This iron fetish bird figure of early to mid 20th Century, is made by the Dogon tribe from Mali using the old lost-wax method and is in excellent condition. The fetish figure of a bird is believed to symbolize the 'hogon' or spiritual leader. 

Made of 100% Bronze

Model is W 45 – H 30 and weight 3.5 kg.

Dogon art remains today some of the best known and most collected African art. They create an impressive world of traditional, abstract, beautiful, functional objects of wood and metal, as is often the case with these functional bowls. The milk bowl has a fine patina from use and age. Such a milk bowl was highly prized and passed down from one generation to the next, repaired again and again.

Made of 100% wood.

Model is W 18 – H 36 and weight 1 kg.

This hand-carved headrest reminiscent of a turtle originates from the Dogon people in Mali. The heavy honey-colored wood has a beautiful grain, the larger handle or extremity is richly patinated from having been carried around by its owner.

Made of 100% wood.

Model is W 19 – H 780 and weight 5 kg.

Djenne light brick red clay terracotta vessel originate from the Djenne-Djenno also known as Jenne-Jeno or Djenne. The terracotta vessels come in different sizes and do not stand on their own on a perfectly flat surface were made to stand on uneven earth / ground. These vessels may have been receptacles for offerings or simply used as a household item. Unique in their simplicity, these ancient specimen are in great condition with some and would be a perfect addition to any collection or a great piece of home decor. These everyday useful objects often unnoticed by most collectors, who have been slow to fully explore and appreciate this symbolic and significant part of Africa’s artistic heritage. Djenne was once a prospering city which was also once the trade center of this region and it was located at the the Inland Delta of the Niger River which was the heart of the Mali Empire between the 12th and 16th centuries. The Djenne civilization are precursors to the Dogon of Mali.

Made of 100% Terracotta.

Model is W 7 – H 15 and weight 0.35 kg.

This miniature Cast Handmade Dogon iron sculpture is a farmer or shepherd holding a wand. The sculpture reflects the artistry, power, and authority of the Dogon blacksmith. Iron sculpture has a special meaning for the Dogon for they blend symbol and a powerful aesthetic in a very abstract image.

Made of 100% Brass, Iron Alloy

Model is W 27 – H 8 and weight 0.07 kg.

Made of 100% Terracotta

Model is W 14 - H 30 - D 16 and weight 4 kg

This Djenne figure sculpted by hand into a sitting genuflecting posture, is made of terracotta, with elements from traditional livelihood material such as red clay mixed with grog. They usually depict suffering from ailments such as elephantiasis, facial paralysis, and leprosy. These sign of diseases on the sculpture may have been intended to protect against illnesses or for protection but beyond conjecture, their meaning and significance are still unknown, but they may have been venerated in special sanctuaries and private homes.

The history of Djenné is also closely linked with that of Timbuktu. Between the 18th and 19th centuries, much of the trans-Saharan trade in goods such as salt, gold, and slaves that moved in and out of Timbuktu passed through Djenné. Both towns became centers of Islamic scholarship. However, It was founded by the Bozo (allied with the Bamana) people in about 800 AD and was relocated upstream to take advantage of the Trans-Saharan trade networks.

This horse headed hand-carved box comes with a carved two Nommo figures on the lid. The piece originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. This is a great display piece on a desk or dresser.

Made of 100% wood.

Model is W 14 – H 16 and weight 2.1 kg.

This hand-cast crafted ceremonial Djenne Three Clover Leaf Ring is made of bronze and dates as early as the 11th or 12th century. Dugged from the ground, it has retained its archeological patina. A superb heavy oxidized vert-de-gris patina of greens and browns as well as encrusted deposits cover this imposing ring.

Made of 100% Brass / Bronze

Model is W 5 – H 3 and weight 0.02 kg.

Dogon are famous for their cast figures and objects, which express status, prestige, and power such as this hand-carved staff. Each Dogon clan has a ritual thief. The staffs are called yo domolo (thief's staff and frequently have a hook-like shape. They used to be held in the hand or worn over the shoulder during the funeral ceremony.

Made of 100% wood.

Model is W 13 – H 81 and weight 1.8 kg.

This beautiful piece is a granary door made by the Dogon people of Mali. It was designed to seal off a ceramic and stone granary, which contained agricultural produce which would have sustained a large social group between harvests. Granaries were therefore of primary importance to the Dogon, as the family would have starved if rats or other animals had been able to enter the granary. It displays well and is a striking and attractive piece of secular African design.

Made of 100% wood.

Model is W 42 - H 28 and weight 0.9 kg.

