held a prurient fascination for courtly Mangbetu hairstyles that accentuated the high foreheads of the nobility, shaped through cloth bindings during infancy. Estimated at 15.000 - 20.000 Euros.

Made of 100% wood, bark, vegetable fiber.

Model is W 26 – H 47 and weight 1.2 kg.

Beautiful, rare antique cast bronze sitting female figure, made by the Dogon, but possibly an even older Djenne piece from Mali. Sculpture has a wonderful, very old encrusted patina on it and date at least from the late 19th century but maybe before. 

Made of 100% Brass / Bronze

Model is W 17 – H 8 and weight 1.8 kg.

This Baga water vessel, made of red clay, originates from the Baga people living in Guinea, in the most western parts of the African continent.  It Pots was used in rural communities for carrying water. A noble reverence can be felt when looking at a this beautifully formed vessel that has fulfilled its function perfectly for thousands of years.

Made of 100% red clay.

Model is W 20 - H 20 and weight 2.4 kg.

This anthromorphic ceremonial spoon originate from the Dan people of the Ivory Coast and Liberia.With these spoons the women of the Dan cater for guests who come to the village to attend big ceremonial feasts. Artists in Dan communities mastered the art of carving impressive, large wooden spoons that are virtuoso works of sculpture. The spoons are known by many names, including wake mia or wunkirmian, which roughly translates as "spoon associated with feasts." The spoons range in size from a foot to two feet and have one or (rarely) two parallel bowls. The handle of the spoon is always decorated and often is related to the human form and often feature a pair of legs like this example.Among the Dan, the owner of the spoon is called wa ke de, "at feasts acting woman." It is a title of great distinction that is given to the most hospitable woman of the village. With the honor, however, comes responsibility - the wa ke de must prepare the large feast that accompanies masquerade ceremonies.

Made of 100% wood, kaolin, pigments.

Model is W 19 – H 28 and weight 0.3 kg.

Dogon are famous for their cast figures and objects, which express status, prestige, and power such as this hand-carved staff. Each Dogon clan has a ritual thief. The staffs are called yo domolo (thief's staff and frequently have a hook-like shape. They used to be held in the hand or worn over the shoulder during the funeral ceremony.

Made of 100% wood.

Model is W 13 – H 81 and weight 1.8 kg.

The Ntomo (also called N'domo) Bamana mask originate from Mali. They were worn by boys as they passed through the early cycle of initiation into manhood. As part of the six initiation societies collectively known as Dyow, the main aim of the initial 5-year long N'tomo Dyo is to prepare uncircumcised boys for adulthood and to educate them about life including farming skills and discipline. The masqueraders wearing the masks, enter the village compound to announce the start of a ritual or a puppet masquerade. There are two main style groups of their masks. One is characterized by an oval face with four to ten horns in a row on top like a comb, often covered with cowries or dried red berries. The other type has a ridged nose, a protruding mouth, a superstructure of vertical horns, in the middle of which or in front of which is a standing figure or an animal. The ntomo masks with thin mouths underscore the virtue of silence and the importance of controlling one’s speech. During their time in ntomo the boys learn to accept discipline. They do not yet have access to the secret knowledge related to korè and other initiation societies. Members wore a wooden face mask during the initiation festival at harvest time and when begging for rice.

Made of 100% Wood.

Model is W 30 – H 71 and weight 1.9 kg

This artwork is a zoomorphic box with two headed horse figures and relief carved lizard figure on the lid. This is a great display piece on a desk or dresser. The latch Dogon box originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region.

Made of 100% wood.

Model is W 10 - H 47 and weight 1.7 kg

This Antique Black and White Beaded with Cowrie Shell Fly Whisk or Swatter originates from the Dogon People of Mali. A Dogon Noble's fly whisk was considered a prestige object. The fly whisk is a particularly pervasive emblem of leadership in Africa.

Made of 100% wood.

Model is W 3 – H 38 and weight 0.3 kg.

Djenne light brick red clay terracotta vessel originate from the Djenne-Djenno also known as Jenne-Jeno or Djenne. The terracotta vessels come in different sizes and do not stand on their own on a perfectly flat surface were made to stand on uneven earth / ground. These vessels may have been receptacles for offerings or simply used as a household item. Unique in their simplicity, these ancient specimen are in great condition with some and would be a perfect addition to any collection or a great piece of home decor. These everyday useful objects often unnoticed by most collectors, who have been slow to fully explore and appreciate this symbolic and significant part of Africa’s artistic heritage. Djenne was once a prospering city which was also once the trade center of this region and it was located at the the Inland Delta of the Niger River which was the heart of the Mali Empire between the 12th and 16th centuries. The Djenne civilization are precursors to the Dogon of Mali.

Made of 100% Terracotta.

Model is W 8 – H 15 and weight 0.35 kg.

Beautifully hand carved figural heddle pulley originating from the Dogon people of Mali. They are used in strip-weaving to produce long, narrow strips of cloth that would be sewn together later to create a large textile. The Nommo figure are seen as spirits that are supposed to protect the weaver and help him produce good quality of textiles. Heddle pulleys have become real pieces of art which are found in museums and collections around the world.

Made of 100% wood.

Model is W 38 – H 19 and weight 0.4 kg.

This is a very unique hand carved wood double door cabinet originates from the Dogon tribe. It Stands on Three legs with a Latch. It is a anthropomorphic with double headed figure and relief carved women on the door and a lizard on the back.

Made of 100% wood

Model is W 69 - H 15 and weight 1.4 kg.