This beautiful comb originates from the Songye peoples - the Democratic Republic of the Congo. Antique combs were used for styling the hair and were sometimes worn as decorative items when inserted and worn in both men’s and women’s hair. Elaborate and distinctive coiffures reveal social status, and hair combs were considered a luxury and many become treasured items that are passed down through the generations.

Made of 100% Wood.

Model is W 28 - H 9 and weight 0.2 kg

Djenne light brick red clay terracotta vessel originate from the Djenne-Djenno also known as Jenne-Jeno or Djenne. The terracotta vessels come in different sizes and do not stand on their own on a perfectly flat surface were made to stand on uneven earth / ground. These vessels may have been receptacles for offerings or simply used as a household item. Unique in their simplicity, these ancient specimen are in great condition with some and would be a perfect addition to any collection or a great piece of home decor. These everyday useful objects often unnoticed by most collectors, who have been slow to fully explore and appreciate this symbolic and significant part of Africa’s artistic heritage. Djenne was once a prospering city which was also once the trade center of this region and it was located at the the Inland Delta of the Niger River which was the heart of the Mali Empire between the 12th and 16th centuries. The Djenne civilization are precursors to the Dogon of Mali.

Made of 100% Terracotta.

Model is W 8 – H 15 and weight 0.35 kg.

This anthromorphic ceremonial spoon originate from the Dan people of the Ivory Coast and Liberia.With these spoons the women of the Dan cater for guests who come to the village to attend big ceremonial feasts. Artists in Dan communities mastered the art of carving impressive, large wooden spoons that are virtuoso works of sculpture. The spoons are known by many names, including wake mia or wunkirmian, which roughly translates as "spoon associated with feasts." The spoons range in size from a foot to two feet and have one or (rarely) two parallel bowls. The handle of the spoon is always decorated and often is related to the human form and often feature a pair of legs like this example.Among the Dan, the owner of the spoon is called wa ke de, "at feasts acting woman." It is a title of great distinction that is given to the most hospitable woman of the village. With the honor, however, comes responsibility - the wa ke de must prepare the large feast that accompanies masquerade ceremonies.

Made of 100% wood, kaolin, pigments.

Model is W 19 – H 28 and weight 0.3 kg.

This figurative seating ceremonial spoon called 'Po' originate from the Dan people of the Ivory Coast and Liberia.With these spoons the women of the Dan cater for guests who come to the village to attend big ceremonial feasts. Artists in Dan communities mastered the art of carving impressive, large wooden spoons that are virtuoso works of sculpture. The spoons are known by many names, including wake mia or wunkirmian, which roughly translates as "spoon associated with feasts." The spoons range in size from a foot to two feet and have one or (rarely) two parallel bowls. The handle of the spoon is always decorated and often is related to the human form and often feature a pair of legs like this example.Among the Dan, the owner of the spoon is called wa ke de, "at feasts acting woman." It is a title of great distinction that is given to the most hospitable woman of the village. With the honor, however, comes responsibility - the wa ke de must prepare the large feast that accompanies masquerade ceremonies.

Made of 100% wood, kaolin, pigments.

Model is W 19 – H 28 and weight 0.3 kg.

This unique clay small sculptures of a couple was sculpted by creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.

Made of 100% Terracotta

Model is W 38 – H 7 and weight 0.8 kg.

Dogon are famous for their small cast figures and objects, which despite their small size, express status, prestige, and power such as this hand-carved staff. Known for their art as well as their remarkable villages along the heights of the Bandiagara escarpment in Mali, Dogon art remains today some of the best known and most collected African art.

Made of 100% wood.

Model is W 13 – H 80 and weight 1.5 kg.

Very rare pair of antique hand-carved wooden sandals originating from the Dogon people of Mali. Dogon art also manifests itself in architecture, and both cult and domestic objects.

Made of 100% wood

Model is W 20 - H 8 and weight 1.1 kg.

Djenne light brick red clay terracotta vessel originate from the Djenne-Djenno also known as Jenne-Jeno or Djenne. The terracotta vessels come in different sizes and do not stand on their own on a perfectly flat surface were made to stand on uneven earth / ground. These vessels may have been receptacles for offerings or simply used as a household item. Unique in their simplicity, these ancient specimen are in great condition with some and would be a perfect addition to any collection or a great piece of home decor. These everyday useful objects often unnoticed by most collectors, who have been slow to fully explore and appreciate this symbolic and significant part of Africa’s artistic heritage. Djenne was once a prospering city which was also once the trade center of this region and it was located at the the Inland Delta of the Niger River which was the heart of the Mali Empire between the 12th and 16th centuries. The Djenne civilization are precursors to the Dogon of Mali.

Made of 100% Terracotta.

Model is W 7 – H 15 and weight 0.35 kg.

This Kunin statuette originates from Middle Benue River Valley, Nigeria, and is distinguished by its overall elegant proportions. It is stylistically compared to their Mumuye and Jukun neighbors. This figure is not very common and their role is little known but it has been reported that figures such as this are used in a cult activity known as Jup that is in the main dominated by men or in the case of women, Jem.

Made of 100% carved wood, patina.

Model is W 7 - H 40 and weight 0.2 kg.

The Ntomo (also called N'domo) Bamana mask originate from Mali. They were worn by boys as they passed through the early cycle of initiation into manhood. As part of the six initiation societies collectively known as Dyow, the main aim of the initial 5-year long N'tomo Dyo is to prepare uncircumcised boys for adulthood and to educate them about life including farming skills and discipline. The masqueraders wearing the masks, enter the village compound to announce the start of a ritual or a puppet masquerade. There are two main style groups of their masks. One is characterized by an oval face with four to ten horns in a row on top like a comb, often covered with cowries or dried red berries. The other type has a ridged nose, a protruding mouth, a superstructure of vertical horns, in the middle of which or in front of which is a standing figure or an animal. The ntomo masks with thin mouths underscore the virtue of silence and the importance of controlling one’s speech. During their time in ntomo the boys learn to accept discipline. They do not yet have access to the secret knowledge related to korè and other initiation societies. Members wore a wooden face mask during the initiation festival at harvest time and when begging for rice.

Made of 100% Wood.

Model is W 30 – H 71 and weight 1.9 kg

Djenne light brick red clay terracotta vessel originate from the Djenne-Djenno also known as Jenne-Jeno or Djenne. The terracotta vessels come in different sizes and do not stand on their own on a perfectly flat surface were made to stand on uneven earth / ground. These vessels may have been receptacles for offerings or simply used as a household item. Unique in their simplicity, these ancient specimen are in great condition with some and would be a perfect addition to any collection or a great piece of home decor. These everyday useful objects often unnoticed by most collectors, who have been slow to fully explore and appreciate this symbolic and significant part of Africa’s artistic heritage. Djenne was once a prospering city which was also once the trade center of this region and it was located at the the Inland Delta of the Niger River which was the heart of the Mali Empire between the 12th and 16th centuries. The Djenne civilization are precursors to the Dogon of Mali.

Made of 100% Terracotta.

Model is W 7 – H 10 and weight 0.3 kg.

Made of 100% Terracotta

Model is W 19 - H 19 - D 17 and weight 1 kg

This small vessel or container originates from the Djenne-Djenno also known as Jenne-Jeno people. The small urn is made of red clay in a simplistic and more prevalent utility objects, that have largely been overlooked by collectors, and were rare, with proven age and authenticity. These vessels may have been used as a household item, or a receptacle for offerings during the ceremonial rituals. This particular one was found lying underground near a small village next to the Niger River, but not far from the Dogon.

This hand-carved headrest reminiscent of a turtle originates from the Dogon people in Mali. t is heavy, carved from one piece of wood with an abstract animal's head at one end and a tail at the other. The wood has a beautiful grain, smooth and comfortable, with a rich patina from having been carried around by its owner, a shaman as he went from village to village for ritual dances or healing ceremonies.

Made of 100% wood.

Model is W 13 - H 54 and weight 2 kg.

This unique clay maternity figure was sculpted by the creative and skillful artisan of the Djenne tribe in the West African Republic of Mali. The art of the inner delta of the Niger, the region formed by the triangle of the cities of Mopti, Ke Macina, and Djenne, bears witness to an astonishing richness of invention and a lively concern with detail.

Made of 100% Terracotta

Model is W 38 – H 7 and weight 0.8 kg.

This hand-carved Nommo figurative latch Dogon box originates from Mali, located in the administrative districts of Bandiagara and Douentza, Mopti region. It is anthropomorphic with a lid. This is a great display piece on a desk or dresser.

Made of 100% wood.

Model is W 14 – H 15 and weight 1.7 kg.

This rare small vessel with figural lids originate from Dogon, and dates . Atop the lid is two seated figures that represents an (idealistic) portrait of the deceased. The vessels were used in secondary burial rituals by the Dogon.

Made of 100% Brass / Bronze

Model is W 13 – H 8 and weight 0.14 kg.